Cretaceous Carnage with Lobo

Tags

Alan Grant, Carl Critchlow, DC Comics, dinosaur, dinosaur comics, hunting dinosaurs, Kamandi, Lobo, Mark Propst, time travel

Here at Mars Will Send No More, one of our favorite things is traveling time to hunt dinosaurs. We just can’t get enough of prehistoric poaching, saurian slaughter, terrorizing pterosaurs, and wrestling a ramphoryncus. We relish riding rexes, accosting ankylosaurs, and disturbing the dimetrodons. It’s just what we do.

But nobody does it better than DC Comics’ Main Man: Lobo!

In issue 38 of Lobo’s 65-issue series that began in 1993, the homicidal heathen runs amok in a masterpiece of Mesozoic mayhem. The opening splash page parodies DC’s Kamandi, a Jack Kirby creation about the “last boy on Earth” in a post-apocalyptic dystopia populated by anthropomorphic animals.

But the parodies pile up as different characters arrive on the scene, including cowboys thrilled to be in Ray Harryhausen’s Valley of Gwangi and a bunch of aging 1970s rock stars ready to embark on a “Dinosaurs of Rock” tour.

With a cover date of April 1997, this issue was timed to appear just before the release of Jurassic Park: The Lost World in May, complete with a “Jurassik Pork” action figure of writer Alan “Judge Dredd” Grant. Somehow, this series was published without the “Intended for Mature Readers” warning on the cover, and the creative team pushes that boundary. It substitutes “frag” and “bastich” for more common profanities, creatively poses a butt-naked Lobo to avoid full-frontal nudity, and couches Lobo’s sexual exploits in puns and innuendos.

Even when Lobo gets his hand chopped off, there’s something cartoonish about it all. He can’t really be hurt for too long, and his hand is soon re-attached to his arm without explanation, much in the same way that no matter what horrible fate befell Wile E. Coyote, he always got patched up and came back for more senseless violence.

According to Lobo’s co-creator Keith Giffen, the character was originally intended as a satire of grim-and-gritty, hyper-violent comics. But the satire was so over-the-top that it was hilarious, and the more insane Alan Grant made the character, the more fun it was to read. Devoid of restraints such as ethics and empathy, and physically immune to any long-term consequences of his actions, Lobo is like a heavy metal Bugs Bunny with an attitude problem.

As you might suspect, things in issue 38 don’t end well for the dinosaurs, nor for anyone else who encounters Lobo.

The creative team seems to take just as much childish glee in the wanton destruction as the Main Man himself, and the illustrations are both gorgeous and silly at the same time. I have only read a handful of issues from this series, despite having read many more of the Lobo limited series and one-shots, but they were consistently entertaining, and I’d like to hunt them all down eventually. Just like the dinosaurs.

Collector’s Guide: From Lobo #38; DC Comics, 1997. I don’t believe the issue has been reprinted in any TPBs yet, but you might also enjoy the first Lobo TPB that collects several four-issue series and one-shots, including outrageous work by Alan Grant, Keith Giffen, Simon Bisley, Denys Cowan, and Kevin O’Neill.

Indie Box: Steak

Tags

dinosaur, dinosaur comics, eating dinosaurs, hunting dinosaurs, indie box, Indie Comics, Marc Olivent, science fiction, Steak, time travel, Will Conway

Steak is an independently published comic from the UK that explores the personal and political ramifications of traveling back in time to hunt dinosaurs for their meat. Author and educator Will Conway reports that when he started out, he had not heard of the Flesh series from 2000 AD, and that Steak is an entirely different beast. While Flesh sprung from the violent imagination of Pat Mills and focused on brutal chaos in a prehistoric setting, Steak delves into more psychological dimensions of the dino-hunting enterprise. But there’s plenty of Cretaceous carnage, too!

The main character, Benjamin Buckland, comes up with the idea while recovering from a brain injury, and he and his scientific partner Roger Dukowicz conceive the means of time travel after eating “a rare cactus”—presumably peyote. If that sounds like a mentally unhinged way to start a business, then it should come as no surprise that by the second issue, Buckland’s behavior becomes increasingly erratic. It doesn’t help that his more even-keeled partner gets abducted, and a shadowy organization is spying on him.

As a self-proclaimed “zoophage” who gets a thrill from eating exotic animals, Buckland asserts that his main goal is to eat dinosaurs. He pays for his hobby by opening restaurants and doing licensing deals to expand the market for his Mesozoic meat. This leads to hilarious narration about how different dinosaur species taste, several gory yet coldly factual pages about how to butcher them like cattle, and pun-filled products such as “Apattiesaurus” burgers and “Psit-taco-saurus” food trucks. Dukowicz sports T-shirts with dinosaur-themed pop-culture references such as “Iguanodon Corleone”.

Nature is brutal, indeed.

But with corporations trying to steal his technology for profit, and militaries trying to obtain it for a pre-emptive advantage in warfare, Buckland is beset from all sides. How it will all play out remains, at the time of this writing, a mystery. Issue number three of this five-issue series is currently in production, so now would be a good time to subscribe and see what happens next.

Marc Olivent’s artwork is a lot of fun, especially in the scenes of dinosaur hunting and how they go horribly wrong. The dinosaurs are impressive and energetic, whether they are chomping someone’s head or stampeding off a cliff. The narrative structure is creative, jumping around a bit in time in the first issue without much guidance as to when things take place other than intentionally vague captions like “Now then” and “Meanwhile”. It works well for a time-travel story, and piecing together the puzzle is part of the pleasure.

Steak considers the ethics of killing animals that died off millions of years ago. Are they endangered species because they are now extinct or, as one character puts it, is it “morally okay” because “They were already dead before they were already dead, I guess?” And when members of a hunting party get killed by dinos, the lawyers struggle with the question of how to handle someone dying millions of years before they were born. But these philosophical conundrums don’t bog down the narrative, which remains fast-paced and lively, and lets you draw your own conclusions.

So far, the series has avoided the complications of potentially altering the future by killing animals in the past, an idea most famously explored in Ray Bradbury’s A Sound of Thunder. But who knows? Maybe we will get there eventually, because Steak is a smart, funny, and exciting romp that serves up a unique and unpredictable take on a classic concept.

Collector’s Guide: You can order print copies at the Steak website, and subscribe to updates about upcoming issues. Currently the first two issues are available for Kindle in the USA and in the UK.

indie box: Patience

Tags

daniel clowes, Fantagraphics, indie box, Indie Comics, patience, science fiction, time travel

Patience is my favorite work by Daniel Clowes. It tells a relatively (for Clowes) straight-forward yet suspenseful science-fiction tale. Having deconstructed the superhero genre in his previous work, The Death-Ray, which was a pastiche of multiple comic-strip conventions, Clowes gave us Patience in a more traditional narrative style. Despite that, this book subverted my expectations many times, and I love that about it.

The story begins with the quiet slice-of-life drama you might expect if you’ve read Clowes’ Ghost World or Adrian Tomine’s Optic Nerve. Humdrum everyman characters encounter mostly typical problems while filled with a persistent existential malaise. I usually find stories about average people to be quite tedious. Real life is average enough for me, thanks. So, I began to wonder what all the hype was with Patience, because there are about twenty pages of this stuff before the story really kicks off.

But after an unexpected tragedy, the story shifts tone and becomes a mystery, and I began to wonder just what kind of book I was reading. Then the story jumps into the year 2029, which has been one of my favorite years for science-fiction tales since the first Terminator movie came out, and the tone radically shifts again. About forty pages in, our humdrum everyman has undergone a dramatic emotional change as he sets eyes on the catalyst for the rest of the tale.

Okay, now we’re into exciting territory! A force of nature! But the problem for the protagonist is that despite his delusions of grandeur, he is still a bumbling, incompetent lunkhead. Full of raging desire to set the world straight by exacting his revenge, he only makes more of a mess of everything. His bungling ineptitude reminds me of the 2007 film Timecrimes which, if you haven’t seen it yet, I recommend watching without reading about it or seeing the trailer first.

The visual style of this book feels like an homage to the brightly colored pulp comic books of a bygone age, the kind of books Clowes also paid tribute to in David Boring, which included excerpts from an imaginary superhero comic about The Yellow Streak. But there’s one convention he repeatedly messes with: He places all or most of many speech balloons outside the panel borders, cutting off their edges so the dialogue is incomplete. The result is a sense that the dialogue is less important than the protagonist’s relentless interior monologue as he narrates the story in captions which are never cut off.

Throughout the adventure, the hero becomes increasingly deranged, experiencing wild moods swings and psychedelic visions. These are shown in a style that feels more like the trippy underground comix of the 1970s than their pulp predecessors.

While Patience employed some common science-fiction tropes, it excelled at keeping me guessing about what would come next and how it would all play out. Several times I thought I might have it all figured out, only to be proven wrong. And that’s the fun. With all the plot twists and turns, gradual character reveals, and the tonal and stylistic shifts, Patience kept me riveted to the page.

Collector’s Guide: Patience is usually out of stock at MyComicShop, but you can get it on Amazon for about $22.    

avengers 267: time and time again

Tags

Avengers, big box of comics, John Buscema, kang, Roger Stern, Storm, time travel, Tom Palmer

One of my favorite Avengers stories features the time-traveling psychopath known as Kang The Conqueror. He sports a ridiculous outfit that only John Buscema and Tom Palmer could make cool.

What kind of evil plan can a person hatch in striped purple thigh-high boots? Stripping to pay his way through college? But don’t judge Kang by his fashion sense, because he rocks hard in this minor masterpiece.

I was 13 when this issue appeared on the comic book rack at the Walgreens on Manchester Road in Ballwin, Missouri. The opening sequence blew my mind, and I still get a thrill reading it years later. The complete three-issue story is one of the few mid-80s superhero yarns that still holds up for me as an adult reader, and though I no longer have the complete Stern/Buscema run, I’ve read it a bunch of times. These days, I just reserve a little space for my absolutely favorite Avengers stories, including this one.

It begins the day Colossus joins the Avengers, and opens with Storm descending from the sky like the weather goddess she is. Goddess and, as we discover, an Avenger.

I love the mood and tone of Stern’s captions on that page and generally for the entire run. Despite some typical comic-book clunkers such as expositional thought balloons, his prose always made me feel like I was reading a book for adults, not children. But back to our story.

The President of the USA escorts Colossus onto the scene to induct him into the Avengers and become an American citizen.

What’s that? You don’t remember Storm and Colossus being Avengers in the 1980s? Pay attention!

Iron Man flies onto the scene to give a gift to the POTUS on this momentous occasion. And gosh, isn’t Tony Stark such a great guy?

Just tug a little harder, sir! But suddenly…

Wait, what? The whole team just got nuked into oblivion? Is the series cancelled? What do you do after THAT?!

If you’re a super-villain, you gloat.

The nuke was just a warm-up. Now, it really starts to hit the fan. It turns out that Kang’s time-traveling adventures are creating all kinds of alternate timelines, and each has its own Kang. A mysterious council has summoned our nuke-loving Kang to their secret chamber in a limbo outside of time. When Kang questions the council’s authority to tell him what a massive screw-up he is for getting his entire planet destroyed, they reveal themselves to be a trio of alternate Kangs!

They kill him then adjourn and vanish. But one Kang comes back to snoop around the building, and who does he run into? One of the other Kangs! John Buscema gives the Jack Kirby treatment to the wonders inside the secret chambers inside the secret chamber, and Kang gives Kang a tour of his time-monitoring operations.

In fewer than ten pages, Stern gave the Avengers new members, nuked an entire planet, discovered alternate realities, hatched a nefarious plot of betrayal and murder spanning centuries and multiple universes, and plumbed the depths of grief, greed, and evil in the human soul. And the real Avengers, the stars of the series, haven’t even appeared yet!

The heroes show up soon enough, and the adventure is a solid one with plenty of twists and turns and mysteries to solve. Despite his goofy outfit, Kang is a strong villain with a plan he seems entirely capable of pulling off, and he steals the show in a way usually reserved for Dr. Doom. Fitting, I suppose, since Kang originally came from the future using Doom’s time-machine and, after becoming an Egyptian Pharaoh in the past, patterned himself after Doom. As far as alternate timeline stories go, I’d rather re-read this classic than re-watch Avengers Endgame any day.

Collector’s Guide: The full story appears in issues 267, 268, and 269 of the original Avengers series, and they cost about $3 to $6 each, depending on their grade.

A big “thank you” to this blog’s readers for making it possible to get these issues as part of my ongoing big box of free comics series.

Weird War Tales 21

Tags

Bernard Baily, Frank Robbins, Ghost in the Portrait, Jack Oleck, Joe Orlando, one hour to kill, Sheldon Mayer, soldier, time travel, war, Weird War Tales, weird war tales 21, when death took a hand

You can still buy the original Weird War Tales #21 at a decent price if you don’t mind VG to VG+ copies. Printed by DC Comics in the early 1970s, Weird War Tales also makes regular appearances on eBay where you can often score inexpensive lots of several issues at once. The stories blend sci-fi, horror, and fantasy elements into vignettes about war and combat. Pretty much anything goes in these tales as long as there’s a war on!

The first story, One Hour to Kill, gives us a man tasked with traveling back in time to kill Leonardo da Vinci before Leo can establish an early design for guns, thereby eliminating from history all human suffering caused by our propensity to shoot each other with small projectiles at high velocities. It turns out pretty much like every EC Comics story that had a similar idea in the 1950s, but that doesn’t stop it from being fun.

Here are the last three pages, below, where the tale reaches its climax.

Another story, When Death Took a Hand, stood out to us not simply as a worthy ghost story but as an example of a pretty sweet art technique. Look how the spooky ghost soldier is rendered. It looks to us like the inker rendered the black shapes and lines of the ghost, but then drew white lines through it with a white pen. No, that’s not exactly a revolutionary idea to today’s comic book artists, but try digging out any other comic book made in 1974 and finding this cool visual effect.

Credits: Cover art by Luis Dominguez. One Hour to Kill script by Jack Oleck, art by Frank Robbins. When Death Took a Hand script by Sheldon Mayer, art by Bernard Baily. Joe Orlando, editor.

We obtained a handful of vintage Weird War Tales when we bought a friend’s box of 70s and 80s DC Comics back in 2011, and they’ve been fun to read. They had some awesome Alex Nino artwork we dutifully scanned for posterity and learning. This one has one of our favorite covers from the lot, and we have a couple more issues we’ll take a look inside here.

Godzilla Meets Devil Dinosaur!

Tags

Devil Dinosaur, dinosaur, Doug Moench, Godzilla, Herb Trimpe, Jack Abel, Jack Kirby, Moon Boy, Rob Takiguchi, time travel

In Godzilla #22, Godzilla joins forces with Jack Kirby’s Devil Dinosaur and his pal Moon Boy. In the previous issue, Devil and Godzilla met, tussled, and became friends. This issue, dated May 1979, hit the stands five months after the end of Devil Dinosaur’s short-lived series. Author Doug Moench clearly needed more Devil Dinosaur – and who doesn’t?

Collector’s Guide: From Godzilla #22; Marvel, 1979. Reprinted in black and white in Essential Godzilla TPB #1

You might ask, “How are Godzilla and Devil Dinosaur the same size? Isn’t Godzilla ‘up from the depths, thirty stories high’ as the cartoon theme song says?” Right you are! This story takes place during a plotline where the King of the Monsters got hit with a shrinker-izer to whittle him down to more manageable size. At one point, he was small enough to go toe-to-toe with a vicious sewer rat!

You’ll notice the effects begin to wear off in this tale. There go the property values! Plus, the device which threw Godzilla back in time to meet Devil begins to backfire. You no doubt recognize that glowing white square… It’s Dr. Doom’s time machine! What would the Bronze Age be without that thing?

Artists Herb Trimpe and Jack Abel craft a double-splash for pages two and three that echoes Jack Kirby. Moench also throws in some lesser-known parts of Devil’s world, like the old hag and the pits from Devil Dinosaur #9. These are the same pits that took Devil through time in his own final issue!

For escapist fiction, it just doesn’t get any cooler than seeing Devil Dinosaur and Godzilla cutting loose in a whirlwind of dinosaur battles. On a more analytical note, Moench contrasts the worlds of two boys. Rob Takiguchi, in 1979, has a soft spot for Godzilla. The boy always takes the monster’s side. He feels we haven’t taken the time to really understand Godzilla. But, the adults in Rob’s life constantly undermine this potential friendship. They trap Godzilla, shoot him, send him back in time – always some sinister grown-up plan! Rob lives in a state of sadness and rebellion as he struggles to build a rapport with Godzilla. The adults treat Rob like a schmuck, perpetually disregarding his feelings.

Moon Boy has everything Takiguchi could wish for. Although he and Devil often battle nasty adults, Moon Boy’s bond with his reptilian ally is firmly established. The adults may be adversaries, but they have absolutely no authority over him – big difference! Moon Boy knows complete freedom to make his own decisions. Plus, Devil Dinosaur embodies all the good that Rob seeks in Godzilla: strength, loyalty, protection, power, and friendship.

Yes, if we had written our own ending to this tale, it would have been a happy one. Rob would go back in time with Godzilla. Godzilla would stay Devil-sized. The two boys and their reptiles would become fast friends, roaming the Late Cretaceous as they pleased. And, everything would be drenched in rampaging dinosaurs and Kirby Krackle.

A boy can dream, can’t he?

Strange Sports: The Man Who Drove through Time!

Tags

Brave and the Bold, Carmine Infantino, racing, Strange Sports, Strange Sports Stories, time travel

DC Comics took five issues of The Brave and the Bold to experiment with an unusual merger of science fiction and sports called “Strange Sports Stories.” From Gorillas using baseball for world domination, to 24th-century Martian golf tournaments, editor Julius Schwartz and artist Carmine Infantino crafted unique and entertaining short stories. Let’s check them out!

Collector’s Guide: From Brave and the Bold #48; DC Comics, 1963. Reprinted in DC Special #7, 1968.

Read a more detailed history of Strange Sports Stories from Mike Grost, who knows all the writers and all the dates, and a solid memoir from BuckBokai.

This Brave and the Bold series should not be confused with DC’s 6-issue revival of the concept in 1973. You can read some of those stories at Diversions of the Groovy Kind, or buy them here: Strange Sports Stories.

Several of those 1973 stories appear in DC Special Blue Ribbon Digest #13. That tiny tome also reprinted a baseball game between DC’s heroes and villians that originally appeared in DC Super-Stars #10 in 1976. Thanks to Gutter Talk for helping us re-locate that lost treasure!

Strange Tales: The Man Who Couldn’t Be Killed!

Tags

Adventure into Mystery, Man Who Couldnt be Killed, Strange Tales, time travel

This senses-shattering backup story from Strange Tales #176 in the 1970s originally appeared in Adventure into Mystery #8 from 1957. That’s retro within retro, baby! That’s almost time traveling! You can tell from the cover scan (below) that our personal copy is getting worn out. But the Marvel Value Stamp is intact!

The Flash & Superman Race to the End of Time!

Tags

DC Comics Presents, end of time, Flash, Jose Luis Garcia-Lopez, Martin Pasko, Superman, superman races flash, superman vs flash, time travel, who is faster flash or superman

Here’s the second half of the story we looked at yesterday, where Superman and the Flash get roped into racing to the end of time by some freaky aliens.

Once they get there, though, they have to travel all the way forward in time to get back to where they started. Why? Because time is a circle! Didn’t you learn anything from yesterday’s post? Anyway, Pasko and Garcia-Lopez give us all of human history in a single splash page. It’s full-flavored Bronze Age DC goodness, Martians. Enjoy!

Collector’s Guide:
– From DC Comics Presents #1-2; 1978, DC Comics.
– Reprinted by Whitman, which might save you a few bucks, and in the collection Superman Vs. The Flash.
– Reprinted in Showcase Presents DC Comics Presents TPB, 2009.

DC Comics Presents – First Issue!

Tags

Chase to the End of Time, DC Comics Presents, first issue, Flash, flash races superman, Jose Luis Garcia-Lopez, Martin Pasko, Superman, superman vs flash, time travel, who is faster superman or flash

Superman and the Flash get roped into racing to the end of time by some freaky aliens. If that doesn’t sound like a premise for greatness, you may be at the wrong website! We’ve got Martin Pasko scripting. Swamp Thing fans might recall he was on the book for the inception of the second volume. Jose Luis Garcia-Lopez really hits the perfect look for this book; just the right balance of cartoon silly and sci-fi awesome.

But maybe I’m biased. I first read this as an impressionable little Martians close to the time it came out in 1978. So impressionable, in fact, that Pasko’s explanation of time as a circle still seems completely reasonable to me. His aliens explain that if you went to the end of time, you would actually be at the beginning of time… Screw Stephen Hawking, I’m going with Pasko cosmology!

Collector’s Guide:
– From DC Comics Presents #1-2; 1978, DC Comics.
– Reprinted by Whitman, which might save you a few bucks, and in the collection Superman Vs. The Flash.
– Reprinted in Showcase Presents DC Comics Presents TPB, 2009.

Revolt of the Robots!

Tags

Avon Publications, golden age, Revolt of the Robots, robot, Space Detective, Targan, time travel

This brings to mind the old joke, “The peasants are revolting!”

“Yes, they certainly are.”

What is the diabolical secret behind the man from the future who pits robot laborers against the humans? You have to wonder if James Cameron read this story before Terminator.

Collector’s Guide: From Space Detective #3. 1952, Avon Publications.

Space Action: Mission into Time!

Tags

golden age, Mission into Time, Space Action, time travel

“In a blinding flash of multi-colored lights, the time capsule sped up the ramp and disintegrated into space!” YES! But you know, these missions into time never seem to work out quite the way your old professor buddy thinks they will.

Collector’s Guide: From Space Action #3. 1952, Ace Magazines.

Also including the covers from Space Action #1 and #2 here for your viewing pleasure. Space Action ran only 3 issues.

A Gun for Dinosaur!

Tags

dinosaur, Ernie Chua, Gun for Dinosaur, L Sprague de Camp, parasaurolophus, Roy Thomas, time travel, tyrannosaurus, Val Mayerik, Worlds Unknown

In 1973, Marvel began an eight-issue series called Worlds Unknown. It presented adaptations of science fiction stories. Today we’ll look at our favorite: A Gun for Dinosaur by L. Sprague de Camp, first published in 1956 in the magazine Galaxy Science Fiction. The plot, adapted by Roy Thomas, revolves around using time travel to hunt for dinosaurs. We’ve enjoyed that concept in Sound of Thunder by Ray Bradbury and Flesh by Pat Mills.

A Gun for Dinosaur is a fun romp of Cretaceous carnage and the usual tough guys working out the pecking order with their fists and weapons. We don’t pretend to be literary critics, but one thing is for sure: That’s not how you draw a Parasaurolophus! They have a tube-shaped whatchamacallit on their head, not this fan-shaped thing dreamed up by artist Val Mayerik. Also, if you’re going to use the word “Ceratopsian”, then spell it correctly! Other than these minor dino quibbles, we give A Gun for Dinosaur two claws up.

If you like this adaptation, The Groovy Agent has a few more Worlds Unknown classics for you on his site: Killdozer, Arena, and Farewell to the Master (the original Day the Earth Stood Still).

Collector’s Guide: From Worlds Unknown #2; Marvel, 1973. L. Sprague de Camp wrote eight more stories about protagonist Reginald Rivers and his time safaris, collected in the book Rivers of Time.

2000AD: Flesh Finale – The Cover Gallery!

Tags

2000AD, dinosaur, dinosaur comics, eating dinosaurs, Flesh, hunting dinosaurs, Pat Mills, time travel

We hope you’ve enjoyed the raging dinosaur time-travel madness of Flesh as much as we’ve enjoyed sharing it with you. To wrap things up with a bang, let’s rock these three 2000 AD covers that featured Flesh!

Collector’s Guide: From 2000 AD magazine, #1-19. Collected in Flesh: The Dino Files TPB; Rebellion, 2011. Originally printed in 2000 AD #1-19; Fleetway, 1977.

2000AD: Flesh 19!

Tags

2000AD, dinosaur, dinosaur comics, Flesh, Flesh the Dino Files, Pat Mills, time travel

By the 23rd Century, most animals had been destroyed. Man survived on synthetic foods alone. But he still craved real meat… With the discovery of time travel, he was able to go in search of it – back 65 million years to the Age of the Great Dinosaurs!

Mars Will Send No More celebrates the original epic Flesh from 2000 AD magazine, created by Pat Mills, and starring Old One Eye, the mother of Satanus! Now fire up your electric whip and get ready for major dinosaur mayhem!

Collector’s Guide: Collected in Flesh: The Dino Files TPB; Rebellion, 2011. Originally printed in 2000 AD #1-19; Fleetway, 1977.

2000AD: Flesh 18!

Tags

2000AD, dinosaur, dinosaur comics, Flesh, Flesh the Dino Files, Pat Mills, time travel

“By the 23rd Century, most animals had been destroyed. Man survived on synthetic foods alone. But he still craved real meat. With the discovery of time travel, he was able to go in search of it – back 65 million years to the Age of the Great Dinosaurs!”

Mars Will Send No More celebrates the original epic Flesh from 2000 AD magazine, by Pat Mills, and starring Old One Eye, the mother of Satanus! Now fire up your electric whip and get ready for major dinosaur mayhem!

Collector’s Guide: Collected in Flesh: The Dino Files TPB; Rebellion, 2011. Originally printed in 2000 AD #1-19; Fleetway, 1977.

2000AD: Flesh 17!

Tags

2000AD, dinosaur, dinosaur comics, Flesh, Flesh the Dino Files, giant spiders, Pat Mills, time travel

By the 23rd Century, most animals had been destroyed. Man survived on synthetic foods alone. But he still craved real meat. With the discovery of time travel, he was able to go in search of it — back 65 million years to the Age of the Great Dinosaurs!

Mars Will Send No More celebrates the original epic Flesh from 2000 AD magazine, by Pat Mills, and starring Old One Eye, the mother of Satanus! Now fire up your electric whip and get ready for major dinosaur mayhem!

Collector’s Guide: Collected in Flesh: The Dino Files TPB; Rebellion, 2011. Originally printed in 2000 AD #1-19; Fleetway, 1977.

2000AD: Flesh 16!

Tags

2000AD, dinosaur, dinosaur comics, Flesh, Flesh the Dino Files, Pat Mills, time travel

By the 23rd Century, most animals had been destroyed. Man survived on synthetic foods alone. But he still craved real meat. With the discovery of time travel, he was able to go in search of it – back 65 million years to the Age of the Great Dinosaurs!

Mars Will Send No More celebrates the original epic Flesh from 2000 AD magazine, by Pat Mills, and starring Old One Eye, the mother of Satanus! Now fire up your electric whip and get ready for major dinosaur mayhem!

Collector’s Guide: Collected in Flesh: The Dino Files TPB; Rebellion, 2011. Originally printed in 2000 AD #1-19; Fleetway, 1977.

2000AD: Flesh 15!

Tags

2000AD, Day of the Dinosaurs Revenge, dinosaur, dinosaur comics, Flesh, Flesh the Dino Files, Old One Eye, Pat Mills, time travel

By the 23rd Century, most animals had been destroyed. Man survived on synthetic foods alone. But he still craved real meat. With the discovery of time travel, he was able to go in search of it — back 65 million years to the Age of the Great Dinosaurs!

Mars Will Send No More celebrates the original epic Flesh from 2000 AD magazine, by Pat Mills, and starring Old One Eye, the mother of Satanus! Now fire up your electric whip and get ready for major dinosaur mayhem!

Collector’s Guide: Collected in Flesh: The Dino Files TPB; Rebellion, 2011. Originally printed in 2000 AD #1-19; Fleetway, 1977.

2000AD: Flesh 14!

Tags

2000AD, dinosaur, dinosaur comics, Flesh, Flesh the Dino Files, Pat Mills, time travel

Mars Will Send No More celebrates the original epic Flesh from 2000 AD magazine, by Pat Mills, and starring Old One Eye, the mother of Satanus! Now fire up your electric whip and get ready for major dinosaur mayhem!

Collector’s Guide: Collected in Flesh: The Dino Files TPB; Rebellion, 2011. Originally printed in 2000 AD #1-19; Fleetway, 1977.