Matthew Kalmenoff painted dinosaur postcards

Tags

ankylosaurus, brachiosaurus, brontosaurus, dinosaur, dinosaur books, Matthew Kalmenoff, ornithomimus, painting, plateosaurus, postcards, tyrannosaurus rex

Reader Ed Dietrich sent us these postcards as a follow-up to what we’ve shared of the late Kalmenoff’s artwork for The Golden Stamp Book of Animals of the Past and Sinclair Oil’s Exciting World of Dinosaurs booklet. Ed says these cards from publisher Dover bear a 1985 copyright date, which means they come from a book you can still get inexpensively on Amazon: Dinosaur Postcards in Full Color. The complete set contains 24 postcards. Here are five to whet your prehistoric appetite!

Animals of the Past as Painted by Matthew Kalmenoff

Tags

animals, charles mcvicker, dinosaur, dinosaur books, golden books, Matthew Kalmenoff, painting, Prehistoric Animals, prehistoric birds, prehistoric fish, prehistoric mammals, stamp book, trading cards

Today’s images come to us courtesy of reader Edward Dietrich, who recently discovered a 2012 post with my scans of a 1960s booklet, Sinclair and the Exciting World of Dinosaurs. Another reader had informed me that the artist was Matthew Kalmenoff, and Ed added that Kalmenoff did the full-color paintings on the stamps in a book I loved when I was a kid: The Golden Stamp Book of Animals of the Past.

The cover, featured above, has art by Charles McVicker. Ed sent the following scans of Matthew Kalmenoff’s paintings for us all to enjoy. He included notes about different versions of this book, of which there were many!

Though the blog Love in the Time of Chasmosaurs has scans of some pages from a 1950s version of this book, the art was apparently recycled into many editions. Ed says he’s owned a third printing from 1968 (priced at 59¢), plus an eleventh printing from 1975 and an eighteenth printing from 1980 (both priced at 89¢).

Most of Ed’s scans are not from the stamp book edition, but a 1961 version called Dinosaurs and Other Prehistoric Animals Trading Cards, and branded “Golden Funtime Trading Cards”. Instead of printing the artwork on sheets of lickable stamps to affix to the pages, this version presented the images on heavy cardstock and had oversized pages. This version only had 45 paintings, compared to the 48 in the stamp books, so Ed thoughtfully scanned the remaining stamps from the other editions.

Some updates to the captions happened between the 1950s stamp book version and this 1960s trading card version. For example, the Protoceratops is clearly labeled as such in Ed’s scans, but was labeled “horn-faced dinosaur” in the 1950s version. Also, the Ichthyosaur is named in this edition, where it was labeled “fish-like reptile” in the 1950s book. “Winged reptile” got updated to Rhamphoryncus. Other captions changed, too, but why should I ruin all the fun of letting you find them?

If you’re like me, you now want wall-sized prints of several of these gorgeous (if somewhat scientifically outdated) paintings. If you’re willing to settle for something smaller, I’ve seen some of them on Amazon repackaged into a 1988 book called Ready to Frame Dinosaur Paintings. I hope Kalmenoff got paid well for this artwork, considering how many times it was repurposed into different publications over the years.

If you’re digging these paintings and want to see more of Matthew Kalmenoff’s vintage artwork, cruise back to the original post that started all this madness, because I updated it with more images and links. I was excited to learn about this connection to one of my childhood treasures via total strangers’ commenting on a post about a book I randomly found on eBay. Talk about going full circle!

A big “thank you” goes out to Ed for taking the time to scan and share these images! This blog would be nothing without the people who have dropped by over the years to share my enthusiasm about dinosaurs, prehistoric animals, comic books, poetry, and mutant brains from outer space. Happy New Year to you, and may your dreams be filled with prehistoric mammals!

The next three images are the ones from the stamp books that did not appear in the 1961 trading cards version.

If I ever get around to recording another album of guitar instrumentals, it’s going to be called “Skull of the Uinta Beast”. Hell yeah!

Here are two images of the cover from the 1961 trading cards version!

 

witch’s brew

Tags

art, cooking, donuts, guitar, homebrew, mead, mountain, painting

This October’s witchy brew was my first home brew: a gallon of mead. At less than 30 days from start to finish, it came out sweet, clear, strong, and absolutely delicious. Cheers!

At first, it was too cloudy and, because I had tried to jumpstart it with extra yeast when I thought it had stopped fermenting after a week, it tasted way too yeasty. But I watched a video on clarifying it with bentonite clay, and that method cleared it right up by pulling out the offending yeast particles.

It goes great with homemade cinnamon-sugar donuts made from deep-fried buttermilk biscuit dough straight out of a can. Couldn’t be easier.

No black cats this month, but here’s a black guitar. This road-worn axe from 2000 was feeling sad, so I stripped off her hardware, taped up the neck, and sprayed her with flat black auto touch-up paint. Oddly, the sound improved once I had her back together.

Then I tried my hand at more mountains, but with a spacier vibe. Here they are in progress, while waiting on a coat of highlights.

October 31 is a good day listen to Bitches Brew by Miles Davis. Enjoy!

monochrome mountains

Tags

acrylic, art, bob ross, colorblind, landscape, monochromatic, mountain, painting

Working with color has always been a challenge, because I have a form of red-green colorblindness. According to a recent test, my specific variation comes from weak green receptors. Green isn’t the only thing affected; I have trouble distinguishing some purples from blues, light pinks from white, browns from greens, and many more. But guess what?

Mountains; acrylic on canvas, 24×30

I love playing with color anyway. I still see it. My world isn’t black-and-white. That would be an even more extreme colorblindness. Mine is like color “confusion” compared to that. But because color remains a challenge, I was thrilled to learn Bob Ross recorded a landscape painting demonstration designed just for colorblind artists. It’s very much like his other work, but all in one color: a grey tone mixed with white to create lighter values.

I watched it twice in a row, utterly mesmerized, and then tried my hand at his techniques on a much larger canvas with acrylic paint. Ross used oil, and many of his techniques don’t translate to acrylic. Acrylic dries faster, so you don’t have the luxury of blending as smoothly as Ross did with oil.

On the other hand, you can do a few things with acrylics that Ross never did with oil: layers of color washes, splashes, and other “wet” effects you get from making a mess with water and paint. My art teacher loved Payne’s Grey and first suggested it to me as a color for painting the mountains in Sedona at night, just at the end of sunset. I love it too, and when the little tube she gave me ran out, I bought 250ml of the stuff. Payne’s Grey is the only paint I used in this piece, plus white: an ultra-white interior house paint (semi-gloss) from the hardware store.

Ross uttered an especially memorable line in his monochromatic demonstration of building mountains: “All you need is a dream in your heart. And an almighty knife.”

Watch and learn!

oceans

Tags

abstract, acrylic, art, painting

One of the neighbors moved out and left behind a 36×12 canvas with a generic photo print of a flower on it. Time to break out the acrylic paints and texture media!

 

mermaids

Tags

abstract, acrylic, art, mermaids, painting

No actual mermaids appear in this abstract painting, but it was the last wash of turquoise that made me think it might be the kind of place they’d like to swim. The other two colors are quinacridone magenta and ultramarine violet. The colors are liquid acrylics from Golden, and the black and white layers underneath are semi-gloss acrylic house paint. A couple coats of gloss varnish from now, she’ll be decorating the wall. 15 x 30 in., acrylic on canvas.

perpendiculars

Tags

abstract, acrylic, art, painting, perpendiculars, poured paint

Perpendiculars

24 x 30; acrylic poured on canvas

No, it doesn’t require much technique, but it’s a fun way to cover a few square feet of empty wall. I did this as a sequel to Parallels since I had leftover paint.

parallels

Tags

abstract, acrylic, art, painting

journal & sketchbook

Tags

acrylic, art, books, journal, painting, self publishing, sketchbook, writing

Regular visitors to Mars Will Send No More know I am a big proponent of using journals and sketchbooks as tools for nurturing artistic and poetic inspirations, personal growth, and ideas for writing projects. In 2015, I published a 150-page dream journal called Three Years Dreaming; and in 2016, I published a 100-page, full-color retrospective of drawings and paintings called Sketchbooks Volume One.

But my first publication of 2017 is devoid of words and pictures of my own creation. It’s a blank book called Journal & Sketchbook: A Place for Creativity, and it features 100 lined pages and 50 unlined pages—all waiting to be filled with words and images, at a conveniently portable 8.5 x 5.5 size.

The cover to this paperback features a scan of an abstract acrylic painting, one of a dozen 8 x 10 canvases I created in the last two months with the intent of making unique, colorful backgrounds and textures for book covers, business cards, website banners, compact disc covers, and anything else that needs a personal, artistic touch.

The title page, instead of displaying my name, has a blank line where you can write in your own, and places to write the dates when you start and finish filling the book. In other words, this isn’t a book by me. It’s a book by you!

Available in paperback on Amazon.

watercolor

Tags

animal inside you, dreams, painting, poems, poetry, watercolor

Watercolor

Painted butterfly bushes
and permanent flowers
whose colors never fade.

Here, a panther can dream
or a child, even children
whose bodies time has aged.

Some verdant forests are
denied the waking and only
grow in starlight, real

or imagined. When you look
with your heart and not your eyes
you see a different truth.

—for CK

This poem appears in the collection Inner Planets: 50 Poems by Matthew Howard. Available in paperback, Kindle, and audiobook.

blue feather

Tags

abstract, acrylic, art, feather, painting

blue feather

prussian blue and white acrylic plus feather on 8×10 board-mounted canvas

 

nebula

Tags

abstract, acrylic, art, color wash, nebula, painting

Blue & White Nebula

Notes: Created on an 8×10 canvas mounted on board. Using a trowel, I smeared on a thick layer of white semi-gloss acrylic house paint and let it dry. Then I sprayed it with water and dropped Golden brand liquid acrylic artist paint, in Prussian Blue. It made these interesting patterns as it diffused through the water.

Now let’s have some rock from the band Nebula, from the Nebula/LowRider split album:

painted abstracts make unique backgrounds

Tags

abstract, acrylic, art, book covers, collage, making books, painting, textures

I’ve been experimenting with a new method of creating colorful, visually interesting backgrounds for things like book covers, business cards, and blog headers. It begins with painting 8 x 11 canvasses which are mounted on a board instead of a frame. They fit nicely on my scanner, so I can digitally manipulate the images later.  This one began as a collage of pages torn from a proof copy of my new poetry book. It ended up as the cover to a new book.

Throw a filter and text on it, and it comes out like this:

It looks pretty awesome in print with a matte finish. Once I get a few good scans, the canvases can be recycled by adding layers of different materials to create cracks, swirls, and other interesting textures. Below is the same canvas as above, but in the process of getting a new, messy layer of krackle over it.

Here’s one I haven’t used for any backgrounds yet, a basic color wash with acrylics.

I had some old acrylic varnish and played around with pouring it and liquid paint at the same time, splashing water on them while they were drying, and mixing them together before pouring.

It isn’t going to hang in a museum or anything, but it’s a fun way to get unique backgrounds and textures. I sampled a section of the image for the current header on this blog. The image’s right half is simply a section of the canvas with its colors inverted.

 

legend of the frozen coast

Tags

abstract, acrylic, art, painting

painter

Tags

anything sounds like a symphony, legend of the frozen coast, painter, painting, poems, poetry

I haven’t painted in two years. But I recently rewrote a couple old memoirs as a poem about painting, and it felt like time to take some pretty colors and make a big splashy mess in the kitchen again. The blank canvases in my office won’t paint themselves, after all. The working title for the painting-in-progress is The Legend of the Frozen Coast, partially in tribute to the Frozen Coast painting I sold on Craigslist a few years back.

I don’t know what other painters think about when they paint, but I have been imagining The Legend of the Frozen Coast as a pirate adventure story starring Meteor Mags’ great-grandmother and read on a radio program. Explore Nordic debauchery in the icy wastelands! Witness the fate of a ferocious kraken frozen in a glacier for 10,000 years! Set fire to a fleet of brigands and mercenaries! Throw in some insults and salty language from The Pirate Primer that arrived this week, and the tale almost writes itself.

Painter

A storm hammers the forest.
The wind rips down his tent.
He can’t make any sense of it in the dark.

The painter drags his sleeping bag to a rock ledge.
It gives no shelter but is clear of the trees.
Electricity tears the sky to shreds.

The rain carries out its assault
not in drops but one continuous torrent.
He huddles in the soaked bag for nine hours,
powerless and small.

Stillness, yet never-ending motion.
The calm shadows of trees on a lake
draw lace stockings on a nightmare.
The struggle for life rages below the surface.

A bee caresses a flower intimately.
He cares nothing for the coming storm.
He is within her and she is within him.
They are one and the same.

Step away from industry. Obliterate
the underlying colors and textures
even when they persist. Use an avalanche.

Give them landslides. Drench them in
thunderstorms of black and broken skies
until they recede. The painter and the canvas
are the cyclone and the shore.

You don’t need to paint this canvas at all.
Do what comes naturally. The painting
will take care of itself.

This poem appears in the collection Inner Planets: 50 Poems by Matthew Howard. Available in paperback, Kindle, and audiobook.

detail 1

progress 2

progress 1

sketchbook sundays: dream journal nine perfection

Tags

art, comic book collage, comic book dreams, dream journal, dreams, painting, sketchbook sundays

Sometimes you have those dreams where everything feels perfect. As a tribute to the numerous dreams we’ve had flipping through boxes of never-published comic books, the colors and textures of Dream Journal Nine contain vintage comic books in their depths.

 

 
This little 8×10 canvas has been a companion in the painting studio for two years, the object of many small-scale experiments we would later apply to larger canvases. It was once a light-hearted collage called “Perfect! The Master Will be Well Pleased!”

We’ve had much time to consider the idea of perfection, and we have a new perspective on it now. Perfection is a process, not a static state. Perfection is a verb, not a noun. Perfection is how we shape the world ever closer to an ideal we have in our minds. In reality, nothing is ever truly perfect, but that should not disappoint us too much. We are not trying to attain a state of perfection; we work to perfect our less-than-ideal world and make it more ideal.

On the flip side, you have imperfection. The crackled textures of Dream Journal Nine suggests cracks and imperfections. In dreams, the imperfections sometimes alert the dreamer that yes, this is a dream. You notice something that doesn’t seem quite right. And when you pause to think about it, it becomes clear you are dreaming. The imperfections of the dream world make perfect signposts on the road to lucid dreaming and greater awareness in the dream.

Dream Journal Nine could just as easily bear the title Imperfection, for perfection and imperfection form two sides of the same coin, two halves of the same whole.

We recently published three years of dreams from our dream journals in a 148-page paperback, and also Kindle format, called Three Years Dreaming.

art sales today

Tags

abstract, acrylic, art, art sales, collage, dream journal, guitar, painting

We sold two paintings today. We had our doubts that anything would ever sell due to a Craigslist ad, but we were happily proven wrong.

Guitar #20: Frozen Coast caught an art lover’s eye on Craigslist. While she was here, she took a liking to Dream Journal #8: Night at the Lake. Good choice! We are very fond of that one, and miss it already.

 

You can read more about Guitar #20, or Dream Journal #8, in our archives. Their original posts include detailed close-up photos.

 

Celebrating Recent Art Sales

Tags

art, art sales, drawing, painting

The business coach we’ve worked for the past seven years often reminds us to take time to celebrate our successes. This carries a special importance when you work independently. After all, a sole proprietor works without any sort of company hierarchy to hand out employee-of-the-month awards, bonuses, or other forms of recognition. Artists working independently face the same challenge.

Plus, you can easily focus on all the things that haven’t yet worked out the way you hoped. If you try ten different things and one succeeds wildly, you might be too caught up in your nine other failures to really appreciate it. It takes a certain mental fortitude to keep moving forward, and celebrating your successes plays an important role in that.

Last week, we had a wonderful chat with a local business owner referred to us to discuss some potential ways we could work together. We mentioned, somewhat dejectedly, that we had only sold about five pieces of artwork since we began seriously attempting it last fall. She said it was funny we viewed it negatively, since she found that number quite impressive.

That made us pause and remember to celebrate our successes. So, we hope you don’t mind if we take a moment to review what pieces have sold in the last nine months. On a side note, our little poetry book has been selling a couple of copies each month, mostly overseas. Though that isn’t a phenomenal sales figure, it certainly does make us happy that the collection is getting out there.

Let’s have a look at what we’ve sold so far.

Guitar #1 sold in October 2013 through Etsy to a MWSNM reader in Canada.

Guitar #7 sold in November 2013 through Etsy to family in the USA.

Guitar #15 sold in November 2013 through eBay to a buyer in the USA.

Behold the Awesomizer sold in February 2014 through eBay to a buyer in the USA.

Diving Frog sold in June 2014 through eBay to an overseas buyer.

Guitar 20: Frozen Coast

Tags

abstract, acrylic, art, guitar, painting

Guitar #20: Frozen Coast
Acrylic paint, varnish, and texture media on gallery-wrapped canvas
24 x 30 in. (60.9 x 76.2 cm)
Colors: Prussian blue, anthraquinone blue, deep permanent green, white, black.

This painting is currently for sale on eBay SOLD.

I enjoy working at this size, even though building up the layers of color and texture on something this size takes approximately forever. Below, you’ll see a bunch of close-ups that show just how textured this piece is. The last half-dozen or so pics illustrate its long journey from blank canvas to colorfully tactile art.

As promised, some “in progress” photos. Yes, we did start off thinking this would be red, but got wonderfully sidetracked by blue instead.

cosmic hand

Tags

acrylic, art, comic book panel, hand, painting

A John Buscema panel from Thor #200 (Marvel Comics, 1972) inspired this painting. Measuring roughly 2 feet wide by 3 feet high, it comes on unframed canvas. The canvas comes from Fredrix, and it was intended for use as a floor mat. It didn’t make sense to me how a loose piece of canvas on the floor would be good for anything, so I nailed it to the wall for a couple weeks to paint on it.

Unlike the small pastel study from last year of this same panel, it wears a metal bracelet, hinting at the eye in a similar tribute to Jack Kirby. The detailed reflection lines on the metal became the focal point of the painting. This results in a somewhat unbalanced piece, with the viewer’s eyes drawn to such a low center point under the mass of the open hand. It may be worth coming back and adding another visual element to balance it out: a ring or rings on the fingers, or something held in the palm.