pure nostalgia: Marvel Team-Up #2, 1972

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and spidey makes four, art, collage, comic book collage, drawing, Human Torch, Marvel Team-Up, painting, sketch, Spider-man

Marvel Team-Up #2 is a riotous mix of 1970s superhero nonsense and insanely dramatic confrontations between the Human Torch and Spider-man. The villains take control of Spidey’s mind and turn him into a weapon against his friend, Johnny Storm.

Script by Gerry Conway, pencils by Ross Andru, and inks by Jim Mooney.

Oh, the pathos! My suspension of disbelief is only hampered by the fact that Spidey was, by that point in comics history, established as being so strong that a punch from him should have killed Torch immediately. Spider-man isn’t strong on the level of Hulk or Thor, but he packs a wallop that could take off your head.

Regardless, this scene inspired me to use a couple panels as ink studies for chisel-tip markers I’d recently acquired. They create broad, angular lines but also finer lines when rotated 90 degrees. I found I could get a mix of bold shapes and detail lines if I worked at the appropriate scale for the brush width.

Chisel-tip Sharpie Marker study

I cut the pages from my sketchbook and hung them in a prominent place where I see them a few times a day, as a reminder. Sometimes I feel so wrapped up in and trapped by all kinds of stuff, focused on negative things about what’s wrong while my brain tries to solve problems, that it’s nice to have a buddy like Torch: someone willing to yell sense at me when I totally lose the plot. Someone to remind me who I am.

Johnny Storm stands his ground even when mind-controlled Spidey is trying to kill him. Sure, Torch could crank up his flames, “go nova”, and incinerate Spidey to a pile of ash. But it wouldn’t be enough for Torch to save himself. He wants to liberate Spider-man, too. That’s true friendship.

The friendship and occasional rivalry between these two heroes has been going on since the 1960s, and I enjoyed Jonathan Hickman’s treatment in his run on the Fantastic Four. When the Human Torch ***spoiler alert*** dies to save our universe from an invasion, Spider-man takes his place in the FF. Spidey honors his old pal’s last will and testament, and also completes a lifelong dream of joining the FF, a dream that began in the very first issue of The Amazing Spider-man where a much more inexperienced and arrogant Peter Parker tried out for the team—and failed. One especially heartfelt tale on Hickman’s run has Spidey share with Johnny’s nephew, Franklin, about how Spidey lost his uncle, too.

Second marker study of a panel from the same issue.

I got so into Marvel Team-Up #2 that I cut up a copy in really poor condition I got for fifty cents. It’s a crazy expensive comic in better condition, but it retails for about $5 in the condition I found it. I definitely got more than $5 worth of artistic inspiration from it, doing a few other ink studies and also the first painting in my 2013 dream journal series which has a partially visible underlayer of panels concerning the argument between Spidey and Torch, a battle not just for their bodies and their minds but the very essence of their friendship.

Dream Journal #1: Anger

Panels of their conflict fill the angry rift running from the upper left corner to the bottom right of the painting. Over them, I painted and textured layer after layer, including found objects from small pieces of hardware to a dead, dehydrated lizard I found on my porch, adding color washes until they became like a soothing balm for the raging argument below, brushing and pouring and splashing until a peace came over me and I knew that despite what had happened to them, Spidey and Torch would be okay. Their lives and friendship had been torn apart by anger, but they would heal. Their friendship would heal.

In that sense, the painting became a way for me to work though some dark things that had come up in my dreams until I could see the light again. It wasn’t just about anger, as I later titled it. It was about regaining one’s senses and overcoming that emotional disruption.

Another of my dream journal series of paintings began as a collage of the same issue’s cover and random interior images, plus a few add-ins from other comics I was sacrificing on the altar of art at that time, including beat-up copies of Marvel Team-Up #5 and #16. The central panel is a John Byrne and Karl Kesel illustration from a six-issue DC series in the 1980s called Legends.

Collage of comic book panels on canvas.

Spidey’s dialogue “Face it, creeps! This is the pay-off!” appears twice, which suggests I had not one but two copies of Marvel Team-Up #2. But maybe the second occurrence comes from a different and far less expensive Spider-man reprint issue, from which I repurposed a bunch of pages.

Later, I added more and more layers of paint and texture until the original collage was almost entirely obscured. The collage centered on a panel where a character thought, “Perfect! The master will be well-pleased!” Over the years, I kept adding to the canvas, trying to bring it closer to some perfect form. I awoke one morning to see what I had wrought upon the canvas in an inebriated, late-night state.

Dream Journal #9: Perfection

“Perfect,” I said. “Perfect!” Then I laughed like a maniac, probably convincing my neighbors that a real-life supervillain lived next door, because I could not keep a straight face while trying to say, “The master will be well-pleased.”

Years later, I still say this to myself when I feel stressed about some artistic decision. It makes me laugh and reminds me to not take things so dreadfully seriously. But I’ve also learned to build in a buffer of time to step away from decisions made in anger or fear before carrying them out, then come back to them a day or two later with a fresh perspective.

Do I see improvements I could make before acting? Have I realized some potentially negative outcomes I didn’t consider before? Could I improve the ways I plan on communicating with others about the situation? Do I need to do some research to back up my convictions or expose places where I might be wrong?

Then let’s attend to those things now, before we damage friendships and end up punching each other’s lights out in some science-fiction hallway where our actions only serve the villains who seek to destroy us.

Collector’s Guide: The original issue appeared as Marvel Team-Up #2 in 1972 from Marvel Comics. It was reprinted in the far less expensive Spider-man Megazine #2, which you can get for about $2. It also appears in black-and-white in the Essential Marvel Team-Up, Volume 1.

Matthew Kalmenoff painted dinosaur postcards

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ankylosaurus, brachiosaurus, brontosaurus, dinosaur, dinosaur books, Matthew Kalmenoff, ornithomimus, painting, plateosaurus, postcards, tyrannosaurus rex

Reader Ed Dietrich sent us these postcards as a follow-up to what we’ve shared of the late Kalmenoff’s artwork for The Golden Stamp Book of Animals of the Past and Sinclair Oil’s Exciting World of Dinosaurs booklet. Ed says these cards from publisher Dover bear a 1985 copyright date, which means they come from a book you can still get inexpensively on Amazon: Dinosaur Postcards in Full Color. The complete set contains 24 postcards. Here are five to whet your prehistoric appetite!

Animals of the Past as Painted by Matthew Kalmenoff

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animals, charles mcvicker, dinosaur, dinosaur books, golden books, Matthew Kalmenoff, painting, Prehistoric Animals, prehistoric birds, prehistoric fish, prehistoric mammals, stamp book, trading cards

Today’s images come to us courtesy of reader Edward Dietrich, who recently discovered a 2012 post with my scans of a 1960s booklet, Sinclair and the Exciting World of Dinosaurs. Another reader had informed me that the artist was Matthew Kalmenoff, and Ed added that Kalmenoff did the full-color paintings on the stamps in a book I loved when I was a kid: The Golden Stamp Book of Animals of the Past.

The cover, featured above, has art by Charles McVicker. Ed sent the following scans of Matthew Kalmenoff’s paintings for us all to enjoy. He included notes about different versions of this book, of which there were many!

Though the blog Love in the Time of Chasmosaurs has scans of some pages from a 1950s version of this book, the art was apparently recycled into many editions. Ed says he’s owned a third printing from 1968 (priced at 59¢), plus an eleventh printing from 1975 and an eighteenth printing from 1980 (both priced at 89¢).

Most of Ed’s scans are not from the stamp book edition, but a 1961 version called Dinosaurs and Other Prehistoric Animals Trading Cards, and branded “Golden Funtime Trading Cards”. Instead of printing the artwork on sheets of lickable stamps to affix to the pages, this version presented the images on heavy cardstock and had oversized pages. This version only had 45 paintings, compared to the 48 in the stamp books, so Ed thoughtfully scanned the remaining stamps from the other editions.

Some updates to the captions happened between the 1950s stamp book version and this 1960s trading card version. For example, the Protoceratops is clearly labeled as such in Ed’s scans, but was labeled “horn-faced dinosaur” in the 1950s version. Also, the Ichthyosaur is named in this edition, where it was labeled “fish-like reptile” in the 1950s book. “Winged reptile” got updated to Rhamphoryncus. Other captions changed, too, but why should I ruin all the fun of letting you find them?

If you’re like me, you now want wall-sized prints of several of these gorgeous (if somewhat scientifically outdated) paintings. If you’re willing to settle for something smaller, I’ve seen some of them on Amazon repackaged into a 1988 book called Ready to Frame Dinosaur Paintings. I hope Kalmenoff got paid well for this artwork, considering how many times it was repurposed into different publications over the years.

If you’re digging these paintings and want to see more of Matthew Kalmenoff’s vintage artwork, cruise back to the original post that started all this madness, because I updated it with more images and links. I was excited to learn about this connection to one of my childhood treasures via total strangers’ commenting on a post about a book I randomly found on eBay. Talk about going full circle!

A big “thank you” goes out to Ed for taking the time to scan and share these images! This blog would be nothing without the people who have dropped by over the years to share my enthusiasm about dinosaurs, prehistoric animals, comic books, poetry, and mutant brains from outer space. Happy New Year to you, and may your dreams be filled with prehistoric mammals!

The next three images are the ones from the stamp books that did not appear in the 1961 trading cards version.

If I ever get around to recording another album of guitar instrumentals, it’s going to be called “Skull of the Uinta Beast”. Hell yeah!

Here are two images of the cover from the 1961 trading cards version!

 

monochrome mountains

Tags

acrylic, art, bob ross, colorblind, landscape, monochromatic, mountain, painting

Working with color has always been a challenge, because I have a form of red-green colorblindness. According to a recent test, my specific variation comes from weak green receptors. Green isn’t the only thing affected; I have trouble distinguishing some purples from blues, light pinks from white, browns from greens, and many more. But guess what?

Mountains; acrylic on canvas, 24×30

I love playing with color anyway. I still see it. My world isn’t black-and-white. That would be an even more extreme colorblindness. Mine is like color “confusion” compared to that. But because color remains a challenge, I was thrilled to learn Bob Ross recorded a landscape painting demonstration designed just for colorblind artists. It’s very much like his other work, but all in one color: a grey tone mixed with white to create lighter values.

I watched it twice in a row, utterly mesmerized, and then tried my hand at his techniques on a much larger canvas with acrylic paint. Ross used oil, and many of his techniques don’t translate to acrylic. Acrylic dries faster, so you don’t have the luxury of blending as smoothly as Ross did with oil.

On the other hand, you can do a few things with acrylics that Ross never did with oil: layers of color washes, splashes, and other “wet” effects you get from making a mess with water and paint. My art teacher loved Payne’s Grey and first suggested it to me as a color for painting the mountains in Sedona at night, just at the end of sunset. I love it too, and when the little tube she gave me ran out, I bought 250ml of the stuff. Payne’s Grey is the only paint I used in this piece, plus white: an ultra-white interior house paint (semi-gloss) from the hardware store.

Ross uttered an especially memorable line in his monochromatic demonstration of building mountains: “All you need is a dream in your heart. And an almighty knife.”

Watch and learn!

oceans

Tags

abstract, acrylic, art, painting

One of the neighbors moved out and left behind a 36×12 canvas with a generic photo print of a flower on it. Time to break out the acrylic paints and texture media!

 

mermaids

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abstract, acrylic, art, mermaids, painting

No actual mermaids appear in this abstract painting, but it was the last wash of turquoise that made me think it might be the kind of place they’d like to swim. The other two colors are quinacridone magenta and ultramarine violet. The colors are liquid acrylics from Golden, and the black and white layers underneath are semi-gloss acrylic house paint. A couple coats of gloss varnish from now, she’ll be decorating the wall. 15 x 30 in., acrylic on canvas.

perpendiculars

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abstract, acrylic, art, painting, perpendiculars, poured paint

Perpendiculars

24 x 30; acrylic poured on canvas

No, it doesn’t require much technique, but it’s a fun way to cover a few square feet of empty wall. I did this as a sequel to Parallels since I had leftover paint.

parallels

Tags

abstract, acrylic, art, painting

watercolor

Tags

animal inside you, dreams, painting, poems, poetry, watercolor

Watercolor

Painted butterfly bushes
and permanent flowers
whose colors never fade.

Here, a panther can dream
or a child, even children
whose bodies time has aged.

Some verdant forests are
denied the waking and only
grow in starlight, real

or imagined. When you look
with your heart and not your eyes
you see a different truth.

—for CK

This poem appears in the collection Inner Planets: 50 Poems by Matthew Howard. Available in paperback, Kindle, and audiobook.

blue feather

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abstract, acrylic, art, feather, painting

blue feather

prussian blue and white acrylic plus feather on 8×10 board-mounted canvas

 

nebula

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abstract, acrylic, art, color wash, nebula, painting

Blue & White Nebula

Notes: Created on an 8×10 canvas mounted on board. Using a trowel, I smeared on a thick layer of white semi-gloss acrylic house paint and let it dry. Then I sprayed it with water and dropped Golden brand liquid acrylic artist paint, in Prussian Blue. It made these interesting patterns as it diffused through the water.

Now let’s have some rock from the band Nebula, from the Nebula/LowRider split album:

painted abstracts make unique backgrounds

Tags

abstract, acrylic, art, book covers, collage, making books, painting, textures

I’ve been experimenting with a new method of creating colorful, visually interesting backgrounds for things like book covers, business cards, and blog headers. It begins with painting 8 x 11 canvasses which are mounted on a board instead of a frame. They fit nicely on my scanner, so I can digitally manipulate the images later.  This one began as a collage of pages torn from a proof copy of my new poetry book. It ended up as the cover to a new book.

Throw a filter and text on it, and it comes out like this:

It looks pretty awesome in print with a matte finish. Once I get a few good scans, the canvases can be recycled by adding layers of different materials to create cracks, swirls, and other interesting textures. Below is the same canvas as above, but in the process of getting a new, messy layer of krackle over it.

Here’s one I haven’t used for any backgrounds yet, a basic color wash with acrylics.

I had some old acrylic varnish and played around with pouring it and liquid paint at the same time, splashing water on them while they were drying, and mixing them together before pouring.

It isn’t going to hang in a museum or anything, but it’s a fun way to get unique backgrounds and textures. I sampled a section of the image for the current header on this blog. The image’s right half is simply a section of the canvas with its colors inverted.

 

legend of the frozen coast

Tags

abstract, acrylic, art, painting

painter

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anything sounds like a symphony, legend of the frozen coast, painter, painting, poems, poetry

I haven’t painted in two years. But I recently rewrote a couple old memoirs as a poem about painting, and it felt like time to take some pretty colors and make a big splashy mess in the kitchen again. The blank canvases in my office won’t paint themselves, after all. The working title for the painting-in-progress is The Legend of the Frozen Coast, partially in tribute to the Frozen Coast painting I sold on Craigslist a few years back.

I don’t know what other painters think about when they paint, but I have been imagining The Legend of the Frozen Coast as a pirate adventure story starring Meteor Mags’ great-grandmother and read on a radio program. Explore Nordic debauchery in the icy wastelands! Witness the fate of a ferocious kraken frozen in a glacier for 10,000 years! Set fire to a fleet of brigands and mercenaries! Throw in some insults and salty language from The Pirate Primer that arrived this week, and the tale almost writes itself.

Painter

A storm hammers the forest.
The wind rips down his tent.
He can’t make any sense of it in the dark.

The painter drags his sleeping bag to a rock ledge.
It gives no shelter but is clear of the trees.
Electricity tears the sky to shreds.

The rain carries out its assault
not in drops but one continuous torrent.
He huddles in the soaked bag for nine hours,
powerless and small.

Stillness, yet never-ending motion.
The calm shadows of trees on a lake
draw lace stockings on a nightmare.
The struggle for life rages below the surface.

A bee caresses a flower intimately.
He cares nothing for the coming storm.
He is within her and she is within him.
They are one and the same.

Step away from industry. Obliterate
the underlying colors and textures
even when they persist. Use an avalanche.

Give them landslides. Drench them in
thunderstorms of black and broken skies
until they recede. The painter and the canvas
are the cyclone and the shore.

You don’t need to paint this canvas at all.
Do what comes naturally. The painting
will take care of itself.

This poem appears in the collection Inner Planets: 50 Poems by Matthew Howard. Available in paperback, Kindle, and audiobook.

detail 1

progress 2

progress 1

sketchbook sundays: dream journal nine perfection

Tags

art, comic book collage, comic book dreams, dream journal, dreams, painting, sketchbook sundays

Sometimes you have those dreams where everything feels perfect. As a tribute to the numerous dreams we’ve had flipping through boxes of never-published comic books, the colors and textures of Dream Journal Nine contain vintage comic books in their depths.

 

 
This little 8×10 canvas has been a companion in the painting studio for two years, the object of many small-scale experiments we would later apply to larger canvases. It was once a light-hearted collage called “Perfect! The Master Will be Well Pleased!”

We’ve had much time to consider the idea of perfection, and we have a new perspective on it now. Perfection is a process, not a static state. Perfection is a verb, not a noun. Perfection is how we shape the world ever closer to an ideal we have in our minds. In reality, nothing is ever truly perfect, but that should not disappoint us too much. We are not trying to attain a state of perfection; we work to perfect our less-than-ideal world and make it more ideal.

On the flip side, you have imperfection. The crackled textures of Dream Journal Nine suggests cracks and imperfections. In dreams, the imperfections sometimes alert the dreamer that yes, this is a dream. You notice something that doesn’t seem quite right. And when you pause to think about it, it becomes clear you are dreaming. The imperfections of the dream world make perfect signposts on the road to lucid dreaming and greater awareness in the dream.

Dream Journal Nine could just as easily bear the title Imperfection, for perfection and imperfection form two sides of the same coin, two halves of the same whole.

We recently published three years of dreams from our dream journals in a 148-page paperback, and also Kindle format, called Three Years Dreaming.

art sales today

Tags

abstract, acrylic, art, art sales, collage, dream journal, guitar, painting

We sold two paintings today. We had our doubts that anything would ever sell due to a Craigslist ad, but we were happily proven wrong.

Guitar #20: Frozen Coast caught an art lover’s eye on Craigslist. While she was here, she took a liking to Dream Journal #8: Night at the Lake. Good choice! We are very fond of that one, and miss it already.

 

You can read more about Guitar #20, or Dream Journal #8, in our archives. Their original posts include detailed close-up photos.

 

Celebrating Recent Art Sales

Tags

art, art sales, drawing, painting

The business coach we’ve worked for the past seven years often reminds us to take time to celebrate our successes. This carries a special importance when you work independently. After all, a sole proprietor works without any sort of company hierarchy to hand out employee-of-the-month awards, bonuses, or other forms of recognition. Artists working independently face the same challenge.

Plus, you can easily focus on all the things that haven’t yet worked out the way you hoped. If you try ten different things and one succeeds wildly, you might be too caught up in your nine other failures to really appreciate it. It takes a certain mental fortitude to keep moving forward, and celebrating your successes plays an important role in that.

Last week, we had a wonderful chat with a local business owner referred to us to discuss some potential ways we could work together. We mentioned, somewhat dejectedly, that we had only sold about five pieces of artwork since we began seriously attempting it last fall. She said it was funny we viewed it negatively, since she found that number quite impressive.

That made us pause and remember to celebrate our successes. So, we hope you don’t mind if we take a moment to review what pieces have sold in the last nine months. On a side note, our little poetry book has been selling a couple of copies each month, mostly overseas. Though that isn’t a phenomenal sales figure, it certainly does make us happy that the collection is getting out there.

Let’s have a look at what we’ve sold so far.

Guitar #1 sold in October 2013 through Etsy to a MWSNM reader in Canada.

Guitar #7 sold in November 2013 through Etsy to family in the USA.

Guitar #15 sold in November 2013 through eBay to a buyer in the USA.

Behold the Awesomizer sold in February 2014 through eBay to a buyer in the USA.

Diving Frog sold in June 2014 through eBay to an overseas buyer.

Guitar 20: Frozen Coast

Tags

abstract, acrylic, art, guitar, painting

Guitar #20: Frozen Coast
Acrylic paint, varnish, and texture media on gallery-wrapped canvas
24 x 30 in. (60.9 x 76.2 cm)
Colors: Prussian blue, anthraquinone blue, deep permanent green, white, black.

This painting is currently for sale on eBay SOLD.

I enjoy working at this size, even though building up the layers of color and texture on something this size takes approximately forever. Below, you’ll see a bunch of close-ups that show just how textured this piece is. The last half-dozen or so pics illustrate its long journey from blank canvas to colorfully tactile art.

As promised, some “in progress” photos. Yes, we did start off thinking this would be red, but got wonderfully sidetracked by blue instead.

cosmic hand

Tags

acrylic, art, comic book panel, hand, painting

A John Buscema panel from Thor #200 (Marvel Comics, 1972) inspired this painting. Measuring roughly 2 feet wide by 3 feet high, it comes on unframed canvas. The canvas comes from Fredrix, and it was intended for use as a floor mat. It didn’t make sense to me how a loose piece of canvas on the floor would be good for anything, so I nailed it to the wall for a couple weeks to paint on it.

Unlike the small pastel study from last year of this same panel, it wears a metal bracelet, hinting at the eye in a similar tribute to Jack Kirby. The detailed reflection lines on the metal became the focal point of the painting. This results in a somewhat unbalanced piece, with the viewer’s eyes drawn to such a low center point under the mass of the open hand. It may be worth coming back and adding another visual element to balance it out: a ring or rings on the fingers, or something held in the palm.

galactic banana

Tags

acrylic, art, banana, painting

Sometimes it’s fun to paint silly things.

We did the background last summer when we got some good training on basic color wash techniques. We enjoyed it so much that painting over it became nearly impossible. It suggested many grand epic things to us, most of which seemed to lie entirely outside our ability to execute. Do you ever have projects like that? Projects whose potential scope becomes overwhelming to the point where all progress stops? Maybe it’s time to stop being so serious about them, and just go bananas!

Banana may not be a masterpiece, and it may never enjoy its own page in an art history book with a polysyllabic discussion about the conceptual meaning of it all. But, it made us smile, and sometimes that’s enough. Here are some close-ups.