sketchbook sundays: hammerhead shark

Tags

animals, drawing, hammerhead shark, lee j ames, shark, sketchbook sundays

Sketchbook Sundays used to be a regular event here at Mars Will Send No More, but then I got into writing fiction. Recently, I’ve missed drawing, and I always wanted to be better at drawing animals. So I picked up a few inexpensive books by Lee J. Ames. Each page has a different animal to draw, guiding you through the process in six stages, from outlining the basic shapes to the final shading and detail. It’s a bit limited by only having one pose per animal, so it isn’t like a master class in anatomy. But it’s fun to learn some of the basics and quickly produce a decent sketch.

When I was a kid, I used to get these books from the library, but I could never get the proportions right. Results were disastrous and crushed my youthful aspirations of illustrating comics. Decades later, I better understand what Ames is trying to tell me about basic underlying shapes, and I’ve learned that it’s okay to be loose and even sloppy in the early stages — kind of like pounding out a rough draft of a scene without worrying about whether it’s perfect. Later, you come back and revise, smooth out the rough edges, and put the final editorial polish to it.

Anyway, I practiced on a bunch of sharks and cats lately. Birds and bugs are next in line.

Collector’s Guide: There’s a whole series of Lee J. Ames books in paperback and Kindle edition that cost around $10 each.

glass octopus

Tags

glass, memoir, octopus, Patches

My sister sent me a couple of octopus-related housewarming gifts after I got to Tucson a few months ago. One is this adorable glass octo from Ukraine or something. The packaging had Cyrillic writing all over it. Basically, it’s the same letters in the Russian alphabet, which is fitting because the telepathic octos in my fiction series started a band with a tribe of lost Soviet space monkeys. This glass octo now lives under the monitor for my work computer, next to the cute Patches memento my art teacher made for me back in 2013. Yes, there is a solar system where mutant octopuses, space monkeys, and outlaw cats can all be friends and rock out in a band—at least for as long as I have anything to say about it.

Update: My sister says you can find the creator of this glorious glass octopus and many other creatures at etsy.com/shop/miniatureglass

pure nostalgia: Marvel Team-Up #2, 1972

Tags

and spidey makes four, art, collage, comic book collage, drawing, Human Torch, Marvel Team-Up, memoir, painting, sketch, Spider-man

Marvel Team-Up #2 is a riotous mix of 1970s superhero nonsense and insanely dramatic confrontations between the Human Torch and Spider-man. The villains take control of Spidey’s mind and turn him into a weapon against his friend, Johnny Storm.

Script by Gerry Conway, pencils by Ross Andru, and inks by Jim Mooney.

Oh, the pathos! My suspension of disbelief is only hampered by the fact that Spidey was, by that point in comics history, established as being so strong that a punch from him should have killed Torch immediately. Spider-man isn’t strong on the level of Hulk or Thor, but he packs a wallop that could take off your head.

Regardless, this scene inspired me to use a couple panels as ink studies for chisel-tip markers I’d recently acquired. They create broad, angular lines but also finer lines when rotated 90 degrees. I found I could get a mix of bold shapes and detail lines if I worked at the appropriate scale for the brush width.

Chisel-tip Sharpie Marker study

I cut the pages from my sketchbook and hung them in a prominent place where I see them a few times a day, as a reminder. Sometimes I feel so wrapped up in and trapped by all kinds of stuff, focused on negative things about what’s wrong while my brain tries to solve problems, that it’s nice to have a buddy like Torch: someone willing to yell sense at me when I totally lose the plot. Someone to remind me who I am.

Johnny Storm stands his ground even when mind-controlled Spidey is trying to kill him. Sure, Torch could crank up his flames, “go nova”, and incinerate Spidey to a pile of ash. But it wouldn’t be enough for Torch to save himself. He wants to liberate Spider-man, too. That’s true friendship.

The friendship and occasional rivalry between these two heroes has been going on since the 1960s, and I enjoyed Jonathan Hickman’s treatment in his run on the Fantastic Four. When the Human Torch ***spoiler alert*** dies to save our universe from an invasion, Spider-man takes his place in the FF. Spidey honors his old pal’s last will and testament, and also completes a lifelong dream of joining the FF, a dream that began in the very first issue of The Amazing Spider-man where a much more inexperienced and arrogant Peter Parker tried out for the team—and failed. One especially heartfelt tale on Hickman’s run has Spidey share with Johnny’s nephew, Franklin, about how Spidey lost his uncle, too.

Second marker study of a panel from the same issue.

I got so into Marvel Team-Up #2 that I cut up a copy in really poor condition I got for fifty cents. It’s a crazy expensive comic in better condition, but it retails for about $5 in the condition I found it. I definitely got more than $5 worth of artistic inspiration from it, doing a few other ink studies and also the first painting in my 2013 dream journal series which has a partially visible underlayer of panels concerning the argument between Spidey and Torch, a battle not just for their bodies and their minds but the very essence of their friendship.

Dream Journal #1: Anger

Panels of their conflict fill the angry rift running from the upper left corner to the bottom right of the painting. Over them, I painted and textured layer after layer, including found objects from small pieces of hardware to a dead, dehydrated lizard I found on my porch, adding color washes until they became like a soothing balm for the raging argument below, brushing and pouring and splashing until a peace came over me and I knew that despite what had happened to them, Spidey and Torch would be okay. Their lives and friendship had been torn apart by anger, but they would heal. Their friendship would heal.

In that sense, the painting became a way for me to work though some dark things that had come up in my dreams until I could see the light again. It wasn’t just about anger, as I later titled it. It was about regaining one’s senses and overcoming that emotional disruption.

Another of my dream journal series of paintings began as a collage of the same issue’s cover and random interior images, plus a few add-ins from other comics I was sacrificing on the altar of art at that time, including beat-up copies of Marvel Team-Up #5 and #16. The central panel is a John Byrne and Karl Kesel illustration from a six-issue DC series in the 1980s called Legends.

Collage of comic book panels on canvas.

Spidey’s dialogue “Face it, creeps! This is the pay-off!” appears twice, which suggests I had not one but two copies of Marvel Team-Up #2. But maybe the second occurrence comes from a different and far less expensive Spider-man reprint issue, from which I repurposed a bunch of pages.

Later, I added more and more layers of paint and texture until the original collage was almost entirely obscured. The collage centered on a panel where a character thought, “Perfect! The master will be well-pleased!” Over the years, I kept adding to the canvas, trying to bring it closer to some perfect form. I awoke one morning to see what I had wrought upon the canvas in an inebriated, late-night state.

Dream Journal #9: Perfection

“Perfect,” I said. “Perfect!” Then I laughed like a maniac, probably convincing my neighbors that a real-life supervillain lived next door, because I could not keep a straight face while trying to say, “The master will be well-pleased.”

Years later, I still say this to myself when I feel stressed about some artistic decision. It makes me laugh and reminds me to not take things so dreadfully seriously. But I’ve also learned to build in a buffer of time to step away from decisions made in anger or fear before carrying them out, then come back to them a day or two later with a fresh perspective.

Do I see improvements I could make before acting? Have I realized some potentially negative outcomes I didn’t consider before? Could I improve the ways I plan on communicating with others about the situation? Do I need to do some research to back up my convictions or expose places where I might be wrong?

Then let’s attend to those things now, before we damage friendships and end up punching each other’s lights out in some science-fiction hallway where our actions only serve the villains who seek to destroy us.

Collector’s Guide: The original issue appeared as Marvel Team-Up #2 in 1972 from Marvel Comics. It was reprinted in the far less expensive Spider-man Megazine #2, which you can get for about $2. It also appears in black-and-white in the Essential Marvel Team-Up, Volume 1.

hot sauce: take one

Tags

cooking, food, hot ones, hot sauce, memoir, peppers

It’s been a while since we had a post about food, not because I don’t enjoy chronicling my culinary experiments but because my camera sucks so bad—and what’s a food post without great pictures? But other than an amazing crockpot chicken satay with serrano peppers, red curry sauce, and tahini instead of peanut sauce, you haven’t missed much this season. Today, however, we break the dry spell with a simple but delicious hot sauce I improvised for fun this weekend.

I’m more of a salsa guy than a hot sauce fan, because I love the robust substance of spoonfuls of tomato-based sauce or a chunky salsa fresca. Most hot sauces seem to be more about heat than flavor, with just a tiny bit being enough to set your mouth on fire. I like something I can dip my tortilla chips in and get a big burst of flavor, or drown my tacos in, with the heat amplifying the taste rather than overpowering it. So, Sunday night, after doing some research on peppers, I decided to give hot sauce a try and see if I could find the right balance.

The inspiration came from watching Hot Ones, a fairly popular interview show on YouTube that disrupts the typical “talk show” format by having the guests eat ten consecutively hotter chicken wings—or vegan “wings” for the vegetarian guests. The defining elements of Hot Ones are how impressed the guests are by the deeply researched and often thought-provoking questions, only to violently curse interviewer Sean Evans as the sauces’ Scoville ratings become increasingly ridiculous and pain-inducing. It’s a fun show that features some wonderful musicians, comedians, and actors.

Hot Ones also did a great segment about how hot sauces are made, and just how easy they are to create from scratch in your own kitchen. After seeing that, I had to give it a shot. I’ve made my own salsas, salsa fresca (which is basically salsa with chopped ingredients but not pureed), gazpacho (which is basically salsa eaten as a soup), and spicy tomato-based pasta sauces before, so the key difference seems to come down to one simple ingredient: vinegar. Vinegar preserves the sauce, which is why you typically don’t refrigerate hot sauces but need to refrigerate salsa or marinara. Other than balsamic vinegar in salad dressings, I’m not so crazy about vinegar in food—I use it more often as a household cleaning product! But what the hell. Let’s see if we can make something tasty from it.

So, one trip to Sprouts later, here are the victims I chose, all lined up on the cutting board to be sliced and roughly chopped before the puree.

I did zero fermenting, no heating or boiling, and I did not heat to 185 degrees Fahrenheit before bottling. This was simply a quick-and-easy, totally raw sauce in a small batch meant to be finished off in three or four days.

We’ve got two shallots, two huge cloves of elephant garlic (which I like because there is less peeling involved than regular garlic) two tomatillos (which are the base for salsa verde), a few ounces of mini tomatoes from Mexico (which I have never tried before but just looked so cute and colorful), five Fresno peppers (which are a medium heat), and one serrano pepper (which is hotter than Fresno, for a little kick).

For vinegar, I used 2 tablespoons of apple cider vinegar and 4 tablespoons of basic white vinegar. White vinegar just seemed too boring, but the Hot Ones instructional video included apple cider vinegar in one recipe, and I had some in the fridge. I wasn’t sure those amounts of vinegar would be enough liquid to get a good puree with my immersion blender, so I threw in a tablespoon of olive oil to lubricate everything, and figured I could add more vinegar later if necessary.

I added a little bit of sea salt (a special blend I’ve used for years, with kelp flakes and sesame seeds in it, and it is my all-time favorite salt), some ground black pepper, and maybe a tablespoon of dried cilantro.

I had a couple serrano peppers I held in reserve, just in case this mix wasn’t hot enough, but I learned my lesson last year about how easy it is to go overboard on serranos. The two backup serranos proved to be unnecessary, as the flavor and heat levels of this sauce came out perfectly matched to my taste. I’ll find something else to do with them! I love serranos, but they are like a cat who invites you to pet it, then at some point freaks out and claws your hand to ribbons. There is a serrano sweet spot, for sure, and beyond that point… abandon all hope, ye who pepper. But the same is true for hatch chiles, poblanos, and habaneros, all of which I’ve learned the hard way. They’re all fun and games until you cross a line, and I guess the trick is just finding that line for yourself.

The Fresno peppers, I could probably slice and eat raw or put them on a burger. That’s a comfortable heat level, and now I wonder where they have been all my life. Thank you, Hot Ones and Sean Evans for inspiring me to research peppers and try something new.

Anyway, here’s a crappy cell phone pic of the final product.

I lucked out and got what I consider the perfect consistency: thicker like a sauce, not watery but easily poured in controlled doses. My handheld immersion blender didn’t puree the seeds, and they’re visible upon inspection, but it did a great job liquefying everything else. You can also see the cilantro flakes in there, or maybe pepper skins. It looks prettier in person, but hey. Such is my camera situation.

I was almost scared to pour some on a tortilla chip and test it, but amazed when it came out perfect. I was like, Ooooh shit, get me a bowl of chips and let’s pour it on! The tomatillos give it a zesty tang, and there’s plenty of time to revel in the flavor before the heat comes through. When the heat arrives, it’s a friendly level of warmth, not a scary one. Eating it in quantities more appropriate to a salsa will make the eyes water and the nose run, along with a lingering endorphin buzz, but a few dabs of this gives a pleasant warmth. The warmth lasts for quite some time, and the garlic flavor stays around even longer. If you freak out over a few jalapeno slices on a hot dog or pizza, then your tolerance is lower than mine, so adjust accordingly. I think that without the serrano, this would be a somewhat mild sauce, and I’d rate it at medium with the serrano. It would definitely be hot if I had put in the backup serranos. 

I put some in a little jam jar after pigging out on it over chips.

My next plan was to put it on a burger for dinner. Mission accomplished. The burger was a bleu cheese and onion burger from Sprouts, pan fried in some olive oil with two toasted slices of Italian bread and some shredded Mexican-style cheese and not a single other condiment or dressing. Not to brag, but it might be the best burger sauce ever created. Though I didn’t snap a photo, I probably used half a cup of the sauce, slathering it on and adding some to every bite. It was warm, it was tasty, and it was a flavor explosion. I’m calling this experiment a resounding success, and I look forward to making more hot sauces.

Battered Cod with Garlic Mashed Potatoes and Injuries

Tags

batter, cod, cooking, fish, fry, garlic, garlic butter, hello kitty, mashed potatoes, meals, memoir, potato, recipe

Battered Cod with Garlic Mashed Potatoes

Of all the meals posted this month, this one was the closest to ecstasy, but also the most painful, because I burnt the ever-loving shit out of my finger while making it. It all started when Sprouts put nearly a pound of Alaskan cod on “manager’s special”, and I thought, “Isn’t that what British pubs use for fish and chips?”

Marinating the Fish.

I cut the cod into five pieces and soaked them in the juice of one Persian lime mixed with one take-out packet of soy sauce. I don’t know what’s special about Persian limes other than that they were on sale, and the ones I bought were seedless, which is convenient. The fish marinated in the fridge for about an hour while I worked on everything else.

Potatoes Like a Boss.

The secret to great mashed potatoes is realizing the potatoes are merely the vehicle for flavor. Potatoes are neutral, like blank pages in a book. Your mission is to write a flavor masterpiece on those pages.

I started with roasted garlic butter. The last time I made garlic butter, it didn’t have enough garlic flavor for me. This time, I upped my game. Instead of regular garlic, I roasted two entire bulbs of elephant garlic, which is convenient because of the bigger cloves (which means less peeling).

Roasting garlic is easy: get rid of all the papery skins, chop off the hard tops of each clove, rub the cloves in plenty of olive oil, and bake them at 350F. The bigger cloves in elephant garlic take a little longer to get completely tender compared to the smaller cloves in regular garlic, around 20 minutes.

While the garlic cooked, I melted a stick and a half of unsalted butter in a sauce pan on low heat.

I also chopped a gigantic Russet potato, peeling and all, and boiled it until it was super tender. This potato must have weighed a pound or more; it was a real beast. It ended up in 32 small chunks so it would cook quickly, which took about 20 minutes. When the potato was tender, I drained off the water. Easy stuff.

Right about the same time, the garlic was tender and smelling so good! I removed the hard skins from the cloves and used an immersion blender to puree the garlic and butter together. That’s it. Now you are a garlic butter expert.

I poured off half of this butter mix for later meals, then combined the remains with the potatoes, a generous pour of half-and-half (not milk, you savages—get some cream in the mix!), a splash of sea salt, a sprinkle of dried rosemary, and an “Italian blend” of grated cheeses (parmesan, romano and asiago). I pureed it all with the immersion blender, pouring in some more half-and-half when it seemed too thick for my little blender to handle.

The result was so good that I could have stopped right there and just eaten mashed potatoes for dinner.

The Topping.

It’s not my revolution if I can’t put toppings on it. I didn’t want boring brown gravy (though I do love that), so I made a chopped veggie topping by dicing a Roma tomato and a bit of red onion. I added diced, pickled jalapeños for heat and color, and a generous heap of dried rosemary. I shook it all up in a plastic container so the rosemary would soften a bit in the veggie moisture.

The Fish Fry of Doom.

I made a breading by whisking together flour, chili powder, black pepper, and sea salt. I suspect the “flour” was leftover waffle mix from last year, in an unmarked container. But waffle and pancake mixes are mostly flour anyway, so why not? I worried this would screw things up, but the breading tasted great.

I love coconut oil, but olive oil is better for a fish fry since it has a higher burning point. Once the oil heated up in my frying pan over medium heat, I started coating the fish chunks in the flour/spice mix and placing them in the pan.

Here’s where I fucked up. When setting the fourth chunk of fish in the pan, one of my fingers dipped into the hot oil with it. I suggest you don’t repeat this step, because I’m typing this three hours after I finished my meal, and if I take off my ice pack for more than five seconds, my finger screams like a motherfucker. So, unless you really enjoy physical pain that will give you the vocabulary of Samuel L. Jackson in a Quentin Tarantino movie, I have a suggestion for you. Put the goddamned fish in the motherfucking pan using TONGS!

Chalk this up to lessons learned. It’s difficult to cook fish, photograph it, eat it, and type one-handed. Somehow, I held my ever-so-manly pink Hello Kitty ice pack on my finger, reduced the heat a little on the fish fry, and flipped all the pieces once. They came out perfectly, and I saved three of the five chunks for leftovers.

I can’t tell you how many times this Hello Kitty ice pack has rescued me from total agony.

Serving.

Fish and potatoes on a plate! Drizzle with some of the still-warm garlic butter and the diced veggie topping, and dinner is ready! Ice Pack Optional!

Taste Review.

This may be one of my top ten tastiest meals of all time. The fish turned out great, despite the medical emergency in the middle of frying it. The improvised veggie topping surprised me by being the perfect flavor bridge between the fish and potatoes, without traditional gravy. I’ve made mashed potatoes many times, but it’s been a few years, and this batch made me fall in love with them all over again. I’ll send you a postcard from our honeymoon.

In the spirit of injury-induced profanity which informed this post, my potatoes would like you to know that, “Bitch, they ballin’!“

pop-up card

Tags

butterfly, memoir, mothers day, pop up card

Mom and I have a long history of exchanging handmade cards. Store-bought cards can be wonderful, but there’s something special about knowing a person took the time to not just buy something but create something unique for you.

For this past Mother’s Day, I wanted to make a card that would be unlike any I’d sent her before: a pop-up card. It turns out the Internet has a treasure trove of tutorials and inspiring examples, so I picked one and ran with it.

Mine has a pretty simple front: a butterfly based on a design I pulled from an image search, with the black lines done in Sharpie marker and the color done with acrylic paint thinned with water. Mom likes blue and butterflies, so I couldn’t go wrong with a blue butterfly.

All the paper is Bristol paper: what comic books used to be drawn on before the digital age. I did all the butterflies and other colored pieces individually, then cut them out and glued them in place.

Here’s the interior:

Thanks to the sturdiness of Bristol paper, which is a bit like cardstock, the card can be displayed open like this. It took me the better part of a Sunday to put it all together, but this barely scratches the surface of what’s possible in a pop-up card. People have made everything from multi-layered hearts to dinosaur skeletons, so clearly the sky is the limit in the pop-up master class.

The basic idea is pretty straightforward, though. The body of the card is two pieces of paper. For the interior pop-up sections, you cut one of those pieces along lines perpendicular to the center fold. You fold those cut-out sections so they pop up at right angles to the fold of the main card. Glue the inside piece to the outside piece, without putting glue on the folded pop-up sections. Finally, cut out and glue anything you want to attach to those sections.

Bristol paper is sturdy and well-suited to being painted and displayed, but it can be challenging to make precise, smooth cuts in it with scissors. I originally intended to cut out the butterfly antennae. I settled for drawing them on with Sharpie after I glued the butterflies in place. If I were making another card from shapes with finer, more complex details, I would try a thinner paper stock for those pieces.

octopus ring

Tags

doctor gus, octopus, octopus ring

If you pay attention to this site at all, you know I have grown to love octopuses, especially the telepathic space octopus variety. It all started innocently enough, when I came up with the idea in 2015 that Meteor Mags and Patches would encounter a giant mutant octopus in an asteroid cavern and forever have their lives changed as a result. But that crazy idea resulted in tons of research into octopuses and a genuine fondness for these freaky sea creatures.

So, I was thrilled to discover these handmade rings on Etsy.

My ring arrived weeks ago and I’ve been wearing it ever since. I have fat knuckles that are wider than the rest of my fingers, and that usually prevents me from wearing rings. But this one was adjustable, so I gave it a shot. It turned out to be the perfect solution, and I couldn’t be happier with it.

The creator of this cephalopodic masterpiece has his own site plus a site on Etsy, so go check them out.

If you are looking for a book on octopuses that is full of scientific knowledge but still accessible to a non-biologist, you will enjoy Octopus: The Ocean’s Intelligent Invertebrate. If you want something a little more horrifying and science-fictional, rock my short story Never See the Night.

Maybe you need some bad-ass octopus music? I recommend the neo-psychedelic song Octopus Ride by Harvey Rushmore and the Octopus, and the epic slow jam blues album Under a Black Moon by Electric Octopus. Or, if you want some visual splendor, do what I did and commission Joe Shenton to draw some space octopus madness.

You should also get a copy of the Meteor Mags Omnibus Edition, which features mutant space octopuses in the stories Red Metal at Dawn, Daughter of Lightning, Voyage of the Calico Tigress, and Hang My Body on the Pier. I’ve got big plans for the telepathic space octopuses in Mags’ universe, including a tour of the solar system hell-bent on revolutionizing human consciousness through music.

Just don’t order calamari around me if you want to be friends. I’ll take it personally.

cat-o-lantern

Tags

Cat, halloween, jackolantern, pumpkin

My cat-o-lantern is carved on a 6-inch tall pumpkin and is based on a clip-art image I pulled from the web. The small size made it tricky, since even my smallest kitchen knife was too big to cut the tiny shapes. I went with an X-acto knife for cutting and a miniature screwdriver for scraping.

monochrome mountains

Tags

acrylic, art, bob ross, colorblind, landscape, monochromatic, mountain, painting

Working with color has always been a challenge, because I have a form of red-green colorblindness. According to a recent test, my specific variation comes from weak green receptors. Green isn’t the only thing affected; I have trouble distinguishing some purples from blues, light pinks from white, browns from greens, and many more. But guess what?

Mountains; acrylic on canvas, 24×30

I love playing with color anyway. I still see it. My world isn’t black-and-white. That would be an even more extreme colorblindness. Mine is like color “confusion” compared to that. But because color remains a challenge, I was thrilled to learn Bob Ross recorded a landscape painting demonstration designed just for colorblind artists. It’s very much like his other work, but all in one color: a grey tone mixed with white to create lighter values.

I watched it twice in a row, utterly mesmerized, and then tried my hand at his techniques on a much larger canvas with acrylic paint. Ross used oil, and many of his techniques don’t translate to acrylic. Acrylic dries faster, so you don’t have the luxury of blending as smoothly as Ross did with oil.

On the other hand, you can do a few things with acrylics that Ross never did with oil: layers of color washes, splashes, and other “wet” effects you get from making a mess with water and paint. My art teacher loved Payne’s Grey and first suggested it to me as a color for painting the mountains in Sedona at night, just at the end of sunset. I love it too, and when the little tube she gave me ran out, I bought 250ml of the stuff. Payne’s Grey is the only paint I used in this piece, plus white: an ultra-white interior house paint (semi-gloss) from the hardware store.

Ross uttered an especially memorable line in his monochromatic demonstration of building mountains: “All you need is a dream in your heart. And an almighty knife.”

Watch and learn!

oceans

Tags

abstract, acrylic, art, painting

One of the neighbors moved out and left behind a 36×12 canvas with a generic photo print of a flower on it. Time to break out the acrylic paints and texture media!

mermaids

Tags

abstract, acrylic, art, mermaids, painting

No actual mermaids appear in this abstract painting, but it was the last wash of turquoise that made me think it might be the kind of place they’d like to swim. The other two colors are quinacridone magenta and ultramarine violet. The colors are liquid acrylics from Golden, and the black and white layers underneath are semi-gloss acrylic house paint. A couple coats of gloss varnish from now, she’ll be decorating the wall. 15 x 30 in., acrylic on canvas.

perpendiculars

Tags

abstract, acrylic, art, painting, perpendiculars, poured paint

Perpendiculars. 24 x 30; acrylic poured on canvas.

No, it doesn’t require much technique, but it’s a fun way to cover a few square feet of empty wall. I did this as a sequel to Parallels since I had leftover paint.

parallels

Tags

abstract, acrylic, art, painting

blue feather

Tags

abstract, acrylic, art, feather, painting

blue feather. prussian blue and white acrylic plus feather on 8×10 board-mounted canvas.

nebula

Tags

abstract, acrylic, art, color wash, nebula, painting

Blue & White Nebula. Created on an 8×10 canvas mounted on board. Using a trowel, I smeared on a thick layer of white semi-gloss acrylic house paint and let it dry. Then I sprayed it with water and dropped Golden brand liquid acrylic artist paint, in Prussian Blue. It made these interesting patterns as it diffused through the water. Now let’s have some rock from the band Nebula, from the Nebula/LowRider split album:

painted abstracts make unique backgrounds

Tags

abstract, acrylic, art, book covers, collage, making books, painting, textures

I’ve been experimenting with a new method of creating colorful, visually interesting backgrounds for things like book covers, business cards, and blog headers. It begins with painting 8 x 11 canvasses which are mounted on a board instead of a frame. They fit nicely on my scanner, so I can digitally manipulate the images later.  This one began as a collage of pages torn from a proof copy of my new poetry book. It ended up as the cover to a new book.

Throw a filter and text on it, and it comes out like this:

It looks pretty awesome in print with a matte finish. Once I get a few good scans, the canvases can be recycled by adding layers of different materials to create cracks, swirls, and other interesting textures. Below is the same canvas as above, but in the process of getting a new, messy layer of krackle over it.

Here’s one I haven’t used for any backgrounds yet, a basic color wash with acrylics.

I had some old acrylic varnish and played around with pouring it and liquid paint at the same time, splashing water on them while they were drying, and mixing them together before pouring.

It isn’t going to hang in a museum or anything, but it’s a fun way to get unique backgrounds and textures. I sampled a section of the image for the current header on this blog. The image’s right half is simply a section of the canvas with its colors inverted.

legend of the frozen coast

Tags

abstract, acrylic, art, painting

painter

Tags

anything sounds like a symphony, legend of the frozen coast, painter, painting, poems, poetry

I haven’t painted in two years. But I recently rewrote a couple old memoirs as a poem about painting, and it felt like time to take some pretty colors and make a big splashy mess in the kitchen again. The blank canvases in my office won’t paint themselves, after all. The working title for the painting-in-progress is The Legend of the Frozen Coast, partially in tribute to the Frozen Coast painting I sold on Craigslist a few years back.

I don’t know what other painters think about when they paint, but I have been imagining The Legend of the Frozen Coast as a pirate adventure story starring Meteor Mags’ great-grandmother and read on a radio program. Explore Nordic debauchery in the icy wastelands! Witness the fate of a ferocious kraken frozen in a glacier for 10,000 years! Set fire to a fleet of brigands and mercenaries! Throw in some insults and salty language from The Pirate Primer that arrived this week, and the tale almost writes itself.

Painter

A storm hammers the forest.
The wind rips down his tent.
He can’t make any sense of it in the dark.

The painter drags his sleeping bag to a rock ledge.
It gives no shelter but is clear of the trees.
Electricity tears the sky to shreds.

The rain carries out its assault
not in drops but one continuous torrent.
He huddles in the soaked bag for nine hours,
powerless and small.

Stillness, yet never-ending motion.
The calm shadows of trees on a lake
draw lace stockings on a nightmare.
The struggle for life rages below the surface.

A bee caresses a flower intimately.
He cares nothing for the coming storm.
He is within her and she is within him.
They are one and the same.

Step away from industry. Obliterate
the underlying colors and textures
even when they persist. Use an avalanche.

Give them landslides. Drench them in
thunderstorms of black and broken skies
until they recede. The painter and the canvas
are the cyclone and the shore.

You don’t need to paint this canvas at all.
Do what comes naturally. The painting
will take care of itself.

This poem appears in the collection Inner Planets: 50 Poems by Matthew Howard. Available in paperback, Kindle, and audiobook.

detail 1

progress 2

progress 1

sketchbook sunday: a trip to the amazing arizona comic-con

Tags

amazing arizona comic-con, Chris Claremont, George Perez, hero initiative, memoir, Rob Liefeld, sketchbook sundays, volunteer

Amazing Arizona Comic-Con was well underway by the time I showed up for my four-hour volunteer shift. Holly gave me a volunteer t-shirt and sent me off with Amy, who had an assignment for me. From the original description of the volunteer position, I expected to be moving fifty-pound boxes around all afternoon. But Amy explained to me that Mat Nastos was scheduled to moderate the Chris Claremont panel on the main stage, and I was going to watch his table for him!

I’ve never been to a comic-con in my life, so this was quite an unexpected way to spend my first hour. Mat told me to feel free to sketch, and pointed to his bag of pens and markers. It held several Sharpie markers and one of the same Pigma micron fine point pens I like to use. This launched a discussion of brush tip pens in which Mat showed me his refillable Pentel brush tip and told me about a refillable kuratake pen from Japan with a sable tip, not synthetic like the one I’ve been using this year.

As if having a chance to discuss tools of the trade with a professional wasn’t fun enough, I then spent an hour on the artist’s side of the table instead of the fan’s. Thanks to my bright white volunteer shirt, only two people mistook me for the real Mat. Everyone else I greeted with a smile, asked them how they were, and let them know Mat would be back at 4 p.m. Several of them stayed and chatted with me about Mat’s artwork and prints on the table, or indie comic books, or a new tattoo, or that it was their first comic-con, too.

But what most impressed me in that hour was the unfailing enthusiasm Rob Liefeld showed each and every fan in the massive line waiting to meet him. Rob’s table was the next one over from Mat’s, and I have never seen anyone so genuinely cheerful to be posed and photographed over and over and over. I was in awe of his ability to project a positive energy and make every fan feel like he cared.

From Mat’s table, I also had a view of the other biggest line that afternoon: the one to meet George Pérez. Once Mat got back, I got sent to “float” for a bit and check on other volunteers, see if they needed anything, and lend a presence to any lines that needed tending. After making a few loops around the hall and chatting with people, I relieved the volunteer who was watching over George and his fans.

George’s table had no merchandise or books on it. He only had his sharpie markers, pads of Bristol paper, a donation jar, and flyers for the charity he works with: The Hero Initiative. That’s it. It was explained to me that people had numbered tickets in this line, and we were accepting them in numerical order, and anyone without a ticket could get in line but there was no guarantee we would get to them.

Neither the ticketholders nor George were in any hurry. This line barely moved, because each and every fan got George’s full attention. And I realized that made their wait worthwhile. In the meantime, whoever was in the front of the line got to chat with me about things like Perez’s work on Crisis on Infinite Earths and Teen Titans. One fan told me he had been in line for six hours, and laughed when I suggested that instead of a sketch he request a full-body Sharpie tattoo.

George was gracious and cheerful, and even addressed one fan as “my son” when posing with the sketch he had drawn for the young man. Fans brought up entire stacks of comics for George to sign. One fan had a large Bristol paper full of empty panels, and George drew Batman in the center panel. He signed a two-meter-wide Marvel poster one fan had collected many signatures on. One fan had George sign a huge plastic infinity gauntlet. One had his comics bagged and boarded, but with areas of the bag sliced out and bordered with electrical tape so George would know just where he wanted a signature on the cover. And George delivered sketch after sketch after sketch after sketch. For hours.

I have never seen anything like it in all my life.

Before the night was over, everyone with a numbered ticket did make it through that line, and the donation jar was full. In honor of the tireless joy and attention George and the other creators at the convention showed their fans, consider donating to the organization George was promoting: The Hero Initiative. Funds for Hero Initiative are raised and disbursed by comic book artists and industry leaders to comic book artists in need, especially aging artists who need major medical treatments or surgeries. Please visit HeroInitiative.Org.

sketchbook sunday

Tags

art, drawing, music, sketchbook sundays, venus flytrap

Making art quickly makes chaos out of your walls. Things get hung at random and, over the course of a year, lose all sense of order. Closing out 2015 required a bit of wall patching, cleaning, painting, and re-hanging.

Yesterday saw the arrival of the proof copy of a music album I’ll be publishing this month. The CD looks and sounds great, but I found the volume to be too low compared to most of today’s music. I plan to return to my master files, crank the volume a bit, and resubmit the audio before making an official release. The artwork, which I designed using scans of an acrylic painting and an ink drawing, came out really nice. I’m excited to get this album and one more music album published before the new semester begins. 

I don’t do the tree thing in December, but the art studio desperately needed some suitable greenery. Here in the desert, we get ordinary house flies all year long, even in the winter. Otherwise the weather is so nice you can open windows and doors and let the cat come and go as she pleases and enjoy the sunlight and play guitar on the porch and… then the flies. It doesn’t take but a couple in the house to drive me mad. But, when life gives you flies, grow Venus flytraps.

Nothing says seasonal festivity like a carnivorous plant. I ordered this one on eBay from “Joe’s Carnivorous Plants”. She just ate her first fly yesterday. I was so proud. The leaves are thin enough that when the sun shines on them you can see the pesky little fly trapped in there.

That should keep the freshly cleaned and organized sketch room from devolving into pestilence and infestation for another year! Go, little flytrap!