eclipse

Tags

drawing, eclipse, pastel, planets, poems, poetry

eclipse

when the sun disappears
we dance in its umbra

embracing lightless silence
where mockingbirds dare not fly

darkness belongs to bodies
we plant kisses like seeds

and if one star
carves its absence like a scar

then you and i are healing
in the wound

 

Pastel Planets 1
Buy it as a print or card.

fresh ink

Tags

art, battle of vesta 4, drawing, ink, meteor mags, sketchbook sundays

A couple of new illustrations for The Battle of Vesta 4.

pop-up card

Tags

butterfly, mothers day, pop up card

Mom and I have a long history of exchanging handmade cards. Store-bought cards can be wonderful, but there’s something special about knowing a person took the time to not just buy something but create something unique for you.

For this past Mother’s Day, I wanted to make a card that would be unlike any I’d sent her before: a pop-up card. It turns out the Internet has a treasure trove of tutorials and inspiring examples, so I picked one and ran with it.

Mine has a pretty simple front: a butterfly based on a design I pulled from an image search, with the black lines done in Sharpie marker and the color done with acrylic paint thinned with water. Mom likes blue and butterflies, so I couldn’t go wrong with a blue butterfly.

All the paper is Bristol paper: what comic books used to be drawn on before the digital age. I did all the butterflies and other colored pieces individually, then cut them out and glued them in place.

Here’s the interior:

Thanks to the sturdiness of Bristol paper, which is a bit like cardstock, the card can be displayed open like this. It took me the better part of a Sunday to put it all together, but this barely scratches the surface of what’s possible in a pop-up card. People have made everything from multi-layered hearts to dinosaur skeletons, so clearly the sky is the limit in the pop-up master class.

The basic idea is pretty straightforward, though. The body of the card is two pieces of paper. For the interior pop-up sections, you cut one of those pieces along lines perpendicular to the center fold. You fold those cut-out sections so they pop up at right angles to the fold of the main card. Glue the inside piece to the outside piece, without putting glue on the folded pop-up sections. Finally, cut out and glue anything you want to attach to those sections.

Bristol paper is sturdy and well-suited to being painted and displayed, but it can be challenging to make precise, smooth cuts in it with scissors.  I originally intended to cut out the butterfly antennae. I settled for drawing them on with Sharpie after I glued the butterflies in place. If I were making another card from shapes with finer, more complex details, I would try a thinner paper stock for those pieces.

 

stories – a brief reflection

Tags

fiction, meaning, story, storytelling, writing

I’ve been asked to present at a gathering of storytellers later this month, and I don’t really know what to share. But wondering about it prompted me to collect my thoughts about stories: what they are, what they mean, and why we create them.

Stories

Fiction can convey a psychological or emotional truth which is lost in a mere recitation of facts. By taking the senselessness of life and shaping it into a narrative which makes sense, which has internal order and cohesion life’s random events do not, stories do more than present facts. Stories tell us what those facts mean—to the author, to the reader, to each other, and our societies.

Stories bring us comfort beyond simple entertainment or fantasy fulfillment. Stories take us to a place where humans control the timing and sequence of events, determine who populates the world where those events take place, and decide what is the point of everything. Stories are a place where life does not happen to us, but where we happen to life.

The power to shape action, character, the environment, and history itself does more than relieve the suffering life inflicts upon us in careless, random fashion. This power also inspires us. It suggests we can impose our will upon the realities we confront. It makes us wonder if we are not so powerless as we often feel. Stories fan a spark of belief that we have power over our destinies, that we might shape our lives like heroes and conquer seemingly insurmountable challenges.

Storytelling is not limited to fiction. We make stories of our own lives, and the lives of others. We take observations, perceptions, and perspectives, and we turn them into tales we believe to be true or real. But these tales are as subjective as fiction, open to multiple interpretations, and completely dependent on who tells the story. Two different observers can disagree on the facts of an event or character, and what meaning we draw from interpreting those facts tells as much about ourselves as it does about anything objective.

We could propose that all stories are fictions—whether based on actual events or fantasies—for every story is a creation of the storyteller. Every story has a bias, an agenda with roots in the storyteller’s culture, time, environment, and uniquely personal experience. Understanding stories in this way reveals that humans do not have one truth, but many truths—and perhaps as many lies, for not all agendas are honest.

As storytellers, we should consider our subjectivity. What is the truth we want readers to perceive, and why do we want that? What ends do our stories serve? If we are to be honest with our readers and listeners, we must first be honest with ourselves and understand our own intent. We make our stories most compelling when we use them to present multiple perspectives or arguments and let readers draw their own conclusions— even when we want them to draw a specific one.

Is the power to create stories what makes us uniquely human? Even that proposition serves an agenda: a belief that humans are different from other animals and set apart. Does the honeybee tell a story about finding nectar when she dances for the hive? Does the lioness tell a story when she teaches her cubs to hunt? Do chimpanzees have a story when they bury their dead? Does the crow know a story when she stays behind the flock to be at the side of a sick or wounded crow? Maybe we are wrong to label all animal behaviors as instinct, to dismiss the transmission of information within a community or from generation to generation as merely the result of some internal pre-programming.

Maybe if we look deeper and with more compassion, we will find stories everywhere, even in our inhuman companions who share this world with us. Maybe we will discover we simply don’t speak the language of those stories, or they are told in ways so alien to our way of thinking that we fail to recognize them for what they are.

Maybe stories are everywhere, surrounding us with truths we have yet to consider, and we only need to learn how to listen.

octopus ring

Tags

doctor gus, octopus, octopus ring

If you pay attention to this site at all, you know I have grown to love octopuses, especially the telepathic space octopus variety. It all started innocently enough, when I came up with the idea in 2015 that Meteor Mags and Patches would encounter a giant mutant octopus in an asteroid cavern and forever have their lives changed as a result. But that crazy idea resulted in tons of research into octopuses and a genuine fondness for these freaky sea creatures.

So, I was thrilled to discover these handmade rings on Etsy.

My ring arrived weeks ago and I’ve been wearing it ever since. I have fat knuckles that are wider than the rest of my fingers, and that usually prevents me from wearing rings. But this one was adjustable, so I gave it a shot. It turned out to be the perfect solution, and I couldn’t be happier with it.

The creator of this cephalopodic masterpiece has his own site plus a site on Etsy, so go check them out.

If you are looking for a book on octopuses that is full of scientific knowledge but still accessible to a non-biologist, you will enjoy Octopus: The Ocean’s Intelligent Invertebrate. If you want something a little more horrifying and science-fictional, rock my short story Never See the Night.

Maybe you need some bad-ass octopus music? I recommend the neo-psychedelic song Octopus Ride by Harvey Rushmore and the Octopus, and the epic slow jam blues album Under a Black Moon by Electric Octopus. Or, if you want some visual splendor, do what I did and commission Joe Shenton to draw some space octopus madness.

You should also get a copy of the Meteor Mags Omnibus Edition, which features mutant space octopuses in the stories Red Metal at Dawn, Daughter of Lightning, Voyage of the Calico Tigress, and Hang My Body on the Pier. I’ve got big plans for the telepathic space octopuses in Mags’ universe, including a tour of the solar system hell-bent on revolutionizing human consciousness through music.

Just don’t order calamari around me if you want to be friends. I’ll take it personally.

 

cat-o-lantern

Tags

Cat, halloween, jackolantern, pumpkin

My cat-o-lantern is carved on a 6-inch tall pumpkin and is based on a clip-art image I pulled from the web. The small size made it tricky, since even my smallest kitchen knife was too big to cut the tiny shapes. I went with an X-acto knife for cutting and a miniature screwdriver for scraping.

monochrome mountains

Tags

acrylic, art, bob ross, colorblind, landscape, monochromatic, mountain, painting

Working with color has always been a challenge, because I have a form of red-green colorblindness. According to a recent test, my specific variation comes from weak green receptors. Green isn’t the only thing affected; I have trouble distinguishing some purples from blues, light pinks from white, browns from greens, and many more. But guess what?

Mountains; acrylic on canvas, 24×30

I love playing with color anyway. I still see it. My world isn’t black-and-white. That would be an even more extreme colorblindness. Mine is like color “confusion” compared to that. But because color remains a challenge, I was thrilled to learn Bob Ross recorded a landscape painting demonstration designed just for colorblind artists. It’s very much like his other work, but all in one color: a grey tone mixed with white to create lighter values.

I watched it twice in a row, utterly mesmerized, and then tried my hand at his techniques on a much larger canvas with acrylic paint. Ross used oil, and many of his techniques don’t translate to acrylic. Acrylic dries faster, so you don’t have the luxury of blending as smoothly as Ross did with oil.

On the other hand, you can do a few things with acrylics that Ross never did with oil: layers of color washes, splashes, and other “wet” effects you get from making a mess with water and paint. My art teacher loved Payne’s Grey and first suggested it to me as a color for painting the mountains in Sedona at night, just at the end of sunset. I love it too, and when the little tube she gave me ran out, I bought 250ml of the stuff. Payne’s Grey is the only paint I used in this piece, plus white: an ultra-white interior house paint (semi-gloss) from the hardware store.

Ross uttered an especially memorable line in his monochromatic demonstration of building mountains: “All you need is a dream in your heart. And an almighty knife.”

Watch and learn!

oceans

Tags

abstract, acrylic, art, painting

One of the neighbors moved out and left behind a 36×12 canvas with a generic photo print of a flower on it. Time to break out the acrylic paints and texture media!

 

mermaids

Tags

abstract, acrylic, art, mermaids, painting

No actual mermaids appear in this abstract painting, but it was the last wash of turquoise that made me think it might be the kind of place they’d like to swim. The other two colors are quinacridone magenta and ultramarine violet. The colors are liquid acrylics from Golden, and the black and white layers underneath are semi-gloss acrylic house paint. A couple coats of gloss varnish from now, she’ll be decorating the wall. 15 x 30 in., acrylic on canvas.

perpendiculars

Tags

abstract, acrylic, art, painting, perpendiculars, poured paint

Perpendiculars

24 x 30; acrylic poured on canvas

No, it doesn’t require much technique, but it’s a fun way to cover a few square feet of empty wall. I did this as a sequel to Parallels since I had leftover paint.

parallels

Tags

abstract, acrylic, art, painting

blue feather

Tags

abstract, acrylic, art, feather, painting

blue feather

prussian blue and white acrylic plus feather on 8×10 board-mounted canvas

 

flytrap year 1

Tags

plants, venus flytrap

My Venus flytrap is a year old now, and it’s been a wonderfully green, insect-killing addition to the office. But I almost let it die.

Back in February, I posted the picture below. It shows a stalk growing among the various fly-eating leaves. I didn’t know flytraps made stalks, so I left it alone to see what would happen. I might as well have signed the poor thing’s death warrant.

That stalk is meant to become a flower. Fortunately for my flytrap, that never happened. The stalk only turned black and shriveled up like the leaves do on a regular basis. I say “fortunately” because when a second stalk sprouted a few months ago, I did the research I should have done in the first place. It turns out that when a Venus flytrap makes a stalk that flowers, it really puts its murderous little heart and soul into it. Once the flower blooms, the plant has done its job and gives up on life. It dies.

As soon as I read that, I cut off the new stalk and, per the article, placed it into the sphagnum moss beside the rest of the plant to give it a chance to sprout and flower on its own. It didn’t. But hopefully I cut the cord in time to keep my plant growing. It’s hard to say, as this wintry time of year is a dormant phase for flytraps.

Is there a lesson to be learned from this? Maybe it’s “Do your bloody research.” On the other hand, how dare I interfere with my plant’s attempt to create its ultimate biological masterpiece: a beautiful flower that is the apex of its existence and its entire reason for living? Why should my goals for the plant be more important than the plant’s goals for itself? Shouldn’t I just let it do what it wants?

After pondering this problem in relation to mammals I have known and loved, be they human or feline, I realized I am projecting my personal problems onto my flytrap, and that the solution isn’t mammalian in nature. What would actually make my little plant happy is not pointlessly dying, nor my trying to rescue it from itself. What it really wants is a mate: another plant, with another flower, with whom it can share pollen and create new flytrap seeds together, and spawn a whole new insect-killing generation.

So, besides “do your bloody research”, the other lesson here is: Even flytraps need a friend.

I’ll put it on my list of things to do next year. Catch you in 2017!

nebula

Tags

abstract, acrylic, art, color wash, nebula, painting

Blue & White Nebula

Notes: Created on an 8×10 canvas mounted on board. Using a trowel, I smeared on a thick layer of white semi-gloss acrylic house paint and let it dry. Then I sprayed it with water and dropped Golden brand liquid acrylic artist paint, in Prussian Blue. It made these interesting patterns as it diffused through the water.

Now let’s have some rock from the band Nebula, from the Nebula/LowRider split album:

painted abstracts make unique backgrounds

Tags

abstract, acrylic, art, book covers, collage, making books, painting, textures

I’ve been experimenting with a new method of creating colorful, visually interesting backgrounds for things like book covers, business cards, and blog headers. It begins with painting 8 x 11 canvasses which are mounted on a board instead of a frame. They fit nicely on my scanner, so I can digitally manipulate the images later.  This one began as a collage of pages torn from a proof copy of my new poetry book. It ended up as the cover to a new book.

Throw a filter and text on it, and it comes out like this:

It looks pretty awesome in print with a matte finish. Once I get a few good scans, the canvases can be recycled by adding layers of different materials to create cracks, swirls, and other interesting textures. Below is the same canvas as above, but in the process of getting a new, messy layer of krackle over it.

Here’s one I haven’t used for any backgrounds yet, a basic color wash with acrylics.

I had some old acrylic varnish and played around with pouring it and liquid paint at the same time, splashing water on them while they were drying, and mixing them together before pouring.

It isn’t going to hang in a museum or anything, but it’s a fun way to get unique backgrounds and textures. I sampled a section of the image for the current header on this blog. The image’s right half is simply a section of the canvas with its colors inverted.

 

legend of the frozen coast

Tags

abstract, acrylic, art, painting

painter

Tags

anything sounds like a symphony, legend of the frozen coast, painter, painting, poems, poetry

I haven’t painted in two years. But I recently rewrote a couple old memoirs as a poem about painting, and it felt like time to take some pretty colors and make a big splashy mess in the kitchen again. The blank canvases in my office won’t paint themselves, after all. The working title for the painting-in-progress is The Legend of the Frozen Coast, partially in tribute to the Frozen Coast painting I sold on Craigslist a few years back.

I don’t know what other painters think about when they paint, but I have been imagining The Legend of the Frozen Coast as a pirate adventure story starring Meteor Mags’ great-grandmother and read on a radio program. Explore Nordic debauchery in the icy wastelands! Witness the fate of a ferocious kraken frozen in a glacier for 10,000 years! Set fire to a fleet of brigands and mercenaries! Throw in some insults and salty language from The Pirate Primer that arrived this week, and the tale almost writes itself.

Painter

A storm hammers the forest.
The wind rips down his tent.
He can’t make any sense of it in the dark.

The painter drags his sleeping bag to a rock ledge.
It gives no shelter but is clear of the trees.
Electricity tears the sky to shreds.

The rain carries out its assault
not in drops but one continuous torrent.
He huddles in the soaked bag for nine hours,
powerless and small.

Stillness, yet never-ending motion.
The calm shadows of trees on a lake
draw lace stockings on a nightmare.
The struggle for life rages below the surface.

A bee caresses a flower intimately.
He cares nothing for the coming storm.
He is within her and she is within him.
They are one and the same.

Step away from industry. Obliterate
the underlying colors and textures
even when they persist. Use an avalanche.

Give them landslides. Drench them in
thunderstorms of black and broken skies
until they recede. The painter and the canvas
are the cyclone and the shore.

You don’t need to paint this canvas at all.
Do what comes naturally. The painting
will take care of itself.

This poem appears in the collection Inner Planets: 50 Poems by Matthew Howard. Available in paperback, Kindle, and audiobook.

detail 1

progress 2

progress 1

sketchbooks

Tags

Cat, drawing, ellie

This drawing is based on a photograph of Ellie the Studio Cat. Ellie here is modeling for Tesla, the pirate radio DJ’s Siamese cat in the Meteor Mags series. The Psycho 78s album cover she is lying on needs to be finished, and then it can join the recent crop of drawings for the next set of stories in the series.

It’s been slow going on this drawing, not due to technical factors but emotional ones. Ellie disappeared last month on March 20. I’ve posted her on numerous websites and put up 150 flyers in the neighborhood, talked to many helpful folks in the area, and responded to dozens of phone calls about cat sightings. But no luck.

Ellie was my constant companion through life’s storms for the better part of six years. I miss her more than words can express.

I suppose that’s why we have art.

sketchbooks

Tags

brush tip pen, drawing, pen and ink, sketch

sketchbook sunday: a trip to the amazing arizona comic-con

Tags

amazing arizona comic-con, Chris Claremont, George Perez, hero initiative, Rob Liefeld, sketchbook sundays, volunteer

Amazing Arizona Comic-Con was well underway by the time I showed up for my four-hour volunteer shift. Holly gave me a volunteer t-shirt and sent me off with Amy, who had an assignment for me. From the original description of the volunteer position, I expected to be moving fifty-pound boxes around all afternoon. But Amy explained to me that Mat Nastos was scheduled to moderate the Chris Claremont panel on the main stage, and I was going to watch his table for him!

I’ve never been to a comic-con in my life, so this was quite an unexpected way to spend my first hour. Mat told me to feel free to sketch, and pointed to his bag of pens and markers. It held several Sharpie markers and one of the same Pigma micron fine point pens I like to use. This launched a discussion of brush tip pens in which Mat showed me his refillable Pentel brush tip and told me about a refillable kuratake pen from Japan with a sable tip, not synthetic like the one I’ve been using this year.

As if having a chance to discuss tools of the trade with a professional wasn’t fun enough, I then spent an hour on the artist’s side of the table instead of the fan’s. Thanks to my bright white volunteer shirt, only two people mistook me for the real Mat. Everyone else I greeted with a smile, asked them how they were, and let them know Mat would be back at 4 p.m. Several of them stayed and chatted with me about Mat’s artwork and prints on the table, or indie comic books, or a new tattoo, or that it was their first comic-con, too.

But what most impressed me in that hour was the unfailing enthusiasm Rob Liefeld showed each and every fan in the massive line waiting to meet him. Rob’s table was the next one over from Mat’s, and I have never seen anyone so genuinely cheerful to be posed and photographed over and over and over. I was in awe of his ability to project a positive energy and make every fan feel like he cared.

From Mat’s table, I also had a view of the other biggest line that afternoon: the one to meet George Pérez. Once Mat got back, I got sent to “float” for a bit and check on other volunteers, see if they needed anything, and lend a presence to any lines that needed tending. After making a few loops around the hall and chatting with people, I relieved the volunteer who was watching over George and his fans.

George’s table had no merchandise or books on it. He only had his sharpie markers, pads of Bristol paper, a donation jar, and flyers for the charity he works with: The Hero Initiative. That’s it. It was explained to me that people had numbered tickets in this line, and we were accepting them in numerical order, and anyone without a ticket could get in line but there was no guarantee we would get to them.

Neither the ticketholders nor George were in any hurry. This line barely moved, because each and every fan got George’s full attention. And I realized that made their wait worthwhile. In the meantime, whoever was in the front of the line got to chat with me about things like Perez’s work on Crisis on Infinite Earths and Teen Titans. One fan told me he had been in line for six hours, and laughed when I suggested that instead of a sketch he request a full-body Sharpie tattoo.

George was gracious and cheerful, and even addressed one fan as “my son” when posing with the sketch he had drawn for the young man. Fans brought up entire stacks of comics for George to sign. One fan had a large Bristol paper full of empty panels, and George drew Batman in the center panel. He signed a two-meter-wide Marvel poster one fan had collected many signatures on. One fan had George sign a huge plastic infinity gauntlet. One had his comics bagged and boarded, but with areas of the bag sliced out and bordered with electrical tape so George would know just where he wanted a signature on the cover. And George delivered sketch after sketch after sketch after sketch. For hours.

I have never seen anything like it in all my life.

Before the night was over, everyone with a numbered ticket did make it through that line, and the donation jar was full. In honor of the tireless joy and attention George and the other creators at the convention showed their fans, consider donating to the organization George was promoting: The Hero Initiative. Funds for Hero Initiative are raised and disbursed by comic book artists and industry leaders to comic book artists in need, especially aging artists who need major medical treatments or surgeries. Please visit HeroInitiative.Org.