• Archives
  • Contact
  • Drawings
  • Meteor Mags
  • Music Albums
  • Paintings
  • PBN
  • Sea Monkeys
  • Secret Origin

Mars Will Send No More

~ Comic books, art, poetry, and other obsessions

Mars Will Send No More

Tag Archives: public policy

Vote Down the Fascists

29 Saturday Oct 2022

Posted by Mars Will Send No More in quarterly report

≈ Leave a comment

Tags

book review, civil rights, fascism, madeleine albright, politics, public policy, voting

Here in the states, we are having “midterm” elections, which means we are voting on public offices at the state and federal level halfway through a president’s term, and also voting on a number of proposed policies on our ballots. Many people see this year’s midterms as crucially important due to the rise of Trump-influenced fascism, white supremacy, antisemitism, the brutal evisceration of women’s reproductive healthcare rights, the rising tide of anti-immigrant hatred, and the persistent brainwashing of a massive segment of the American populace by Fox News and other so-called “conservative” sources of misinformation.

Labels such as right, left, conservative, and liberal are partially to blame. The extreme far-right that has embraced fascism and a perverted version of christian nationalism that has been on the rise for decades has little to do with the beliefs of the people I know who consider themselves “conservative christians”. I have several friends and family members who embrace that label but harbor no hate in their hearts for people of color, people who fall on the LGBT spectrum, or women. Most of the so-called “conservative” people I know are wrong about a whole lot of things, but they are not actively trying to advance an agenda of hate and violence. Sadly, the hate mongers have become a major component of the current Republican voting base, and they are successfully courted by politicians who talk a lot about god and freedom when they really mean oppression of the biblical, old-testament variety where women’s rights were non-existent, children were regularly murdered, and violent, god-sanctioned genocide was the norm.

The political spectrum in the States has shifted so far to the right that the label of “the left” has become meaningless. We do not have any truly left-wing elements in national politics. The extreme left wing would be pure anarchy without any government, as opposed to the extreme right which is total fascism. You might find some anarchists in hippie collectives and punk-rock youth groups who embrace the philosophy, but to call someone like President Joe Biden a “leftist” is incredibly stupid. The so-called American left merely holds a centrist position when compared to many countries of Europe. Things like universal healthcare, social support networks for the poor, and not letting any idiot buy semi-automatic weapons to shoot up a school are non-controversial concepts in many European countries, the UK, and the UK’s commonwealth areas such as Australia. Only in America are these basic hallmarks of modern social progress labeled “left wing”.

Given that the left is virtually non-existent, and the right has been perverted by hate-filled extremists, where does that leave the rest of us? Most people I know are somewhere in the center and might have minor differences about their religious beliefs, or tax policy, or whether a developing fetus can be considered a human being. But most of them are reasonable people who could be convinced one way or the other by compelling facts, unbiased and repeatable research, or by sharing personal experiences. I know many people who have dubious beliefs but who are not driven by hatred and a refusal to face facts. They just don’t know any better, and they are willing to be proven wrong—which is a major intellectual accomplishment.

So, as we find ourselves in this year’s midterm elections, I hope that enough voters—and especially women and young people—can show up to cast their ballots and stop the rising tide of violent fascism that has become an acceptable political position in the States. Voting doesn’t fix everything, but not voting fixes nothing. To not take any action at all to stop the rise of right-wing fascism in America from seizing control of our government is the worst kind of laziness.

And if you don’t believe that something like what happened in Nazi Germany can happen in the United States, then you don’t understand history. It’s happening right now, and we were warned. If you need an in-depth historical account of the rise of fascist movements across the globe, then pick up a copy of Fascism: A Warning by our former Secretary of State, Madeleine Albright. She was not perfect, but she was a victim of the Third Reich who wrote a well-articulated book that shines a light on our current problems by placing them in a historical context. She warned us about our current crisis, and it would be foolish to ignore her warning.

Voter’s Guide: Fascism: A Warning is available in ebook, paperback, and audiobook editions. For a deeper dive into voter psychology, see my review of The Reasoning Voter.

Privacy in Peril: The Private Eye

05 Saturday Sep 2015

Posted by Mars Will Send No More in crime, indie, science fiction

≈ 1 Comment

Tags

brian k vaughan, digital comics, digital rights management, indie box, Indie Comics, Marcos Martin, Muntsa Vicente, privacy, public policy, swans, the private eye

Privacy in Peril: The Private Eye and Recent Developments in Privacy, DRM, and Copyright

One of my classes this semester deals with telecommunications policy in the USA. Even though I am late to the party on The Private Eye, I spent an evening this week devouring all ten issues of the digital comic book series. I was pleasantly surprised to discover it deals with many of the concerns we discussed in the telecom class. Our first discussion centered around two articles on mobile apps that either lack adequate security or mine your device for your personal data and contacts.

tpeye_vol01_small

The Private Eye addresses privacy and intellectual property concerns not just in its content but in its form. It comes to us from author Brian K. Vaughan (who wrote such critically acclaimed series as Y: The Last Man and Ex Machina, and wrote for the TV show Lost for a time) with art from Marcos Martin and Muntsa Vicente. It is available at http://panelsyndicate.com/comics/tpeye as ten individual issues and now in two 150-page volumes which collect the complete story.

tpeye_vol02_small

First, the content of this science-fiction/mystery adventure deals with privacy and the Internet. It proposes a future where all the information people stored about themselves in “the cloud” was exposed through an event called “the flood”. Dialogue reveals that making people’s search histories public destroyed their lives. As a result, the Internet exists no more, and people are paranoid about protecting their privacy. Just as people do today in online forums and multi-player video games, people in this future use costumes and fake names to mask their identity and explore their fantasies, sexual kinks, and other aspects of identity they want kept private. Photographing people without their consent has become a crime, a crime the story’s hero commits for cash as a private investigator. The story’s villain wants to [spoiler alert] bring back the Internet.

tpeye_05_small

But besides the privacy conflict at the story’s center, the distribution of this series also ties in with concerns about copyright, digital rights management, and the ease of sharing content through the Internet. The series is only available digitally, and it is sold on a “pay what you can” basis. Readers choose their own price, even if that price is zero dollars. This addresses the sales problem of digital content: How do you get people to pay a specific price for digital content when it is so easily downloaded and shared among users? Here, there is no problem. If people cannot or do not want to pay, they can still get the series directly from the creators without skirting the law, and those who can afford to support the work can choose to do so.

tpeye_07_small

The download files, made available upon payment, are given free of Digital Rights Management, a system of protecting copyrighted and trademarked works which has proven problematic for users and courts. Recent headlines have shown how silly DRM takedown requests can get, with Forbes reporting in August that “Columbia Pictures, the studio behind the critically-panned movie Pixels, has succeeded in getting a number of utterly unrelated videos pulled from Vimeo — but the only actual footage from the movie to be taken down is Columbia’s own official trailer.”

DRM takedown requests have become the occupation of lawyers who can file them without any actual investigation, leading to such ridiculous outcomes as random videos that mention the word “pixels” in ways unrelated to the film having been forced offline. Headlines in August also revealed UK legislation which is so technologically mis-informed that it would criminalize making a back-up copy of your own mp3 music files library. The creators of The Private Eye have sidestepped this nonsense and made their files available without DRM restrictions on the files.

tpeye_02_small

The Private Eye, besides being an excellent and entertaining read, highlights the growing divide between how large, institutionally entrenched corporations are dealing with these concerns compared to the way independent creators are looking for new and more flexible solutions. This is taking place alongside a surge in advance sales (such as Michael Gira’s band Swans releasing limited-edition, handmade concert recordings to fund the production of upcoming studio albums) and crowdfunding platforms like Kickstarter which help secure funding before a project is finished rather than trying to control “piracy” after the fact. These solutions favor creators who understand the unique technological environment of our time and want to maintain creative control without resorting to the cumbersome and ill-advised measures favored by the industry giants, their lawyers, and our legislatures.

tpeye_08_small

To close on a visual note, I especially appreciate that The Private Eye is the first digital comic I have seen which looked awesome on my monitor due to the horizontally wider aspect ratio. Comics made at the right aspect ratio for print just never look as great on my screen. I usually need to zoom in to read the text, and thus can’t see the whole page at once, which is part of the joy of comics. The Private Eye fixes this beautifully and lends itself to creative page layouts that take full advantage of its aspect ratio. Go pick up the two collected volumes and pay what you can!

No DRM, no encryption, just plain files optimized for on-screen reading. Available in English, Spanish, Catalan, Portuguese & French.

tpeye_01_small

Mars Will Search No More!

Mars Will Stat No More!

  • 6,498,344 minds warped since 2011
Follow Mars Will Send No More on WordPress.com

Mars Will Advertise No More!

My Comic Shop banner

Mars Will Categorize No More!

  • art studio (98)
  • crime (41)
  • dinosaur (222)
  • educational (148)
  • first issue (110)
  • golden age (133)
  • humor (26)
  • indie (184)
  • jungle (58)
  • MeteorMags (15)
  • music (42)
  • occult (80)
  • poetry (64)
  • postcards (42)
  • quarterly report (36)
  • science fiction (407)
  • superhero (435)
  • war (45)
  • western (10)
  • writing (22)

Mars Will Tag No More!

2000AD abstract acrylic advertising Alan Moore Alex Nino alien Al Williamson Amazing Spider-man animal inside you animals art Avengers Batman big box of comics Bill Mantlo birth black and white Black Panther book review books brains Brave and the Bold Captain America Carmine Infantino cats Charles Yates Chris Claremont Classics Illustrated collage collection comic book collage comic books crime Dark Horse Comics DC Comics dinosaur dinosaur books dinosaur comics Dinosaurs an Illustrated Guide Dr. Doom drawing Dreadstar dreams EC Comics EC Comics reprints Fantagraphics Fantastic Four first issue Flesh Flesh the Dino Files Galactus George Perez Gilberton Gil Kane Godzilla golden age guitar Harvey Comics Image Comics indie box Indie Comics Inhumans Jack Kirby Jack Kirby art Jim Lee Jim Starlin Joe Simon John Buscema John Byrne jungle Ka-zar Kevin O'Neill Last Gasp library of female pirates Life on Other Worlds lizard Man-Thing Mark Millar Marvel Comics Marvelman memoir meteor mags Micronauts MiracleMan monsters music nature occult OMAC origin painting pastel Pat Mills pen and ink pirates Planet Comics planets poems poetry postcards prehistoric mammals Prehistoric World Prize quarterly report Race for the Moon racism Ray Bradbury Robert Kanigher robot Roy Thomas Satans Tears Savage Land science fiction self publishing Silver Surfer sketchbook sundays Smilodon Spider-man Stan Lee Steve Bissette Steve Ditko Steve Rude Strange Sports Strange Tales Superman Swamp Thing Teenage Mutant Ninja Turtles Teen Titans Thor time travel Triceratops Turok Turok Son of Stone tyrannosaurus rex underground comix Vertigo Comics war war comics Warren Ellis Warrior Weird Fantasy Weird War Tales WildC.A.T.S Wolverine writing X-men X-men covers Young Earth Zabu

Blog at WordPress.com.

  • Follow Following
    • Mars Will Send No More
    • Join 786 other followers
    • Already have a WordPress.com account? Log in now.
    • Mars Will Send No More
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...