• Archives
  • Contact
  • Drawings
  • Meteor Mags
  • Music Albums
  • Paintings
  • PBN
  • Sea Monkeys
  • Secret Origin

Mars Will Send No More

~ Comic books, art, poetry, and other obsessions

Mars Will Send No More

Tag Archives: omnibus

Big Box of Comics: Runaways Omnibus

18 Sunday Oct 2020

Posted by Mars Will Send No More in superhero

≈ 2 Comments

Tags

adrian alphona, big box of comics, brian k vaughan, Marvel Comics, omnibus, runaways

The Runaways Omnibus is the latest treasure I got thanks to this blog’s readers who help me earn store credit at MyComicShop.com when they click through my affiliate links to find the books they want. My big box of comics series aims to bring the love full circle by sharing those treasures with you.

Once upon a time, I had all the single issues of the first and second Runaways volumes. But they took me a few years to collect, and I read a bunch of them out of order at different times. So, it was great fun to finally kick back and read the entire Brian K. Vaughan run in its original reading order with this Omnibus.

Teenagers are the stars of this series and, it’s fair to say, the target audience. I don’t read many books like that anymore, and most of the “young adult” category of fiction is lost on me. If I never hear another thing about Hunger Games, Twilight, and Harry Potter, it will be too soon. But author Brian K. Vaughan lists Harry Potter as one of the influences on this series, according to the original proposal included in the Omnibus. So, what about this foray into overtly young adult superhero fiction appeals to me?

My favorite thing is the character interaction. The dialogue is PG in terms of cursing, but our teenage heroes fling savage insults at each other when they aren’t getting along. Their reckless insensitivity seems authentically adolescent, and it acts as a foil to the intentional diversity of Vaughan’s cast. One of the characters, for example, uses the word “gay” as an insult—as in “superhero costumes are gay”—which creates tension because one of the characters is a girl who likes girls. One character is repeatedly ridiculed for being chubby, and one endures transphobic insults for being a gender-switching alien. One encounters casual racism for being Asian, and a cyborg is constantly reminded that machines are soulless, unfeeling, and less than human.

I love a diverse cast of characters, but sometimes authors shy away from the conflict that naturally arises when you put wildly different people together on the same team. And when I say “natural,” I mean it is so prevalent that we even studied this conflict in my graduate-level management classes. Globalization means we often work on teams of people with a vast array of cultural, ethnic, and gender identities, and Vaughan mines that situation for dramatic conflict. But along the way, Vaughan imbues each character with depth and humanity, contrasts that with the way people flippantly dehumanize each other for being different, and ultimately makes the experience rewarding by showing how these characters grow to accept their differences, work together, and form bonds of true friendship—even love.

Another thing I love about Runaways is that while it isn’t about a dystopia like Hunger Games and a zillion other young adult novels, you could say that the real dystopia for these characters is adulthood. The kids become disillusioned and distraught about grown-ups when they find out their parents are all child murderers who are sacrificing the souls of other kids in a weird pact to bring about the end of all humanity (except for six survivors). If that doesn’t breed a severe distrust of adults, I don’t know what would. The other adults in this series—from Marvel’s Avengers to two warring alien races who cannot make peace, from parents to the police—continually reinforce the Runaways’ conviction that adults suck.

Even as the characters grow up and mature throughout the series, they express disgust at the idea of adulthood. One of the worst ways one Runaway can insult another is to say, “Now you sound like our parents.” And when one character turns eighteen, someone asks if he should even be included in the group anymore. That same eighteen-year-old, now legally an adult, embarks upon a mission that tempts him to become a killer just like his parents, driving home the point that adults can’t be trusted.

That story arc expresses a major concern shared by many young people. We all tend to become more like our parents when we age, but does that mean we are doomed to make the same mistakes as them? How many people in their thirties or forties have had a moment where they realized they sounded or acted just like their mother or father, despite their youthful determination to never let that happen?

I like how Vaughan explores this tension, and I love the way the artwork brings the characters to life. The Omnibus is an excellent reproduction of the original issues and their gorgeous covers. Upon re-reading the forty-two issues collected here, only a few flaws nagged at me.

First, the dialogue relies heavily on pop culture references—even ones that seem oddly out of place, like kids born circa 1990 quoting lines from “classic” rock songs from the 1960s and 70s. Similarly, much of the slang might have been relevant to teenagers at the time but is already beginning to feel dated. I see it all the time in novels and comics that are trying to be “relatable” to today’s young audiences by trying to sound current or hip. Maybe that helps sell more books at the time, but it tends to distract from the quality of being timeless.

The other flawed aspect of these stories is the mystical evil beings called the Gibborim. They have a stupid, nonsensical plan for world domination, and their power levels and abilities make no sense either. They say they need a sacrifice of one innocent soul for twenty-five consecutive years to bring about the end of the world. What? Why not get all twenty-five souls at once then, and get on with the apocalypse? Or, if they can appear on Earth, why not kill the kids themselves instead of hiring six married couples to do it? Evil plans should at least make some sort of strategic sense.

Later in the series, the Gibborim have been banished to a kind of limbo where they need to eat another innocent soul to escape. But they didn’t seem to be doing anything about that until the plot allowed one of the Runaways to find them in limbo. So, these beings who are powerful enough to end humanity are… totally impotent? Pick one!

The only way I can see to resolve this problem is to assume the Gibborim were lying to the Runaways’ parents from the beginning, that they never had the power they claimed to have, and that the parents bought into a total scam due to their own greed and stupidity. I doubt that is what Vaughan had in mind, but it’s the only explanation I can think of that is consistent with the plot and fits with the theme that adults are bad.

Finally, I would gladly trade the “bonus material” in the Omnibus in exchange for the six-issue story by Joss Whedon that finished the 2005 series. I recall it as a good coda to Vaughan’s run.

Despite these minor problems, the Runaways Omnibus is a terrific read with great characters who have some wild adventures while dealing with the conflicting emotions and traumas of adolescence, struggling to create new identities for themselves after all that was familiar and secure about their childhood has been torn away.

Collector’s Guide: Runaways Omnibus, Marvel, 2018. Collects #1-18 of the original Runaways (2003) and #1-24 of Runaways (2005). The Omnibus is also on Amazon. For a less expensive digital version, you can now get a $55 edition for Kindle/Comixology called Runaways: The Complete Collection, a four-volume set with everything in the Omnibus plus the continuation of the Runaways series after Vaughan left.

Mutate Everyone:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on WhatsApp (Opens in new window)
  • Click to email this to a friend (Opens in new window)

Like this:

Like Loading...

John Byrne Fantastic Four Collection

23 Thursday Jan 2014

Posted by Mars Will Send No More in superhero

≈ 3 Comments

Tags

collection, Fantastic Four, John Byrne, Marvel Comics, omnibus

Fantastic Four John Byrne Collection (2)

Although he had drawn a few issues of Marvel’s Fantastic Four for other writers, John Byrne made his mark on the title by writing and drawing more than sixty issues in the 1980s. In addition to the regular series, he also worked on several Annuals, including an Avengers Annual that forms a two-part story about the Skrulls.

Fantastic Four John Byrne Collection (3)

Byrne also contributed a story to What If, exploring a version of the FF that never got superpowers. With its tribute cover to FF #1 and conceptual similarity to Challengers of the Unknown, What If #36 demonstrates Byrne’s Kirby influence almost as much as his OMAC story.

Fantastic Four John Byrne Collection (4)

True completists should note that Byrne stuck around for a few issues longer than what we now consider his run on the title. He earned credits for plot while the next creative team got started – a team including his collaborator on several other Marvel projects, writer Roger Stern. Although this smoothed the transition for monthly readers at the time, it definitely isn’t Byrne’s title at that point.

Fantastic Four John Byrne Collection (5)

But a comic book like this takes a team. The lettering, coloring, and inking on this run remain consistently excellent. Drawn to this book by Byrne’s contributions, I soon realized it worked so well because of other subtle superiorities: the flow of word balloons made more sense on the page, the colors complemented and amplified the artwork instead of obscuring it, and the rendering of Byrne’s pencils seemed better than some other places. As a young reader, it made me start paying more attention to who was doing what in comics.

Fantastic Four John Byrne Collection (6)

That’s not to say such a landmark collaborative team had never come together before. Just that as a reader, I started to notice it then. And give me a break – I was only about 12 or 13! About the time the Hate Monger comes along and makes Sue chop off her hair, I was old enough to have a small allowance and a bicycle. That meant I could get to the local Walgreens, which had a great selection of Marvel and DC for a drug store, and buy a few titles every month.

Fantastic Four John Byrne Collection (7)

In those days, comic specialty shops and mail order offered opportunities to collect back issues. But I wouldn’t be able to go that route until a few years after Byrne wrapped up his run and I had my first summer job as a golf caddy. Even then, armed with dozens of dollars that felt like hundreds at the time and storming the local comic shop weekly, I never did get to collect the entire run.

Fantastic Four John Byrne Collection (8)

Only years later, thanks to a great deal on eBay, did I get a chance to sit down for a weekend or two and read the entire thing start to finish. As far as superhero comics go, it is awesome. It earns its legendary status!

Fantastic Four John Byrne Collection (9)

Fans agree, and just a couple years ago Marvel published the run in omnibus format, as two big books. I will be keeping my eyes peeled for a deal on those. Why? After patching up a few holes in the collection for completeness and enjoying owning this run, I sold it on eBay. I got a little less cash out of it than I put it in, but that’s a small price to pay for knowing the pleasure of this truly fantastic series. When things turn around here, I will be looking for a used copy of that Omnibus. You can bet your cosmic rays on that!

If you want to see some great scenes from this run, just wander into my archives for a while and start scrolling!

Collector’s Guide:
The Fantastic Four by John Byrne Omnibus comes in two volumes:
Fantastic Four by John Byrne Omnibus Volume One
Fantastic Four by John Byrne Omnibus Volume Two

The Omnibuses include some other extras, such as The Last Galactus Story from Epic Illustrated #26-34.

If you want to collect the single issues: Fantastic Four #232-293. You might want to include Fantastic Four Annual #17-19, Avengers Annual #14, and What If #36.

Fantastic Four John Byrne Collection (10)

Fantastic Four John Byrne Collection (11)

Fantastic Four John Byrne Collection (12)

Fantastic Four John Byrne Collection (13)

Mutate Everyone:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on WhatsApp (Opens in new window)
  • Click to email this to a friend (Opens in new window)

Like this:

Like Loading...

Mars Will Search No More!

Mars Will Stat No More!

  • 5,628,464 minds warped since 2011
Follow Mars Will Send No More on WordPress.com

Mars Will Advertise No More!

My Comic Shop banner

Mars Will Categorize No More!

  • ads (25)
  • art studio (127)
  • cooking (1)
  • crime (38)
  • dinosaur (238)
  • educational (146)
  • first issue (117)
  • golden age (150)
  • humor (14)
  • indie (194)
  • jungle (58)
  • MeteorMags (6)
  • music (38)
  • occult (80)
  • poetry (60)
  • postcards (34)
  • quarterly report (13)
  • science fiction (420)
  • superhero (433)
  • war (46)
  • western (10)
  • writing (14)

Mars Will Tag No More!

2000AD abstract acrylic ads Alan Moore Alex Nino alien Al Williamson animal inside you art Avengers Batman big box of comics black and white Black Panther brains Brave and the Bold Cat Chris Claremont collage collection comic books crime Dark Horse Comics DC Comics dinosaur dinosaur comics Dr. Doom drawing dreams EC Comics EC Comics reprints Fantagraphics Fantastic Four first issue Flesh Flesh the Dino Files Galactus George Perez golden age guitar Harvey Comics Image Comics indie box Indie Comics Jack Kirby Jim Lee Jim Starlin John Buscema John Byrne jungle Little Nemo Little Nemo in Slumberland lizard Marvel Comics Marvelman MiracleMan monsters music occult origin painting pastel Pat Mills pen and ink planets poems poetry postcards prehistoric mammals Race for the Moon Ray Bradbury Robert Kanigher Satans Tears Savage Land science fiction self publishing Silver Surfer sketchbook sundays Spider-man Stan Lee Steve Ditko Strange Tales Superman Teenage Mutant Ninja Turtles time travel Turok Turok Son of Stone tyrannosaurus rex underground comix war war comics Warrior Weird War Tales Winsor McCay Wolverine writing X-men X-men covers Young Earth

Blog at WordPress.com.

Cancel

 
Loading Comments...
Comment
    ×
    loading Cancel
    Post was not sent - check your email addresses!
    Email check failed, please try again
    Sorry, your blog cannot share posts by email.
    %d bloggers like this: