EC Comics & Ray Bradbury: The Coffin

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coffin, Death, EC Comics, EC Comics reprints, halloween, Haunt of Fear, horror, Ray Bradbury, wake for the living

‘Tis the season to be spooky, so let’s enjoy a horrifying tale.

Back in October 2012, I celebrated the monstrous month of morbidity by sharing with you all the scans I could find of Ray Bradbury stories that had been adapted by EC Comics. You can access them all by clicking this link to my tagged archives. Since then, some delightfully obsessed readers contacted me to fill in gaps in my research and share additional scans. And, oddly enough, several institutions of higher learning now include a few of my Bradbury blog posts in their literary curricula for students.

No, that isn’t the horrifying tale. Use your head!

The horrifying tale for today is called The Coffin. It appeared in Haunt of Fear #16 in 1952, written by Al Feldstein and drawn by Jack Davis, and was reprinted in 1996 by Gemstone, who made so many great EC Comics available and affordable for a new generation. I believe this version also appeared in a rare collection called The Autumn People.

Bradbury’s original version appeared in his first published book Dark Carnival in 1947, and is sometimes called Wake for the Living. If you want a copy of that vintage tome, you will need around $1000. But The Coffin was reprinted in 1980 in The Stories of Ray Bradbury, which you can currently get on Kindle for $12, and affordable print copies still exist. Finally, The Coffin was adapted for television as part of Ray Bradbury Theater in the mid-1980s. You can see that episode in the video at the end of this post.

So, without further ado, here is a gallery of this slice of spooky weirdness from EC Comics.

Weird War Tales 25

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Alfredo Alcala, black magic white death, DC Comics, George Kashdan, horror, war, Weird War Tales

We hope you’ve enjoyed revisiting Weird War Tales with us this month. We’ve posted many vignettes from this series over the past four years, and have now reached the end of our collection! We sold the last of them on eBay in 2014, but they live on in the digital archives of Mars Will Send No More.

Here are a few pages from Weird War Tales #25. Other than the wonderful cover, the stand-out of this issue is the rugged yet sumptuous artwork by Alfredo Alcala in the George Kashdan story, Black Magic-White Death! This issue also contained another fun Kashdan story called The Unseen Warriors with art by Alex Nino.

And that brings our Martian catalog of Weird War Tales to a close — unless of course you want to send us a box with more inside it!

Swamp Thing Volume One

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Berni Wrightson, David Michelinie, DC Comics, Gerry Conway, horror, Len Wein, monsters, Nestor Redondo, science fiction, Swamp Thing, Volume One

Many before us have sung the praises of the Len Wein and Berni Wrightson stories that kick off the first volume of Swamp Thing stories. Have you seen the first issue of Swamp Thing? We might be in the minority, but the first chunk of issues where Swamp Thing takes on some pretty generic monsters seem like merelyt a warm-up for further greatness.

Even the Batman crossover in #7 fails to get our engines revved. But then: issue #8 comes along. Swamp Thing encounters a demon in a cave on the outskirts of a small town, giving us a dark visual feast that brings the series to life for us. The Lurker in Tunnel 13 may be the first of the early tales that hints at what Swamp Thing would later become in the 1980s –the first appearance of Arcane notwithstanding. It’s cosmic, satanic, horrific, and sports one of our favorite Wrightson covers.

Wein and Wrightson also present a great story about a stranded alien trying to repair his ship and return to the stars. Making this freakish beast sympathetic and compassionate reminds us that monsters and heroes come in many forms.

Before leaving the book, Wein & Wrightson deliver the consummately creepy Man Who Would Not Die, the first return of Arcane from the hell where he deserves to stay. The confrontation between Arcane and Swampy in a graveyard may be our favorite artistic moment of Wrightson’s legendary contributions.

Nestor Redondo steps into Wrightson’s shoes without missing a beat, working with Len Wein on three issues before David Michelinie takes the reins. We have some other images of Nestor Redondo’s Swamp Thing art if you’d like to check them out.

Michelinie and Redondo seem to lose steam towards the end of their contribution, and what happens next is a bit of a disappointment. The creative team changes, and the book loses much of its horror appeal quickly. Readers must have felt the same way at the time, as Swamp Thing would soon be cancelled. Swamp Thing’s gambit to revert to a normal Alec Holland once again just doesn’t work for us, and it’s been more or less ignored in subsequent Swampy stories.

The end of the volume is a bit of a mess, but the early stories have definite high points. We sold our collection of VG+/FN issues — almost a complete run — on eBay. But a few of them we would be happy to collect and read again. You can get many of the early Wein/Wrightson issues in Roots of the Swamp Thing reprints.

Having owned both the reprints and the originals, we prefer the originals. Though the printing and color is more crisp and clean and bright in the reprints, the vintage horror vibe feels much more authentic with a well-worn copy from the early 1970s, the smell of tanned comic book paper, and the distinctive original covers.