All the Stickers from Dinosaurs Attack!

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art spiegelman, dinosaur, dinosaurs attack, Herb Trimpe, parasaurolophus, Paul Mavrides, stickers, topps, trading cards

Scans of the cards from this series are on the web already, but I have yet to see anyone post a complete set of the stickers that came with them. So here they are, in all their gory glory!

In 2021, I bought a set of these vintage cards on Ebay for about $20. The set included all the cards plus all the stickers, and a few opened but well-preserved wrappers from individual packs. When read in numerical order, the backs of the cards tell the story of how some incompetent scientists screwed up a time-travel experiment and brought an onslaught of rampaging dinosaurs to the present day. Mayhem and carnage ensue, served with a generous helping of humor.

The complete Topps set includes eleven stickers, and the backs of the stickers provide more factual accounts of the dinosaurs than the main narrative. But keep in mind that these “facts” might be outdated, considering they were printed in the late 1980s. Trachodon, for example, is a species of hadrosaur that has fallen out of favor with current paleontologists, and you won’t find any feathers on this tyrannosaur.

But don’t let that stop you from enjoying these vintage beauties. Below is a gallery of my personal scans of the fronts and backs of all eleven stickers from Dinosaurs Attack!

Have you ever wondered who was the artist for the cards and stickers? Wonder no more! The informative excerpt below comes from the second issue of IDW’s five-issue Dinosaurs Attack comic book from 2013. I was shocked to learn that Herb Trimpe penciled the cards and Paul Mavrides co-created the sticker art — and even more surprised that Art Spiegelman was involved in this insanity!

Big Box of Comics: Maus

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art spiegelman, big box of comics, black and white, book review, holocaust, jews, maus, nazis, racism

What can I say about one of the most widely acclaimed and influential graphic novels ever published? I re-read Maus this month for the first time since the mid-90s, and its combination of sequential art and novelistic storytelling have held up remarkably well over the years.

Maus tells the story of the persecution of Jews in Poland under the reign of the Nazi Third Reich, framed by sequences where the author interviews his father to get the memories that form the basis of the historical narrative. Throw in some detours such as a short comic-inside-the-comic that deals with the author’s mother’s suicide, and a meta-examination of the work where the author deals with his guilt and ambivalence towards the series and visits a therapist. Maus subverts the idea of “funny animal comics” by making the characters animals but telling a story that is tragic and horrifying.

Maus was one of the first books I can recall that gained national—even global—attention for telling a serious story that did not involve any superheroes yet brought an air of literary legitimacy to the term “graphic novel”. These days, any six-issue story arc about a mainstream superhero can be collected into a paperback and labeled a graphic novel for marketing purposes. Maybe the term has become so watered down that we’ve lost the meaningful distinction between graphic novels and comic books.

But I don’t plan on losing any sleep over it. Categorize them however you want! There’s room in the Big Box of Comics for all of them.

Collector’s Guide: MyComicShop usually has the two-part hardcover and paperback editions in stock, but you can always find The Complete Maus collected edition on Amazon.