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Temptation is a 172-minute music set I streamed in February 2019. You can download it as an mp3 free of charge at:


The set list is available as a text file at: https://app.box.com/s/t0m7hh92dhpn5eto4crwzlzqsap6bid6

FEB. 2019

Abbey Lincoln & Hank Jones – The Nearness of You
Sarah McLachlan – Possession – (Solo Piano version from Bonus Track)
Yuji Ohno – Lupin III Love Theme
Josh Turner – Three Hours (Nick Drake)
Ramblin’ Jack Elliott – If I Were A Carpenter
Zakir Hussain – Tabla Tritaal
A Perfect Circle – Fiddle And The Drum
Carpenters – Sing
Leslie Odom Jr – Autumn Leaves
Diana Krall – Temptation
The Temptations – I Can’t Get Next to You
Bill Withers – Use Me
The Aggrolites – Funky Fire
Choking Victim – Crack Rock Steady
Upbeat – Space Case
The English Beat – Mirror In The Bathroom
The Specials – Rude Boy’s Out Of Jail
Sublime – 54-46 That’s My Number/Ball and Chain
Thievery Corporation – .38.45 (A Thievery Number) (Feat. See-I & Al Williams)
Damian “Jr. Gong” Marley – Welcome To Jamrock
Snoop Dogg – Get a Light (Feat. Damian Marley and Timbaland)
Del the Funky Homosapien – Bubble Pop
MC 900-ft Jesus – If I Only Had A Brain
GWOV – Mac n Cheese
Dan Le Sac VS Scroobius Pip – Thou Shalt Always Kill
Attack – Lady Orange Peel
The Charlatans – The Only One I Know (Remastered)
Goat – Stonegoat (7-inch)
Morlocks – Sex Panther
Nirvana – Very Ape
look around you – cat fight
Screeching Weasel – I Wanna Be Naked
The Escaped – Wasted Life
The Distillers – L.A. Girl
Preasure Point – Heart Like A Lion
HorrorPops – Where They Wander
The Ducky Boys – Break Me
Mudhoney – Blindspots
Jimmy Barnes/Joe Bonamassa – Lazy (Deep Purple)
Joe Satriani – Always With Me (live)
The Bakerton Group – Funky Navajo
VAST – Don’t Take Your Love Away
Rod Stewart – I Was Only Joking
Nirvana – Dumb
AI Lover – Neo Eno

virtually yours: a memoir


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mars 2016 march logo

I’m posting this memoir as a free PDF for anyone interested in discovering the creative origins of the Meteor Mags series. Initial feedback from my workshop group was positive, so why not post it here in the Mars Will Send No More laboratory? Download the PDF at no charge from:



Virtually Yours describes how exploring a virtual world inspired artistic creation in the real world. While other books about Second Life present themselves as academic studies of virtual history and sociology, this one focuses on the uniquely personal dimension.

Virtually Yours delves into questions of gender, identity, romance, and friendship in a virtual world. Part fantasy, part emotion, part head-first dive into the creative process, Virtually Yours gives a first-person account of the way digital universes hold the potential to inspire creativity and help deal with personal tragedies through expressing ideals about ourselves and the world.

Part I tells the story of how the author’s experiences in a virtual reality inspired and shaped the fiction series, The Adventures of Meteor Mags and Patches. The essays in Part II give an authorial perspective on the series’ characters, influences, content, and intent.

jam room: a vignette


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Jam Room, which you might have seen posted here in 2018 in its original draft form, is a one-scene episode in The Adventures of Meteor Mags and Patches. Honestly, Jam Room should have been combined with the previous full-length episode: Rings of Ceres. But it wasn’t until after Rings was published and I started the next story that I realized I’d forgotten something. 

Since the scene didn’t fit the pacing of the title story in The Battle of Vesta 4, I made it a standalone piece followed by supplemental material not included here: song lyrics from–and magazine interviews with–bands and characters in the stories. Mags and her crew might be villainous pirates, but they are also talented musicians. Jam Room is the crew’s last jam session before the life-changing events at Mags’ birthday party, and it shows how “the new girl” from Rings of Ceres makes friends with her eventual bandmates in Dumpster Kittens.


 9 November 2029: Vesta 4.

The day before her 106th birthday, Meteor Mags showed off her drum set to the new girl, Jinx. The two convened in the jam room Mags set up so Sarah and Anton could practice and work on songwriting.

Patches stretched out with her eyes closed, resting her fuzzy face on one outstretched limb atop a tube head on an Orange amplifier.

“It’s a beautiful kit,” said Jinx.

“Bird’s-eye maple,” said Mags. “Custom-built on Mars. But if I had it to do over, I’d go with mahogany. Not as pretty, but a heavier sound that could kick a god in the balls.”

“Can I play it?”

“Anytime you want, dear. But if you fuck it up, you’re paying to fix it. Deal?” Mags held out her hand, enclosed in a fingerless biker glove.

Jinx slapped her hand into the older woman’s leathered grip. “Deal.”

Mags’ eyes twinkled like stars in a telescope’s glass. “Check out this bass pedal. I keep tweaking the action on it, but I think I got the right tension now.”

Bronze cymbals glowed in the jam room’s light. They perched atop polished chrome stands and hardware. The bass head bore a ring of skulls. Mags sat on the drum stool. Her ample backside and swishing, fluffy tail enveloped it.

Jinx said, “I thought you’d play with a double kick.”

Mags scoffed. “Batalla plays a double kick for the 78s, but I prefer the old-school approach. One foot for the bass, and one for the high-hat.” She gave the high-hat an expressive flourish, demonstrating its glistening sound closed, open, and a half-dozen states in-between. “All about that high-hat.”

Corrugated foam panels lined the walls to reduce the ambient, reflected noise of the kit and the stacks of amplifiers around it. A hint of jasmine piped through the air vents to mask the stale scent of recycled air. Tattered couches and love seats along the walls sat so close to the array of instruments that ear damage was practically guaranteed, but they gave the close quarters a lived-in, homey feeling.

On one couch, Tarzi reclined with his feet on an armrest and his head smushed against a pillow on the other. He had arrived a few hours earlier after spending his morning in a spacecraft with Ryder. The older man’s conversation left him with a need to immerse himself in George Orwell’s book, Homage to Catalonia. He lifted an eyebrow to gaze over the top of the memoir. “John Bonham didn’t need two kick drums.”

Mags pointed a drumstick at the adolescent she affectionately called her nephew. “Right on, T-man. All in the wrists? All in the ankle, too. Speed, precision, lightness, power.” Mags pounded the bass pedal with her right foot and made it fire as rapidly as a machine gun.

Jinx took note. “How do you get it to go so fast but still keep time?”

“Come here and watch.”

Jinx stepped behind the kit and observed.

Mags blasted another staccato bass burst. Then she rested her sticks on the snare head. “Stay loose. You can’t tense up. But you need to stay firm, too. Don’t get all flabby. When you find that balance, you can do anything. I don’t just mean with a drum. I mean anything in life.”

Jinx did her best to absorb this advice. “When my ankle gets better, I’ll be all over it.”

“That’s the spirit.” Mags twirled the drumsticks in a blur. “Sarah and Anton could use a drummer, and you seem like you have the right attitude. Why don’t you show me what you got, but without the footwork?” Mags held out the sticks.

Jinx grabbed them. As soon as Mags slipped off the stool, Jinx filled it. She adjusted the tilt of the ride and crash cymbals, brought the high-hat a little closer, and executed a brief roll across the three rack toms from smallest to largest, ending with the floor tom. “You’re taller than me,” she said. “But I can work with this.”

Tarzi called out, “Drum solo!”

Jinx twirled her sticks with almost as much panache as Mags, tossed one into the air, and caught it. “You’re on.”

Mags lit a stolen cigarette and appraised the girl’s technique and timing. Jinx blasted into a speedy 4/4 punk beat then stretched it out into a flurry of syncopated, off-beat fills—not with the facility of a seasoned New Orleans drummer, but showing solid ideas and spontaneity.

A knowing smile crept across the smuggler’s face. Jinx was not yet a percussion expert, but she would be just what Sarah and Anton needed to jam out their tunes and kick some arse: straight-ahead rock beats, with a generous amount of creativity to help their songwriting and improvisation. Mags made a mental note to thank Tinta for the introduction.

Sarah ran into the room, dragging Anton behind her as she had nearly every hour of every day since the boy’s father brought him to Vesta. His embarrassed expression of the first few days had disappeared, and a newfound contentedness shone on the face of the boy who had so recently lived under the threat of terror on Mars.

Mags said, “Now this jam session can officially start.” No one heard her over Jinx’s drumming.

Jinx saw the founding members of Dumpster Kittens and stopped playing. She didn’t smile, but she lifted her head in a gesture of recognition.

Sarah said, “That would be a cool beat for Agents of Cruelty! Are you feeling better?”

“Fever’s gone,” said Jinx. “Ankle is damned useless right now, but at least it isn’t throbbing.”

Mags introduced Anton to Tarzi, and a comfortable chatter filled the room.

Ryder showed up to see what all the racket was about, and another round of introductions followed.

Mags said, “This is the guy who planned the Yeltsin job.”

“I’m retired,” Ryder lied. “Now I’m just a chauffeur to Mags’ teenage sidekicks.” He plopped down on the edge of Tarzi’s couch.

The young man held out a hand and received a hearty slap on his open palm. “Thanks for the lift.”

Mags asked, “Are you two friends now?”

Tarzi said, “You were right about his having shite taste in music but awesome stories.”

“Dude,” said Ryder, “I played you the good stuff.”

“Sweet bleeding fuck,” said Tarzi. “It was like eight hours of Ted Nugent.”

“That reminds me,” said Mags. “Drum fills! Some of the all-time greatest are in Stranglehold. We need to add that to our list.”

Tarzi said, “I am not putting that right-wing jackass on our list.”

“Then I am,” said Mags. She took the sticks from Jinx and settled again on her drum stool.

Anton piped up. “We could do a jam on it. The riff is pretty easy.” He lifted a Gibson SG from its stand and tuned it.

Tarzi returned to reading. “All hope is lost.”

Sarah said, “I don’t know the words.”

“I got you covered.” Ryder snatched up a pencil and paper. He recited the words as he wrote, until he came to the second verse. “The road I travel’s a—” He raised his head. “Mags?”


“She’s just a little girl. Are you sure you want her singing this?”

“Because it says bitch? Jesus, Ryder, you’re getting soft in your old age. This girl’s seen some shit you don’t even know about. Sarah, what’s a bitch?”

A pair of sweet, angelic eyes met Mags’. “A female dog. Or, in prison, a person who performs sexual favors for protection from gang violence.”

Mags pointed a drumstick at Ryder. “See?”

“Oookay. Bitch it is.” He completed the line on the paper. “And if your house gets in my way, baby—”

Tarzi barely lifted his eyes from the pages. “We’ll get sued for this, you know. Quoting song lyric without permission.”

Mags laughed. “The Nuge was assassinated when he ran for President in 2020. Nobody’s suing us over Stranglehold. And if they do, I’ll kick their arse.”

Sarah asked, “What’s the melody?”

Ryder sang a few lines for her.

Celina appeared in the doorway. “For fuck’s sake, Ryder. Sing it in the right key!”

“Celina!” He descended on her like a storm and crushed her in a hug, sloshing her drink over her hand. “Goddamn, is it good to see you again!”

Celina slapped his bum. “You too, you lousy felon. Now let go, before I suffocate.”

He released her, but his eyes were held captive, and his smile faded not one bit. “What’s a key?”

Celina rolled her eyes and wiped her wet hand on her jeans. “Let me do this.”

Sarah listened intently to the older woman’s singing. “I can do that.” She stepped up to the mic. “Who starts?”

Mags aimed a drumstick at Kaufman’s boy. “Anton. I’ll count it off.” She smacked the sticks together crisply four times, establishing the tempo.

The young man began the riff, looking to Mags to make sure he had it right.

She gave him a wink and a smile and four extra bars to get settled. Over the blaring guitar amplifier and its crackling distortion, she shouted to Sarah. “Ready?”

Sarah closed her eyes. Anton’s riff was a warm liquid, a comforting bed of fuzz, a sound as soothing as a city being bombed off the map.

On Anton’s eighth time through the riff, Mags exploded a drum fill on snare and bass. It shook the room so hard the building seemed in danger of falling off the asteroid into space. The precise, sharp sting of her snare made Ryder jump. He’d almost forgotten what a musician his partner in crime was.

The twelve-year-old Sarah launched into the first line. She didn’t really know how a dog in heat felt, but she was pretty sure it felt like kicking arse, the freedom to say anything, and a desire for something immediate and personal.

Celina sipped Kraken black rum, nonplussed by the wave of sonic annihilation rolling over her. She tapped her foot as if the ear-splitting racket from the speakers was the most natural thing in the world. With cool detachment, she noticed the new girl’s eyes never left Mags.

As Sarah’s vocal chords ripped into the verse about bitches and houses burning, Celina considered Jinx. Many of the young women the Australian had worked with in the club over the past few years were basically nice girls who had survived terrible events. But this newcomer had a good helping of the antagonistic, punk-rock attitude Mags exuded. It was a blessing and a curse.

On the one hand, it showed an inner anger and strength. On the other, it might be a guard against a deeper, overwhelming sadness. Rage was a wall, a barrier, and Celina wondered what unspoken torments Jinx carried with her. Would they destroy the young woman, or was she strong enough to conquer them? Celina decided to keep a watchful eye on her, lest inner turmoil lead Jinx and her new friends to destruction.

A woman who had dealt with immeasurable sadness for too many years, Celina relegated all these thoughts to a space she held inside her. She returned to the joy of the moment. It was time for the guitar solo.

Mags backed off her assault on the drum heads and let the band bring it down. Anton was no Ted Nugent, but he took a credible turn at a solo. His father’s illegal Sonic Youth records had influenced him, so he eschewed Nugent’s shred style for an atmospheric, textural romp. He set the headstock of his guitar against the amp. A wailing cascade of feedback poured out like a lake from a broken dam.

The raucous, flowing noise excited Patches. She leapt down from her perch on Anton’s amplifier and shoved her face between the speaker’s tweed cover and the microphone in front of it. With her ears pressed flat against her tri-colored head and her whiskers shimmering in the soundwaves, she howled into the crisscross pattern of the microphone’s metal head.

The guitar solo gave way to a caterwaul that nearly paralyzed Patches’ friends. The criminal calico filled the room with noises that spoke of her prehistoric ancestors: the fury of a smilodon sinking its teeth into a cave bear; the iron flavor of a mastodon’s blood in her mouth; the despair of watching spear-wielding primates rob a continent of its massive, mammalian fauna.

No one in the jam room would forget that cry, but only Mags understood it on a primal, genetic level. The smuggler shut her eyes and saw in Patches’ song a place of bestial beauty and torment. A place of perfect belonging and never-ending loneliness. It smelled like Earth and rain and matted fur.

Mags’ drumsticks smashed into the tom heads like they called out for war. She attacked the crash cymbal repeatedly and released a forlorn, unearthly wail in duet with her kitten.

Again, Mags backed off the percussive assault to let in the band. Sometimes, she thought, you gotta start low.

Sarah sang the pirate’s thought, and her voice led the group to the finale.

patches on turntables - draft - Copy


blue day


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Blue Day is a 204-minute music set I streamed in May 2017. Download it as an .mp3 file free of charge from:


The set list is available as a text file.

May 2017

Billy Thorpe and the Aztecs – Blue Day
Sandy Bull – Little Maggie (1963)
Joni Mitchell – Stormy Weather
Asteroid #4 – Empty Like A Little Child
Gregg Allman – Devil Got My Woman
Jorma Kaukonen – Blue Railroad Train
Steel Panther – Girl from Oklahoma
Sonic Youth – Drunken Butterfly
Frank Zappa – Call Any Vegetable
Baby Woodrose – Talkin’ Bout Love
Doc Watson & Merle Watson – Little Maggie
Al Petteway – Maggie’s Reel
Ivan Drever & Duncan Chisholm – Fiddle Reels: Maggie’s Pancakes / The Little Cascade
Morlocks – Sex Panther
Nirvana – You Know You’re Right
Swans – 93 Ave. B Blues / Little Mouth
Bill Frisell – Twenty Years
Kodo – Bird Island
Oscar Peterson Trio – Daahoud
Munir Bashar – Taqsim Rast
Hank Williams – A Tramp On The Street
Doc & Merle Watson/Merle Watson – The Hobo
Charlie Byrd/Herb Ellis/Mundell Lowe – Billy Bean
Count Basie – Feedin’ the Bean
Coleman Hawkins – Bouncing with Bean

Puma Broadcasting Network – Station ID 2
Buffalo – Bean Stew
Jorma Kaukonen – Waiting for a Train
Wayne Hancock – Flatland Boogie
Charlie Hunter/Skerik/Stanton Moore – Boogaloo Boogie
Jack Dejohnette – Jamala
Gateway – Cinuçen
Swans – Inside Madeline
Morsel – Didj Drone
Ravi Shankar – Poornamadah
Kodo – Berimbau Jam
Naima K – Lelilanga
Nomad – Ahulakamine Hulan
The Jesus and Mary Chain – Facing Up To The Facts
Telstar Sound Drone – Drugs Help
Black Light White Light – The New Line
Mission of Burma – Secrets
Doctor Explosion – Aint Coming Home
Screaming Jets – FRC
Kat McSnatch – You Are a Cunt
Swans – You Fucking People Make Me Sick
The Gyuto Monks – Guhyasamaja Tantra. Chapter II


you baby


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You, Baby is a 110-minute music set I streamed in November 2018. You can download it as an mp3 at no cost from:


The set list is available as a text file.

November 2018

Sun of Man – Whispering Jackoff
Led Zeppelin – Good Times Bad Times
The Black Crowes – Black Moon Creeping
Vista Chino – Dargona Dragona
Vista Chino – Sweet Remain
Tony Iommi/Henry Rollins – Laughing Man in the Devil Mask
Slo Burn – Prizefighter
Clutch – A Shogun Named Marcus
Wayne Fontana and the MindBenders – Groovy Kind of Love
Amboy Dukes – Baby Please Dont Go
Ron Gallo – Young Lady, You’re Scaring Me
The Turtles – You, Baby
Herman’s Hermits – Mrs. Brown You’ve Got a Lovely Daughter
Spin Doctors – Little Miss Can’t Be Wrong
The Black Crowes – Remedy
The Bad Plus – Iron Man
Clutch – High-Caliber Consecrator
Deftones – Change (In the House of Flies)
Chingy – Right Thurr
Timezone LaFontaine – Crunks Not Dead ’04
RemixGodSuede – I Can’t Die Today, I Got Court Tomorrow
Billy Thorpe and the Aztecs – Momma (live on GTK)
Om – Addis
Black Angels – Paladin’s Last Stand
Fugazi – Returning the Screw
Fugazi – Foreman’s Dog


fried potatoes


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fried potatoes (1)

If you slice a potato thin enough and deep fry it, you’ve got potato chips. Pan-fried potatoes are a hearty alternative that doesn’t require a vat of hot oil.

I sliced half a Russet potato and fried it in a mix of olive oil and coconut oil. Medium low to medium heat is best. (On my electric stove, where burner controls are marked 1 to 10, I used 3.5 to 4.) I’ve found that too high a heat tends to burn the oil or even burn the potatoes before they are cooked all the way through.

This method uses less oil than deep frying, but you still want enough oil in the pan to cover the slices. Just look at them bubbling away!

fried potatoes (2)

I prefer cooking them until they are mostly a light golden brown. The thinnest slices get crispy like a thick potato chip, and the thickest slices are still cooked all the way through.

I lay the slices out on a big plate and sprinkle them with whatever seasoning sounds good. For this batch, I used ground peppercorns, sea salt, and dried rosemary. But you could use dill or chili powder or any spice you like. I served mine with a dollop of hummus and some sliced pepperoncinis.

The following photo doesn’t show the whole batch. I started eating them while the last slices were still cooking. Too yummy too wait for!

fried potatoes (3)

heavy 6


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Heavy 6 is a 140-minute music set I streamed in December 2018. You can download it free of charge as an mp3 file at:


The set list is available as a text file.

PBN SET 32: Heavy 6
December 2018

DJ Kay Slay – 60 Second Assassins
San Francisco Mouse – Slam the Jam
The Joy Formidable – Cradle
Mammoth Indigo – Flowers in the Basement
dEUS – Bad Timing
The Volcanics – Get a Move On
The Heavy – That Kind Of Man
Sena Ehrhardt – If Trouble Was Money
Cody Jasper – Locked Up (Homesick)
Jimmy Barnes/Joe Bonamassa – Lazy (Deep Purple)
Betty Blowtorch – Hell on Wheels
59 Times The Pain – Weakend Revolution
Sleater-Kinney – All Hands on the Bad One
Siouxsie and the Banshees – Helter Skelter (Beatles)
The Rebel Set – Falling Apart
Priests – Pink White House
Anders Osborne – Darkness At The Bottom
Joe Bonamassa – Oh Beautiful!
Buddy Guy – Baby Please Don’t Leave Me
Melvins – Lizzy
Bleached – Sleepwalking
Shack – 24 Hours
Peaches – Turn It On (Franz Ferdinand)

PBN – Station ID 2
Gnod – Paper Error
Jesu – Your Path to Divinity
Alestorm – Fucked With an Anchor
Flogging Molly – Queen Anne’s Revenge
OFF – Fuck People
Dozer – Drawing Dead
These Arms Are Snakes – Lead Beater
Before I Had Wings – No Redemption
OFF – Darkness
Sharkey Bonano – Has Anybody Here Seen My Kitty

crock-pot sausage


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Since it’s hard to identify chunks of stuff in a photo of a soup or stew, today you get a photo of unprepared ingredients!

crockpot sausage

This series of posts about cooking was first imagined as a way to chronicle my crock-pot experiments, but after several culinary successes, I realized I hadn’t kept any pictures. No one wants to read a food blog without seeing the food, so 2018’s first “concrocktions” must wait until I feel like making them again for picture time.

Ingredients: 1.7 pounds of sweet Italian sausage, a jar of mushroom pasta sauce, a whole bulb of elephant garlic (peeled, with cloves chopped in half), a red bell pepper and an orange bell pepper (roughly chopped), a yellow heirloom tomato (roughly chopped), some black and white peppercorns, and enough chicken broth to cover it all.

I cooked a smaller batch without the veggies and garlic a week before, intending to serve it over pasta. But it was so good, I just ate the sausage and sauce on their own! That first batch was made with hot, not sweet, sausage, and there’s no reason you couldn’t add some heat to this concrocktion.

Cooking: This batch was larger than the previous two, and it took about five hours on high in the crock-pot. At three hours, it was maybe cooked, but not all the flavors had blended, and the peppers were still too crunchy. About half an hour before I was done, I added uncooked pasta.

The chicken stock does thin the red sauce, but the combined flavor is intense enough to be worth it. In my second attempt at this dish, I learned I could throw a small amount of uncooked pasta into the crock-pot about half an hour before the cooking stops. The pasta soaks up excess liquid for a hearty dish with fewer pans to clean.

I almost got it right last time, but not quite. This time, I added maybe 6 to 8 ounces of a pasta I’ve never noticed before: orecchiette.

pasta for crock pot sausage

The orecchiette needed 45 minutes on high to cook, and I could have let it go an hour. It remained al dente and did not turn into the creamy mush that overcooked pasta can become in a crock-pot. Also, I used less pasta this time to avoid making the broth too starchy. Think about the starchy water you pour off when you boil pasta, then realize that starch is now in the crock-pot broth. So, be careful.

crockpot sausage 2

Taste Review: This was the best of my three attempts at this kind of dish, with a balance between rich sauce, meat, pasta, and vegetables that practically melt in your mouth. The picture above is after I already ate two bowls and was going back for a third!

This concrocktion has one foot in the world of stew and one foot in the kind of Italian food I’ve loved all my life. I served it in a bowl, but most of it you can eat with a fork. I originally thought I’d pull the garlic out for something else, but the cloves had turned super soft and broken apart, and since all the flavors are blended in the sauce, the garlic bites aren’t overpowering at all. The tomatoes and peppers are almost dissolved into the sauce, but the pasta and sausage are hearty and substantial. Good blend of textures, and super tasty.

crockpot sausage 3



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Drone is a 143-minute music set I streamed in August 2017. You can download it free of charge as an mp3 file at:


The set list is available as a text file.


Spacemen 3 – Come Down Easy
Spacemen 3 – Call the Doctor
Matthew Howard – Drone (a poem)
Matthew Howard – Transformations (live)
Cambrian Explosion – Innocuous Creatures
A Perfect Circle – Annihilation
Jimi Hendrix – Drone Blues
Esbjörn Svensson Trio – Elevation of Love
Debashish Bhattacharya – Maya
Subterranean Jazz – Blue Pearl
Ralph Towner – Drifting Petals
Northwoods Improvisers/Faruq Z. Bey – Fountain
Tinariwen (+IO:I) – Sastanàqqàm
Mark Lanegan – When It’s in You (original Methamphetamine Blues)
Mark Lanegan – Bombed
Jimi Hendrix – Belly Button Window
Roosevelt Sykes – Sunny Road
Munir Bashar – Taqsim Rast
Homayun Sakhi – Kataghani
Jimmy Wages – Miss Pearl
Sade – Pearls
John Coltrane – Black Pearls
Steve Reich – Electric Counterpoint
Datura – Mantra
I Solisti di Zagreb (Vivaldi) – Allegro (Concerto fur Streichorchester and Cembalo G Major)

heavy 4


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mars 2016 march logo

Heavy 4 is a 126-minute music set I streamed in October 2018. You can download it free of charge as an mp3 file at:


The set list is available as a text file.

PBN Set 27: Heavy 4
October 2018

Nirvana – Breed
Tune-up clip from Stooges documentary
Dope Life – Die Motherfucker Die
Snot – Snot
Nickelback – Follow You Home
Killing Joke – The Death and Resurrection Show
Phant – End of Daonnachta
Clouds Taste Satanic – Out of the Abyss
Megadeth – The Threat Is Real
Murder City Devils – Johnny Thunders
Dopethrone – Dry Hitter
Papa Roach – Dead Cell
Buffalo Fuzz – Hard Lovin Body
Sky Valley Mistress – She Is So
Graham Day and The Gaolers – Wanna Smoke
Mono Men – Wimp
Fu Manchu – Eatin’ Dust
The Bloody Honkies – I Don’t Care About Your Man
Sonic’s Rendezvous Band – Getting There (Is Half the Fun)
Black Label Society – Funeral Bell
Nashville Pussy – Go Motherfucker Go
Scarling – Band-Aid Covers the Bullet Hole
Hoodoo Gurus – Down on Me
Killing Joke – You’ll Never Get to Me
Wo Fat – Common Ground
Sumac – Hollow King
Sumac – The Radiance of Being
Om – Unitive Knowledge of the Godhead
Mammothwing – Chump Change

Whipping Boy: a short story


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Meteor Mags: Whipping Boy. © 2015 Matthew Howard. All Rights Reserved.

Description: In the third episode of The Adventures of Meteor Mags and Patches, a hell-raising space pirate and the guys in her rock band embark on a harrowing mission of vengeance that will require them to shoot pool, drink cheap liquor, and avoid public restrooms. But before the night is over, they will cross paths with their biggest fan, and forever change his life.

4,400 words. Appears in the Meteor Mags: Omnibus Edition in paperback, KindleiBook, and Nook Book.


Whipping Boy


Life’s not worth living if somebody thinks he’s in authority over you.

—Robert E. Howard; Letter to Farnsworth Wright, 1931.


February 2029: Ceres.

Jeremy jabbed the needle into his arm until the ink ran out. He had wrapped a sewing needle in thread and jammed it into a pencil eraser. The night before, he had used this tool to finish the outline of a five-pointed star. Now, taking his only shift break to sit on the concrete steps behind the bar, he did what he could to fill it in. He dipped the needle into a tiny bottle of India ink. The wind blew a cloud of regolith down the alley and through the stink rising from the garbage dumpster near Jeremy’s side. The billowing asteroid dust obscured the stars from the sky, but Jeremy only cared about one star right now.

Behind him stretched the grimy wall of Red Hot Rod’s Bar & Grill. Red Hots served terrible food to terrible people, mostly asteroid miners the industry was in the process of chewing up and spitting out, along with the peddlers, whores, and drug dealers who eked out a living from their suffering. The well-off corporate types who ran the mining businesses never came to this part of town. The neighborhood was not the very worst on Ceres, but it was trying its hardest to win that reputation.

An artificial gravity field held everything to the rock, including a breathable atmosphere. But sometimes Jeremy wished the GravGens would fail and all of it would just go floating into space. Poverty held Jeremy to the rock with its own kind of gravity. At age fourteen, he worked every single day, and still he could not afford to leave. He could barely afford his slotbox at the neighborhood motel, the coffin-sized enclosure where he slept and hardly had enough room to sit up straight.

Most nights after his double shift, he simply sat outside, working on his star tattoos and listening to recordings of Meteor Mags and her band, the Psycho 78s. He could not afford a tablet on his wages, but he had a small file player, with ear buds, he had found in a dumpster. He wore it clipped to his shirt. It now held the first album from the Psycho 78s and a dozen bootlegged concerts from their tour with Mags as the singer. Jeremy listened to nothing but these recordings, over and over, day in and day out.

He wore his Meteor Mags t-shirt every day, too. The front of the black shirt showed Mags silkscreened in white. In cracked and faded letters, the text below her read, “Рок спасет мир!” Mags danced on a stripper pole, naked except for star-covered socks, her skin adorned with more than a hundred black star tattoos. The stars ran up and down her arms and legs, across her belly, over her left breast, around her neck, and down her back. The word ANARCHY adorned her chest.

Suddenly, the restaurant’s back door slammed open. It smacked Jeremy’s arm, driving the needle a half-inch deep. He cried out then jerked the needle free.

“Germs? What the hell are you doing out here?” It was McAllister, the head waiter. “Cutting yourself again, ya little freak?”

Jeremy shook his head at the ground. He knew it was pointless to argue with the head waiter.

“Yeah? Well, guess what. That screeching hooker you’re in love with is here.”

He raised his eyes. “Meteor Mags?”

“That’s the slag.”

Jeremy grabbed his ink bottle and jumped to his feet. “No way!” But as soon as he tried to get in the door, McAllister yanked it shut from inside. The lock clicked shut. “Hey,” he shouted. He rattled the door handle in vain. “Hey, come on, Mick!” He pounded on the door. “It’s not funny! Let me in!”

Then McAllister flung the door open. It struck Jeremy. He staggered backwards, lost his footing on the concrete steps, and fell to the ground in the alley. His ink bottle shattered beside him on the dirty pavement. Jeremy groaned, trying to get to his feet.

McAllister stood in the doorway and laughed. “Jeez, don’t cry over it, ya little fuckin’ baby.” He slammed the door shut.

Wincing, Jeremy made his way back inside. He still had a few minutes left on his break. He walked through the food prep and storage area. To his left lay the dish station where he worked. To his right was the line cooks’ area with its grill and fryers. Several cooks clattered plates and pans below the ventilation hood which never worked quite right. They laughed at obscene jokes, chattering loudly about nothing. Ahead of Jeremy, through an open doorframe, sat the wait station where McAllister and another waiter gave dishes their final preparation before taking them out to the restaurant. But as Jeremy stepped up, his boss stormed through, bumping into the young man.

“Hey,” Rodrigo shouted at him. “No, no, no. You get back to work, dish-dog. Back. Back!”

“But, Rod, I still have five min—”

“Break time’s over, Germy. Get back to work!” Rodrigo grabbed the boy’s shoulder, turned him around, and pushed him back to the dish station.


“Now!” Red Hot Rod tromped off to his office to snort two more rails of cocaine.

Jeremy slumped. He shuffled to the dish station, a large sink where he rinsed dishes before loading them into the mechanical dishwasher. Just then, McAllister came around the corner. He tossed a stack of dirty plates into the sink. Filthy water splashed all over Jeremy’s shirt, splattering his face and soaking his music player.

“Look alive, freak!” McAllister walked back through the wait station and out to the restaurant. The door separating the wait station from the main floor flapped noisily behind him, back and forth, until it settled.

“Hot pan coming through!” A cook shoved a scalding-hot skillet into the dish water. A rancid cloud of steam rose from the sink. It filled Jeremy’s nose and made him cough. “Oops,” shouted the cook. “Sorry, Germs! Ahahahahaha!”

Jeremy grabbed a towel and wiped his face. His ear buds dangled around his neck, but now they made no sound. His sopping wet music player would never work again.

“I don’t know why they’re so hard on you, kid.” The second waiter stood in the open doorway. He leaned against the frame, crossing his arms. “Hey.” He looked up and down the cook’s line and craned his head toward the back. “You can totally see Meteor Mags from our station. Come take a peak. I’ll cover for you for a minute.”

“Really?” Jeremy looked up hopefully.

“Yeah, but make it quick! Okay?”

“I will. Thanks, man.”

He walked through the wait station. The door out to the main floor had a plastic window, so the waiters would not run into each other coming and going. Jeremy stepped up to the window and peered out. His eyes scanned the smoky, dimly lit restaurant though the plastic. And there, at the end of the bar, standing at a pool table with her back to him, was Meteor Mags. Jeremy recognized the two men with her: Donny and Fuzzlow from the Psycho 78s. Jeremy’s heart nearly burst in his chest. He held a hand to the window.

The door swung in and smacked him in the face.


McAllister’s head popped up on the other side of the window, laughing.

Laughter came from behind, too. “Hahaha! We got you good, Germs! What a sucker.”

Rodrigo strode into the wait station. “What in the hell are you doing, Germy? Didn’t I tell you to get back to work? Quit fucking around!” He waved his hands angrily in the air. “Move it, dish-dog! Move!”

Jeremy wiped his nose. It left a bloody streak along the back of his hand. He shuffled back to his dish station, looking only at the ground. Once he got there, he scraped dirty dishes into a trash can, and he cried.

“Are you sure we got the right place?”

“Mhm.” Meteor Mags eyed the layout of the billiards balls on the table. Donny had broken the first rack of nine balls, but none had sunk. “Red Hot Rod’s. Owned by one Rodrigo Galipollas. A real scumbag. He’s definitely our man.”

“The only thing red hot about this place,” said Donny, “is the scorching case of scabies you’ll get from the toilet seats.”

“I’d rather piss in the bloody alley,” said Mags.

“From the looks of this neighborhood, you ain’t the only one.”

Mags took a drag from her cigarette. She set it in an ashtray on the high-top table beside her. “Just get ready to pay for the next round of rum, Donny. Nine off the one for the win. Corner pocket.”

He smirked. “Uh-huh. From all the way across the table, with seven balls in the way? Why don’t you just call it a foul and hand Fuzz the cue?”

“Why don’t you shut the fuck up while I shoot?” Mags thoroughly chalked the cue tip then made a bridge with her right hand. With her left, she raised the butt of her cue at a forty-five-degree angle. In one powerful stroke, she drove the cue tip into the cue ball like she was trying to pound it through the table. The cue ball leapt into the air, jumped the length of the table, bounced off the back rail, and kicked into the one ball. The one ball rolled obligingly into the nine ball, which dropped into the corner pocket.

“What in the actual fuck?”

“Donny,” said Fuzzlow, “don’t ever leave the nine ball near a pocket when you play against her. It’s pure suicide.”

Mags laughed and laughed. “Don’t you know who my gramma was? Best damn billiards player in all of history. We’ll be having that shot of rum now, Captain Clueless!”

“It’s gonna be a long night,” said Donny, fishing a few bills from his pocket.

When he returned from the bar, Donny set three shots on the high-top table. Mags raised her glass. “To sweet revenge,” she said, and they all clinked their glasses together.

“Cheers, mates.”

“Bottoms up.”

Mags gulped. “Holy shit-fire, Donny. What kind of swill did you order?”

“Tastes like sodding petrol filtered through a dirty sock,” said Fuzzlow.

“Give me a break, you two. I asked for top shelf!”

“They must keep their cleaning chemicals on the top shelf. Let’s try the bottom shelf next time!”

“Living dangerously,” muttered Fuzzlow. “So, how do you know this Galipollas is our guy?”

Mags leaned in and lowered her voice. “Let’s just say I know a guy in the Port Authority who knows a guy who knows a guy, okay? This Rodrigo character is definitely the loser who ratted out Plutonian’s pirate radio station. And it isn’t the only one he’s done it to. He picks up the scuttlebutt from the mining crews in this joint, and then he sells the info to the pigs in the MFA.” Mags referred to the paramilitary squadrons who operated under the Musical Freedoms Act of 2019, patrolling the Belt to shut down illegal broadcasts and confiscate banned recordings. “It’s how he keeps a constant stream of blow going up his fat nose. We’ve got rock’n’roll DJs doing hard time thanks to this jackass.”

“Not after tonight,” said Donny.

“Goddamn right,” said Mags. “We’ll jump his arse when he leaves for the night, and that’ll be the end of that.” She lit a stolen cigarette. “Now rack ’em up, Fuzznuts. We might as well have a little fun in the meantime.”

An hour later, Jeremy got his opportunity to go out to the main floor of the restaurant.

“Hey, Germs,” called McAllister. “Get your mop bucket, freak. Someone just ralphed all over booth four. There’s puke everywhere! You’ll love it.”

He filled his bright yellow mop bucket a third full with steaming hot water and poured in some cleanser. He set in the wringer that squeezed out water from the mop, and then stood the mop in the bucket.

McAllister looked around the corner to the dish station. “Don’t take all day, ya little wanker!”

Jeremy grabbed some wet towels and wheeled the bucket through the wait station, steering it by the mop handle across the cheaply tiled floor. He pushed open the swinging door with the bucket. But as he made his way through the restaurant, he only had eyes for Meteor Mags. Then he bumped a customer’s chair.

“Oi! Watch where yer goin’, ya bloody fuckwit!”

“Sorry, sir.” He looked at the floor and steered his mop bucket. Then he looked up towards the pool table Mags and her bandmates occupied. They stood there laughing, clinking glasses of rum together. Jeremy heard Mags’ laughter through the din of the bar as if he had dialed it in on a radio. It was the most angelic sound he had ever heard.

Then his bucket struck a chair leg. Water sloshed all over a customer’s boot.

“Hey, fuckmuppet! What are ya tryin’ to do?”

“Sorry, sir. I was—”

The man slammed a handful of cards down on his table. He stood up. “Ya lookin’ for trouble, mate?”

One of the man’s three companions spoke up. “Hamish, will you leave the little sod alone? Look at him! Probably ’tarded. Let it go, man.”

“Shorty, don’t ya ever tell me what to do.”

“Whatever, Ham. Are you playing or passing?”

The customer sat back down and scooped up his cards. “I wouldn’t pass if yer mum was rubbin’ her tits in me face and tuggin’ at me knob!” He threw down a card. “See how ya like that!”

Jeremy steered his mop bucket over to booth four, glancing at Meteor Mags, but taking care not to bump into any more customers. When he arrived at the booth, vomit dripped from the edge of the table, covering the thinly padded seats. Thick, beige, and full of meaty chunks, it splattered into a generous puddle on the floor. The puddle, like quicksand, closed over and filled the areas where customers stepped in it as they exited the booth in a hurry. Sticky, smeared footprints led away from it.

Jeremy would have been stunned to discover the human digestive system could hold so much semi-solid material, if not for the fact that he saw this nearly every single night. With his bare hands and a wet towel, he wiped vomit from the tabletop. He was going to need a bin for the glasses and dishes, and a lot more towels.

“There he is! There’s our waiter! Hey! We need four more orders of turducken wings!”

“I’m, uh, not the—”

“Janice hurled all over our turducken wings! Now get us some more!” She slapped Jeremy in the back of the head. “We don’t have all night!”

“But I—” Then he had a realization. “Of course, ma’am. Let me get your waiter. We’ll have some fresh wings in a minute.” He wiped his hands on a clean towel, then tossed it onto the table.

“Well, hurry the fuck up!”

He stepped away from the booth with a weak smile and walked straight towards the pool table. This was his chance.

“Yo, Mags,” said Fuzzlow. “Fanboy alert. On your six.”

“Oh, here we go.” Still chalking her cue tip, she glanced over her shoulder. She peered over the rims of her tinted glasses at the approaching boy. He looked like he had been soaked in dirty dishwater. Damp filth caked his pants legs. Food stains marred his concert t-shirt, and spilled bleach added ugly fades to the white silkscreen design of Mags pole dancing. But Mags could see the adoration in his eyes. She faced him, and she smiled. “Ahoy there, little pirate. How are ya?”

He stood dazed like an escaping prisoner caught in a spotlight. His mouth moved without making a sound. Then he found his voice. “I love your music.”

“How sweet,” she said. “What’s your favorite song?”

Jeremy could scarcely believe the moment was real. “Something to Destroy. But I have bootlegs of every concert from the tour, and I love all of them, and I listen to them every day and nothing else, and they mean so much to me. I mean if not for you and the band, I don’t know what I’d do, I just—”

“Germy!” Rodrigo’s shout destroyed the boy’s gushing fountain of praise. He stormed up to the pool table, waving his hands wildly in the air. “What did I tell you about bothering customers?”

Mags looked at the man from the corner of her eye, then back to Jeremy. “That your boss?”

“Yeah.” He shrunk in shame.

“Germy, you clean up that booth right now!” Rodrigo descended on the boy, grabbing his shoulder roughly. Rodrigo shoved him away from Mags and back toward the booth. Jeremy stumbled. He looked to Mags with the saddest expression she had seen in a long, long time.

“Heya, Rod,” she said. “Why don’t you take it easy on the kid?”

“I don’t pay him to stand around and talk!”

“Is that so?” she asked. “Maybe you should, what with all that money you make ratting people out to the MFA.”

Rodrigo’s eyes went wide, and his mouth fell open. The look confirmed everything Mags had told her bandmates. He waved his hand. “I don’t have any idea what you’re—”

Mags flipped her cue stick around and brought the butt down on his forehead as hard as she could.

“Oh, shit,” said Donny.

“There goes our plan,” said Fuzzlow.

Rodrigo stumbled backwards, catching himself on the end of the bar. “Aaa,” he shouted, holding a hand to his face. “Estás muerta, puta!” He pulled out a shotgun from under the bar top.

Jeremy knew his boss kept a shotgun there, though he had never seen it used before. When he saw Rodrigo reach back there, he knew what was happening. Later, when he remembered this moment, he would never quite recall what spurred him to act so recklessly. He pulled the wringer out of his mop bucket by its handle and swung it at his boss.

As Rodrigo brought the shotgun around to Meteor Mags, the wringer caught him in the side of the head. Jeremy picked up his bright yellow bucket and doused him with searing water. Rodrigo screamed.

“Get back, kid!” Mags pounced. She yanked the shotgun from Rodrigo’s grip and clocked him in the jaw with it. He slumped to the floor.

Mags pumped the shotgun and fired it into the ceiling. A buckshot round shredded the smoke-stained tiles. She pumped the shotgun again. “Guys,” she yelled to Fuzzlow and Donny, “get this creep out of here!”

A chunk of the ceiling fell out and collapsed at her feet in a cloud of dust. Customers dove to the floor. Some crawled under their booths or backed against the wall. “Listen up, motherfuckers! You can follow me outside and die, or you can stay in here where it’s nice and cozy. Enjoy some drinks on the house! It’s all the same to me.”

Mags kept the shotgun leveled, encouraging customers to step aside for Donny and Fuzzlow. The two of them dragged Rodrigo to the wait station door. Donny pushed his way through, pulling a knife and growling like an animal at McAllister and the line cooks. Having heard the shotgun blast, they offered no resistance. Fuzzlow dragged Rodrigo’s body out the back door of the restaurant.

Mags followed them closely behind. “Keep drinking, or come and die!” The swinging door flapped shut noisily behind her several times. Then it went still.

A moment later, the shotgun roared again.

Jeremy threw open the back door and dashed down the concrete stairs. He came to a sudden stop. Donny brandished a blade, and Fuzzlow held the shotgun. They relaxed at the sight of the boy.

Jeremy saw Meteor Mags dropping shut the lid on the restaurant’s garbage dumpster. A trail of glistening blood led from a spot just in front of the steps, through the dusty slime of the alley, and up the front of the dumpster. The winds of Ceres would soon bury it below a layer of regolith.

“Heya, kiddo,” she said. “You got a clean towel on you?”

Jeremy nodded quickly. He stepped up and handed her a towel.

Mags wiped her hands on it. They left bright red marks on the cloth, which she then pushed under the lid of the dumpster. She clapped her hands together. “Nice save in there, little man. You got a name?”


“Love your shirt, Jeremy. I think it’s one of our best designs.”

“I saved up for it for months.”

“Months?” Mags looked him up and down. She pulled a pack of cigarettes from her bra. She lit one up and handed it to him. Then she lit one for herself. She blew three smoke rings into the dirty asteroid air. “Tell me something, Jeremy. Do you like this job?”

Jeremy coughed. He’d never had a cigarette before. “I fucking hate this job. Everyone here treats me like shit.”

“Mhm.” Mags flicked ashes onto the ground. “Made you their little whipping boy, didn’t they?”

“Yeah. I guess so.”

“Mags,” said Fuzzlow. “We should bounce. Like right now, before it gets hot.”

She raised her hand. “We always make time for our fans, don’t we?”

Donny rolled his eyes and shook his head. He knew they would have better luck arguing with a brick wall than trying to get Mags to move before she was ready.

“Tell you what, Jeremy.” She pulled Rodrigo’s wallet from her skirt pocket. She rifled through it quickly, pulled out the thick stack of currency inside, and stuffed the rest into the dumpster. “Why don’t you get the bloody fuck out of this neighborhood forever?” She handed him the wad of cash. “And get yourself a better job while you’re at it.”

He stared in disbelief at the money, then up to Mags, then back to the money. He took it and shoved it into his pants pocket.

“Yeah, kid,” said Donny. “And stay the hell out of the mines. Take it from someone who’s been there. You don’t want to end up in those hellholes.”

Fuzzlow added, “Don’t become a musician, either!”

Mags snorted. “Yeah. Worst job ever!”

“Mags,” Jeremy stuttered. “I—”

“I know, dear.” She bent down, leaned over, and placed a single kiss on his cheek. Then she put her hand on it and looked into his eyes. “See you at the shows, Jeremy.”

He smiled like he had never smiled before.

Mags raised herself to her full height. “Fuzz? Donny? Let’s get the hell out of here!”

Jeremy watched as the three of them ran out of the alley and disappeared around the corner. Then he ran as fast as he could in the opposite direction.

A week later, he laid out his forearm on the padded armrest. “It’s just a shitty stick-and-poke. I know it’s terrible. Would you fill it in for me?”

Tinta owned her own tattoo shop. She had decorated the walls with her original flash art and posters of her favorite bands. She looked at the half-dozen star tattoos outlined on the boy’s arm, and only one of them partially filled in. “It doesn’t really look that bad. Did you free-hand all these?”

Jeremy nodded, embarrassed.

“Why didn’t you fill them in?”

“I, uh. I lost my ink. It’s a long story.”

“We can fix them up no problem,” she said. With gloved hands, she took a freshly autoclaved needle and set up her tattoo gun.

“Wow,” said Jeremy. “That looks like a nice rig.”

“Nothing but the best. Why don’t you watch me fill in a couple, and I’ll explain what I’m doing, and then you can try filling in one yourself, okay?”

His eyes lit up. “Really?”

“We don’t get many Meteor Mags fans in here. Let alone ones that do their own ink.”

“How did you know?”

Tinta laughed. “Who else would be trying to cover their body in stars?” She worked the needle over his skin. First, she tightened up the outlines. Then she set about filling in the pentagrams. She talked him through the process, giving him tips here and there, and asking questions to make sure he understood. “By the way. Did you hear the new Psycho 78s single this morning?”

“A new single?!”

“It’s all over darkweb. Here. Hold this, and I’ll put it on for us.”

Jeremy took the tattoo gun from her.

Tinta touched the screen at her station and brought up a video channel. “Check this out. It’s called Whipping Boy.”

The video began with Meteor Mags, Donny, Fuzzlow, and their drummer standing before a burning building. Mags wore a pair of .50 caliber pistols strapped in holsters at her hips. She brandished a black leather bullwhip. Other than her steel-toed boots and her star-covered socks, she wore little more than a ribbon in her long, white hair.

As she snapped the whip, Donny blew into his baritone sax. Drenched in overdrive and doubled with a bass note two octaves lower, the horn pulsated a monstrous, relentless riff.

The drums kicked in, and Fuzzlow ripped a searing lead with his distortion-soaked harmonica.

Mags wailed at the top of her lungs.

Whipping boy!
What’s your name?
Whipping boy!
A life of pain!

Maybe you should take the cash and run.
Maybe you should get yourself a gun,
Before they kill your soul. Alright!

Fuzzlow raged into his harp before she began the second verse.

“She’s something else, isn’t she?” Tinta asked over the music.

“She sure is.” Jeremy would never forget Mags’ kiss, and her kind words. He gripped the tattoo gun in his hand. He knew it was not the kind of gun Meteor Mags sang about. But it was the right one for him.

“You know, I could use an apprentice around here,” said Tinta. “Someone to help with the shop and learn the trade. I’ve got more space miners wanting tatts than I know what to do with right now! You think you’d be interested in working here?”

“That sounds like the greatest job ever,” said Jeremy. Then he filled in the rest of the stars, all by himself.


mars 2016 march logo




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Overcoats is a 184-minute music set I streamed in December 2018. You can download it free of charge as an mp3 file at:


The set list is available as a text file.

December 2018

Jay and Silent Bob – Fat Man in an Overcoat
Jay and Silent Bob – Fuck Rap
Pailhead – Anthem
Solomon Burke – Maggie’s Farm (Bob Dylan)
Danny Gatton – Thirteen Women
Bitch & Animal – Angels Heard on High
Aphrodite’s Child – The Four Horsemen
Primal Scream – Slip Inside This House
Primal – The Hustle
Kokolo – Soul Power
Foo Fighters – My Poor Brain
Life Leone – Is This Love
Queens Of The Stone Age – Regular John
All Them Witches – Don’t Bring Me Coffee
The Bravery – Believe
Boomtown Rats – Mary of the 4th Form
The Eyes – I’m Rowed Out
Life Leone – An Education
Yeah Yeah Yeahs – Rich
Melvins – The Green Manalishi Parts 1 and 2
Primal – Lucky Soul
Space Siren – You’ve Tattooed My Brain All Away
Queens Of The Stone Age – You Can’t Quit Me Baby
Sean Wheeler & Xander Schloss – Good Pussy
Jay Reatard – In the Dark
Fugazi – Ex-Spectator
Pothead – Deliverance
Robert Walter – Circle Limit
Life Leone – Lonely Teacher
Refused – Rather Be Dead
Refused – Circle Pit
Deftones – Lotion
Silent Servant – Speed and Violence
Architectural – Peacetime
Sound Out – Gotta Be Acid (original mix)

PBN Station ID 7
Primal – Got A Hold On Me
Queens of the Stone Age – Walkin’ on the Sidewalks
Primes – Bodies
Life Leone – Trust Me
Wo Fat – Sleep of the Black Lotus
No Mad – Mental Revolution
Marcus Lazarus – What You Got (Is What I Need)
Beck – Debra
Stoned Jesus – I’m the Mountain

when you were gone


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When You Were Gone is a 123-minute music set I streamed in October 2018. You can download it free of charge as an mp3 file at:


The set list is available as a text file.

PBN Set 26: When You Were Gone
October 2018

NARLA – Lie To You
Ben Reaves – Trains (Porcupine Tree cover)
Days of the New – Shelf in the Room
Black Angels – Bloodhounds on My Trail
Stone Temple Pilots – Down
Head Control System – Kiss from a Rose (Seal cover)
Steve Rothery – The Ghosts of Pripyat
Stone Roses – Begging You
Black Light White Light – Higher Than Low
Boomtown Rats – Mary of the 4th Form (single version)
Mono Men – You’re Gonna Miss Me (13th Floor Elevators cover)
Bikini Beach – Emily
Flatliners – Cry Cry Cry (Johnny Cash cover)
Hoodoo Gurus – Down on Me
Bikini Kill – Rebel Girl
Not Ur Girlfrenz – I Will Follow (U2 cover)
Wooden Shjips – Back to Land
Electric Eye – 6 a.m.
Panic Room – Satellite
Radiohead – Everything in Its Right Place
Melody Gardot – Love Me Like a River Does
Bravery – The Ocean
Jane’s Addiction – Then She Did
Sonic Youth – Small Flowers Crack Concrete
Rescues – My Heart with You
Depeche Mode – Stripped (10-inch remix)
Astrud Gilberto – Fly Me to the Moon
The Mamas & the Papas – Dream a Little Dream of Me
Bert Jansch – Alice’s Wonderland


T. Rex Generations: a book review


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T. Rex Generations stars four young rexes we meet under the watchful eyes of their parents as they hatch from eggs. In their youth, the rexes learn to survive, scavenge, and hunt. They meet a beautifully illustrated assortment of cretaceous creatures they must battle or escape. Author and artist Ted Rechlin creates even more dramatic page and panel layouts than in his 2017 brontosaurus book, which makes for great fight scenes. And in a world of monsters just as fierce as they are, not every rex will survive.

This book will delight dinosaur enthusiasts and comic book fans, and though it has a lot of physical conflict, it isn’t graphic or gory. Adults and kids can enjoy this all-ages action-packed story together.


My dislikes are mostly minor details: seeing the same double-splash page of empty landscape repeated where more story pages would be welcome; anachronistic phrases such as “so the siblings ease off the gas” that seem out of place millions of years before cars; and a couple spots of clunky exposition such as saying “as was previously noted…” when repeating something from a few pages prior.

My only major concern: why do the young rexes not get named until the final page? Characters we care about in a story usually get identified by name right away, and the parent rexes are identified just after the babies hatch. It isn’t clear why the younger rexes don’t get names until late in their adolescence, unless we see their climactic edmontosaurus kill as a rite of passage into adulthood. But even though a caption describes that as a “first kill”, it seems more likely that a predatory reptile who has been larger than a pickup truck for years has killed more than a few things. After a wild romp in the cretaceous, the last page left me with more confusion than conclusion.


None of that stopped me from enjoying this adventurous addition to my library of dinosaur books and comics. T. Rex Generations is a fun read and a joy to look at. The full-page and two-page illustrations of the rexes and dakotaraptor, edmontosaurus, and ankylosaurus would make great prints or posters.

Get some dinosaur in your new year at Ted Rechlin’s store or on Amazon!


Big thanks to Smith Publicity for the review copy of T. Rex Generations, and to Comicon.com for the images in this post.

may this be love


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May This Be Love is a 104-minute music set I streamed in November 2018. You can download it free of charge at:


The set list is available as a text file.

November 2018

Trio Marsicano – Machine Gun (Hendrix)
Powderfinger – My Happiness
World Saxophone Quartet – Freedom (Hendrix)
Shawn Lane – Peace in Mississippi (Hendrix)
Jimi Hendrix – Lullaby for the Summer
Emmylou Harris – May This Be Love (Hendrix)
Terje Rypdal – Into The Wilderness
Sonny Hines – Has Anybody Seen My Kitty
Tchavolo Schmitt – It Had to Be You
Flogging Molly – Devil’s Dance Floor
Chuck Carbo and The Soul Finders – Can I Be Your Squeeze
Toadies – Sweetness
Sr La Muerte – The Power
Skull Defekts – A Message from the Skull Defekts
Shihad – FVEY
Molior Superum – Försummad
Bug vs Earth – City of Fallen Angels
Terje Rypdal – Out of This World (Sinfonietta)
Schooner Fare – The Mary L. McKay
Sabrina Carpenter – Why

Year-End Book Giveaway


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Score a few more holiday goodies courtesy of Mars Will Send No More. From December 26 through January 1, the following ebooks are available at Smashwords absolutely free:

Meteor Mags: The Battle of Vesta 4

Meteor Mags: Omnibus Edition

The Baby and the Crystal Cube

Never See the Night

Animal Inside You: Poems of Chaos and Euphoria

Anything Sounds Like a Symphony: Poetry at Maximum Volume

Thank you for dropping by to read, comment, share, and discuss in 2018! Have a Happy New Year!

The Baby and the Crystal Cube: a short story


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The Baby and the Crystal Cube
© 2017 by Matthew Howard. All Rights Reserved.

Description: In The Baby and the Crystal Cube, two lucid dreamers meet in recurring dreams, fall in love, and conceive a dream baby; but the unreality of the dream world leads them to distrust each other—with nightmarish results.

8,100 words. Available as an audiobook on Audible and Amazon. On Amazon in paperback and Kindle. On Barnes & Noble in paperback and Nook Book. On Apple iBooks.



The sun’s about to set, but it’s been like that for months—or minutes, depending on how you’re counting. Time passes differently when you dream, and you can live a lifetime in the span of a few waking seconds.

I’m counting on that for my baby, so she has time to grow. She swims in a sea of amniotic dream fluid the size of a basketball inside me. I try as hard as I can to make the sun set and rise faster.

The back porch of my dream cabin is a perfect place to watch the sunset. The swing my husband hung there rocks my unborn daughter and me back and forth in a hypnotic rhythm like a cradle.

I know she’ll be beautiful. She already is. I talked to her. But she’s sleeping now, inside me. The second trimester was exhausting, and I’m afraid of getting tired and falling awake.

The swing. It’s making me drift off. I stop it and stand, and the sun moves again. Down, I tell it. Down. When it resists the order, when brute force makes it push against me even harder, a wave of my hand turns the horizon into a bowl, ready to receive the sun. Inviting it. Enticing it.

The sun cannot resist sinking into that terrestrial womb. The last ray of its surrender glints on the ruby-red cube perched quietly on the porch railing. A tiny version of the sun crawls along the cube’s edge, arming itself with hundreds of spikes of light before terminating at the point and vanishing.

I won’t hold the cube. Not again.

I wouldn’t dream of it.


The first morning of the lucid dreaming study, Drake scowled at me from across the round table and said, “Castaneda was full of shit. It’s pure fiction.”

“But the technique has potential. Look at your hands when you get lucid, to maintain it. I’m not arguing about his—”

He didn’t let me finish. “The method is no better than any other. It’s worse than some.”

I’d like to tell you we met somewhere romantic, but Professor Delnin’s laboratory was more like a 24-hour business meeting in an operating room. We were the patients: me, Drake, and half a dozen other lucid dreamers. The idea was to see if we could achieve co-lucidity; that is, becoming lucid as a group in dreams we shared.

We were all graduate students hoping to earn a few bucks over the summer. Being lab rats for a week sounded like a good idea. Sleeping on the job was a requirement.

So were the interminable meetings.

“Drake,” the professor interjected. With one finger, he pushed his thick-lensed glasses back up the bridge of his nose to be framed by his bushy, salt-and-pepper eyebrows. “Aimee’s presented one idea. Did you have another suggestion?”

The professor made nine of us in the room. We students slept in his machine the night before to calibrate his measurements and make sure everyone was comfortable. He had sat on a platform full of computers, monitoring us. We slept in a circle around him, in a ring of eight capsules wired back to the consoles in the middle like tentacles leading to a central brain.

We called the set-up the octopus, and the nickname was more than visually accurate. Each of us was like a distributed brain on a network, resembling how neurons distribute throughout the tentacles of the sea’s most famous cephalopod.

“Forget it,” said Drake. “It doesn’t matter. We can all agree to look at our hands, or we can all agree to do anything as a focal point to get lucid. But it’s not what we do. It’s where we do it.”

“You’re right,” the old man realized. “Every meeting needs a location.”

“And every location on a network,” said Drake, “needs an address.”

Drake annoyed me, but he was right, and he had a terrific jawline. I suggested the address for our group experiment. “Let’s make it memorable: 221B Baker Street. London.”

Remember when I said Drake and I didn’t meet anywhere romantic? I meant the first time we met. London was much more romantic.


“Aimee? Is that you?” The disheveled beggar who shuffled toward me on the sidewalk would have been more regally robed in thrown-out dish rags than the smelly scraps shrouding his face. But I recognized the voice.

“Drake?” I placed my hand on the beggar’s shoulder and sought his eyes. “Drake, what are you doing like that?”

The beggar raised his face to mine, and the cloth fell away. The face was wood, and utterly devoid of features, like the poseable figurines artists use to model people.

I gasped and withdrew my hand. The puppet man stumbled away, as if also frightened. He waved me off with one fingerless hand, like a flipper on his wrist.

Laughter and the rapid clicking of leather-soled shoes on cobblestone approached from behind. “Not him,” said Drake. “Me!” He ran to my side and bent over, placing his hands on his thighs for support while he caught his breath. “Why would I dream I look like that?”

His tailored suit adorned him in stately black and white, from collar to toe. I said, “You look like you’re on your way to a wedding.”

“It was the most Victorian thing I could imagine on short notice. You don’t like it?”

Down the street, the wooden beggar fumbled the lid on a rubbish bin. The lid clattered along the cobblestones to the horizon. The bin tipped over and spilled all over the stranger’s feet. It spewed more waste than it could possibly have the volume to contain.

With a pang of nausea, I averted my eyes. They fell on the sign on the door whose stoop we occupied. “Look at that,” I said. “We did it. 221B!”

“I told you.” Drake smiled that self-assured smile of his I would later come to hate him for. “Let’s go inside and check it out!”

“What about the others? Shouldn’t we wait for them?”

“Those deadbeats? It’d be a miracle if any of them get lucid at all.”

“I can’t argue with that.”

Sherlock wasn’t home, so we snooped through papers he’d left strewn about his room. Then we dreamed our way through London. We rode the giant Ferris wheel that didn’t exist in Holmes’ day. We took a horse-drawn carriage across the Thames and jumped off the Tower Bridge to see if we could fly together. The Queen’s Guard kicked us off the tour group at Buckingham Palace for singing Sex Pistols at the top of our lungs, and it was probably the best week of my life.

Then we woke up.


The morning meeting with Professor Delnin might as well have lasted a week, too. He wanted to talk about everything. Why did only two of us meet up? Why not all eight? Did anyone else get lucid without making the rendezvous? What happened in London? Were we sure it was a whole week?

Across the round table from me, Drake’s face sagged. He slumped over his little paper cup of black coffee and couldn’t muster the energy to sip. The steam fogged his glasses and his hair looked oily. Pointy flakes of dry skin hung trapped in the greasy spaces where his scalp poked through thinning hair.

The lab had bathrooms where early risers could freshen up before the meetings, take a shower, and brush their teeth. I hadn’t done any of that or even put on makeup. After a week of seeing a perfect complexion in mirrors all over London and none of those blemishes I can never get rid of, and not a hint of those dark, baggy circles under my eyes—I just didn’t have the energy to try that morning.

Someone should have put that in the meeting notes, but it never came up. Delnin wrote page after page of notes, and none of them contained the four words every lucid dreamer needs to understand before diving in headfirst to do what we did.

Reality is a disappointment.


Later that night, asleep in the octopus, Drake and I took a three-month cruise around the world. We visited countries that don’t exist, drove on roads no human ever built, and caught a bunch of bands you’ll never hear of in Europe.

We shared a cabin, which gave us privacy from the other passengers and the crew. But when we wanted the run of the ship, I just dreamed those people away. We didn’t need them. It was our dream, not theirs.

The first time he was inside me was in our cabin, and it happened so quickly I can’t remember how we started. We didn’t make it onto the navy-blue sheets and striped pillows on the bed. We did it standing up against the tiny refrigerator like our lives depended on it and we couldn’t be bothered to get our clothes off. But suddenly, I was scared and naked.

“Drake, wait. Wait!” He did, which meant a lot to me. “This is out of control.”

He stepped away, just far enough to give me space so I could face him. “Aimee! Wow. What are we doing?”

I slapped my open palm onto his chest with a sharp smack and left it there. “As if you don’t know!”

He laughed with me. We sat next to each other on the bed. “Sorry,” he said. “I didn’t mean to.”

“You totally meant to.”

He coughed. “I did totally mean to. Do we have any more cigarettes on this boat?”

“They’re not good for you.”

“Aren’t they? It’s just a dream, Aimee. Nothing here can really hurt you. Right?” He kicked his feet lazily back and forth over the side of the bed like a kid.

I rested a hand on his. “But it is real here. We’ve become conscious inside the unconscious. We think and feel. We’re aware. What isn’t real about it?”

He sat still for a moment and pondered. “Maybe instead of real, we should say ‘waking’ versus dreaming.”

“Then promise me you won’t start waking smoking.”

“Why would I do that?”

“Because,” I said, stretching out on the bed to reach under the pillow, “you are going to love these.” A pack of cigarettes materialized in my hand, and I drew it out. The pack bore a blue hammer logo, matching the color of our décor, and the name of the brand I dreamed up for him.

He did not need his glasses to see it. “Coffin Nails!” He laughed so hard he couldn’t catch the pack when I threw it at him, and it bounced off his chest onto the floor. “You’re getting good at that. Making things.” He got up and bent over to pick the pack off the floor. His body had become increasingly supple and firm as our dream voyage progressed.

“Thank you! But you’re on your own for a light.”

“That’s just mean.” He pulled out a single cigarette, flipped it over, and slid it back inside. He closed the pack. “Maybe I can find a light on deck.”

“Good luck. I’m scared to make fire. I don’t know if I could control it. Things happen here, and my emotions get all distorted. Jacked up. Extreme. I can’t even tell if anything makes sense.”

He laid down beside me, propping his head on one arm. “I know what you mean. Feelings get distorted just like space does. Or time. Or even objects.”

“Or identity. Haven’t you ever dreamed you were someone else—some kind of character? Or watched your own dream from a third-person perspective?”

“Yes,” he said. “It’s all another layer of distortion.”

But I felt like I knew who I was so long as he was there with me, and that feeling drew me closer to him. “There must be a thousand rooms on this ship, Drake. It couldn’t possibly be constructed in the waking world the way we experience it here.”

“And it changes daily. Or hourly. Aimee.” He took my hand and kissed my fingers lightly. “I’m sorry we got carried away. But I’m not sorry.”

That earned him a playful smack on his bottom. I climbed on top of him and pinned him down. “I guess it’s the ultimate form of safe sex, isn’t it?”

Though I held his arms, he managed a shrug. “What’s the worst that can happen? We can’t get STIs from a dream. There’s no pregnancy scare. No complications. It’s at least as safe as smoking your imaginary Coffin Nails.”

“Did you just compare sex with me to smoking?”

He wasn’t threatened by my scowl. “I think it’s amazing how you make things, and what I want you to make next is love to me.”

For the next two months, that’s exactly what we did.

It’s how I got pregnant.


Delnin’s meeting dragged itself like a wounded animal across the morning’s highway. After months of living on the ultimate cruise ship, the routine at the round table felt like a transfer to a penal colony. It didn’t help that Drake and I were disheveled, bleary-eyed, and generally about as useless as a pair of umbrellas in a tornado.

We did not repeat our mistake of the previous day, which was honesty and forthrightness that took up the entire morning. Instead, we stuck to a simple version we agreed on before waking.

“We did meet,” Drake told the professor, “and we walked on a beach. We picked shells out of the sand and threw them back at the water. Then we were running through the surf like a couple of kids, and that’s the last I remember.”

Delnin rapidly scribbled notes in a bland notebook. Its monotonous pages matched the dull color of Drake’s coffee cup and the blasé acoustic ceiling tiles, the boring whiteboard with faded scraps of things once written and half-erased into ghosts of dreams you can’t quite remember. I felt like I was about to puke.

The professor wanted to know all the details about the beach, and the shells we threw. I rubbed my eyes while slurring out details that sounded vaguely dreamy.

The other students must have hated us, getting all the attention for co-lucidity while they reported a mundane parade of archetypes, fantasies, and cigar-shaped objects.

One of them reported she made something out of nothing in her dream. I sure as hell wasn’t going to bring it up. I wanted to go back to sleep.


When I arrived at 221B that night, Drake wasn’t there. I sat on the front steps in a white dress that would have turned heads at a Renaissance Fair. I’d filled it with an overflowing mass of cleavage I simply didn’t own in waking, and topped it off with a hairstyle that was physically impossible. A massive bun gathered in curls on the back of my head and spilled in meter-long rivulets twisting in the sullen London breeze.

The city was too dreary. I drew my hand across the horizon and cleared the clouds completely. They revealed a sun which shone with a brightness and clarity rarely seen in England’s green and pleasant land of soul-crushing drizzle.

There. Sunny London. Just right.

Terrible shrieks pulled me to my feet. Lifting my skirts and ruffles, I ran toward the din. The cobblestone street led to a shipyard where anachronistic oil tankers sat alongside wooden docks like sentries. I cursed them for neglecting their duties.

The screaming continued. With the irrational certainty of the dreaming mind, I knew it came from inside a foreboding warehouse whose windows stared blankly over the displaced sea like the eyes of dead men. The building loomed, a black colossus in my suddenly sunny London, and I vowed to remove its blight from my paradise.

With a wave of my hand, the oaken crossbar and the chains securing it exploded, taking the massive double doors with them. Splinters shot through the air around me like the arrows of a million archers. All of them missed their target.

Advancing unscathed through the debris, I called out, “Drake! Drake! Where are you?”

“Aimeeeeee,” came the reply—a forlorn distortion of the vowels in my name, like a wind howling down icy fjords in a frozen hell. He screamed again, and this time the blood in my veins turned to steel and rage as if I were a mother bear in chains watching her cubs hacked to pieces in front of her.

Worse, the shriek came from everywhere at once. Drake’s voice was not in a single location, but distributed throughout the entire structure. “Drake! Tell me what happened! Retrace your steps!”

A silence more miserable than his caterwauling confronted me. A single door glowed with a sickly, greenish light—the door to the men’s toilet, judging from the sign before the light became too blinding to penetrate with eyes alone.

Pushing through the luminescence which beat on me like a cyclone, I forced my way into the room. Human filth and excrement caked its walls. All the sinks and toilets had been ripped from their bases to reveal mangled, rusted pipes. They teemed with giant roaches and deformed beetles from the diary of a psychotic entomologist.

The far wall exposed a gaping hole leading into some place dark and indistinct, and it terrified me. Drake was in there. I swallowed my fear and drowned it in a pool of black water deep inside me where no light shined at all, and I stepped in.

Drake’s smell hung in the air. Not his dream scent, the one like sandalwood and spicy musk, but the other one he had at morning meetings. I didn’t like it, but it grounded me. My emotions were getting out of control.

Blowing things up. Fjords from hell. Drowning in black pools. This wasn’t me. This was the dream cranking the volume up to eleven on my feelings.

“Fuck you, dreamland. Where’s Drake?” When I received no answer, I summoned a ball of fire into the palm of my left hand and held it before me, above eye level, like a torch.

Yes, I was afraid it would get out of control. Or burn me. But into the darkness I pressed, and if it did not want me there, then too bad for it. This was my dream. It belonged to me.

My improvised torch revealed a narrowing passage. The walls refused to behave. They bent into octagonal hallways where I met door after endless door. Through them I persevered into increasingly narrow and angular spaces. I stooped, then crouched, then crawled on my hands and knees.

The corridors forced me onto my stomach, making me worry about the baby inside me. I was just beginning to show. I dragged myself along by my elbows.

What kind of hell was I in, and how could this maze possibly fit inside the warehouse? It went on for hours. Or kilometers. What was the difference? Time was space, and space was a dimension of time. They obeyed no rules. Not any sane ones.

Drake’s intermittent shouts devolved into pathetic sobbing that made me wish for more screaming. I wanted to raise my fist and smash it into the terrifying crawlspace, but I lacked room to raise my arm more than a few centimeters. It was a claustrophobe’s nightmare.

“Shit.” I ended my struggle into the impenetrable passageways. “That’s exactly what it is. Think, Aimee. This isn’t just your dream. This is Drake’s nightmare, and all you’re doing is getting trapped inside it.”

Emotions were the problem. I wasn’t really limited by the confinement. I only faced the feeling of being trapped. Restrained. Afraid.

“I’ll show you fear, you goddamn warehouse.” I clenched my fist and gave no thought to the fact that I could barely wiggle it in the enclosure. I focused on the fear I endured for months the night before: the fear of letting loose with fire, the fear of being out of control, the fear of making something I could never unmake or force to stop.

I focused on the ball of fire in my hand, and I feared its awesome power with all my heart.

It grew from a torchlight to a blazing inferno, to a roaring volcano, then a supernova. Nothing of London survived its wrath. It wiped the stars from the sky and the blackness from the places between the stars.

It left nothing but an infinite plain surrounded by a stark, white light.

“Lover,” I said. “Come to me.”

In the center of that edgeless ivory expanse, Drake curled in a ball with his hands over his face.

I rushed to his side. “It’s okay, baby. It’s okay. It’s just a dream.”

He unwound from his fetal position and surveyed the glowing blankness around us. He placed his hand on my cheek as if he couldn’t believe I was real. “Aimee! I was trapped. I was in these tunnels that kept getting smaller and smaller until I couldn’t—”

I threw my arms around him. “Drake, I love you so much.” I think he believed it.

Sadly, so did I.


After the morning meeting with Professor Delnin, I went to Drake’s apartment for the first time. It was a sparse little studio you’d expect from a broke graduate student: a mattress on the floor, posters framed on the wall (not tacked up, thankfully), mismatched dinnerware strewn upon the furniture in clusters around cups with parched, brown layers at the bottom—coffee rapidly returning to its solid form.

It didn’t matter. After a week in London, a quarter year on a worldwide cruise, and the aftermath of the warehouse incident, I needed him inside me for real—or, I should say, for waking.

He locked the door behind us, tossed his keys on the table of his kitchen/living-room combo, and my hands were under his shirt pulling him to me.

We ended up on his twin mattress with the two pillows that were too skinny and the comforter that smelled musty, and I couldn’t get wet. Drake had a half-empty bottle of lube for me, but I swore I’d smack him if he fumbled the penetration one more time.

I got on top. “Let me do this.” I meant it to be confident. But it came out critical, as if I’d appended my words with you incompetent fuck.

A cloud passed over Drake’s face, and he could not meet my eyes. Then he wasn’t hard anymore, and I rolled off him in frustration.

Instead of spooning with me, he turned away and curled up on his side.

“Drake, I—”

“Don’t worry about it,” he said. “Just go to sleep.”

That solved everything. For a few hours.


At the end of the week, we left the old professor slightly wiser than when we’d met him, but not nearly as wise as if we had been honest about our final night in the study: our honeymoon.

I don’t want to make it sound like we got dream married just because the sex was amazing, but let’s be honest. We got married because the dream sex was absolutely amazing.

In the dream, whatever awkwardness we felt at Drake’s apartment disappeared. I had an orgasm with an intensity I never believed possible. His arms encircled me, and his scruffy cheek pressed to mine and scratched it. He said, “I love you so much, Aimee.”

He was inside me, and my baby was inside me, too. My dreaming body had become the nexus of an entirely new kind of family, one that lived and breathed in a realm of ideals and emotions. I never felt so close to anyone in my life.

My husband tensed, trembled, and emptied himself into me again, and I whispered, “Drake, we’re a family now.”

The sun was made of lava and poured through pixelated caverns in the sky. I dreamed I was a canyon, and Drake was the river flowing through me. We were the earth, and we were one.

All three of us.


Shackles bind my arms to chains that lead to iron rings set in a stone wall. Its clammy surface drips with a fungal slime. Between this wall and the one across from me lie two meters of bare stone floor. Three meters up, metal bars cross each other in a grid to let light though the single window for a few hours a day. It used to be that I could see the treetops of a distant forest, but Drake tore them all down last week in one of his tirades across the countryside.

To my right, another wall. To my left, a prison door of metal bars. Even if I had a key, I couldn’t reach it. Beyond it stands another slimy wall that fades quickly into darkness down a corridor I can’t see.

The hinges creak on the door at the end of the hall. Leaden footsteps pound with the weight of elephants. They come closer until he stands on the other side of the bars. He carries a tray of food, a cream-colored slop that drips off the edge.

I greet my husband. “Drake, you sadistic fuck! Let me out of here!”

The monster throws the tray to the floor outside the cell. He roars at me and beats his chest. He looks nothing like the man I loved.

His face resembles a gorilla’s, and black hair covers his body in a dense mat. He must weigh 150 kilos by now. But there’s something childish about his misshapen eyes, and his aggressive display irks me like a two-year-old’s tantrum.

I scream, “Look at what you’ve done to yourself! You can’t even hold on to your identity anymore!”

He grips the bars on the door in a rage, like he’s trying to tear them out of the wall. The bolts creak where the bars meet stone. I know he can tear them off. I’ve seen him do worse. He just needs some encouragement.

“Then you throw my food all over the goddamn floor, you fucking idiot! No wonder I can’t love you!”

The bars bend in his hands. He bellows so hard I can feel his rancid breath on my face. It smells like cigarettes.

“That’s right, you incompetent moron! You can’t even run a dungeon properly! You are useless!

The building trembles, and the bars strain against their housings.

“Stupid and weak and useless!”

The ropes of ape-like muscles swell in his arms, and the entire door rips free, taking chunks of the wall with it. I turn my face away to shield my eyes. His grip encloses my head like a ball of five hairy pythons. He almost snaps my neck.

The honeymoon is definitely over.


Things started to go wrong the day the study ended.

After we finished our exit interviews, I spent the night at Drake’s. I dreamed about my baby. She grew inside me like a new organ, like an unfolding flower—someone who was me, and yet not me. Of all the things I’d made in the dreaming, she was the most wonderful.

But even without the professor to torment us, the next morning felt heavier than a bourbon hangover. Drake avoided my eyes during our desultory caffeine ritual.

“What’s wrong,” I asked, “besides the usual?”

He glanced up from his mug then looked into it again, as if consulting a crystal ball for an answer. He mumbled, “I can’t believe you said that last night.”

“Said what?”

“You remember. In the dream. You said our sex life was terrible.”

“What? I didn’t say that. Where were we?”

“Come on, now.”

“Fine, don’t tell me.”

“We were having dinner with my parents. And you told them what it was like in bed. It was so embarrassing! Why would you—”

“Drake, we didn’t have dinner with your parents. What are you talking about?”

“How can you just deny it?”

“Because it isn’t true!” I got up to sit beside him on his couch, but he looked away from me and studied the opposite wall. So, I stood by the coffee maker next to the sink and thought for a minute.

“Listen, Drake. How do you know for sure it was me? Don’t you dream about other people all the time?”

“What do you mean?”

“I mean, how do you know this me at your dinner party was the lucid me, and not just some dream image you conjured up like everything else?”

He set his mug on the low table in front of the couch and placed his forehead in both hands. “Aimee, that is so fucked up.”

“But you have to admit, it’s at least possible. And, I should think, a lot more possible than my lying to you. After all we’ve been through?”

Later, we tried waking sex again. I couldn’t get off. Instead of bringing us closer, it just upset him more. If I had thought about it for a couple days, things might have ended differently.

But we just went to sleep as usual. It made everything better before. Why wouldn’t it work again?

I hadn’t considered Drake’s insecurity was a kind of fear. When people are scared and insecure, they try to make themselves feel better by seizing control of a situation.

And the situation was me.


That night, we spent a week building a cabin where we could watch sunsets from the porch, swing with our baby, and rock ourselves until we fell awake. That probably sounds ideal, but it turned into a house of horrors.

Like the time I walked into the baby’s room and it was full of maggots and animal corpses. We had just painted it!

For weeks, I had found these nightmare rooms. When I slammed their doors, the hallways began twisting into Drake’s claustrophobic mazes. I could fix most of the damage, but perpetually rebuilding became a chore. What’s the point of having a dream life if all you do is bend halls back into shape after your neurotic husband’s nightmares mess them up for the millionth time?

The maggot-ridden baby room was the last straw. I confronted him in our living room. “Drake, you’ve got to get a grip. This phobia you have is wrecking the cabin. It’s all wrong all the time!”

“And that’s my fault? This is your dream, too, Aimee. Your rooms full of nightmares. A baby crib full of death? That’s you dreaming that!”

“I would never—”

“Bullshit! You’re terrified something’s going to hurt her, or that you’re about to fuck it all up.”

He might have been right. He might have been wrong. But he was definitely grabbing my arm, and I didn’t like it. “Get your hands off me.”

“Why? Are you scared?”

Fear ran through my bones like a cold electric current. My powerlessness angered me. My wife was a complete bitch.

Wait. I am the wife.

I slapped his face. “Let me go!”

He hit me back with a closed fist. “You like it rough?” He shoved me backwards until the wall stopped us, and his body pressed against mine. “Is that what gets you off?!”

I pushed back, but he was heavier than before. Bigger. Hairier. “Damn you!”

Drake answered not with a curse but a savage roar. His body and his face changed, transforming into something stronger and more brutish, like a Cro-Magnon devolving into his primate ancestors.

He pinned me to the wall and tore at my clothes, and I feared for my baby.

I felt what Drake felt: frightened by a loss of control, and angry. With impossible strength, I pushed him away. He flew backwards like a missile into the wall. It caved at the impact like a moon crater, and a chunk of the ceiling the size of a semi-truck fell on him.

The house groaned. It pulsed all around me, like a beating heart. Deep in its labyrinthine rooms, nightmares blossomed and bore terrifying fruit. As the dust settled on my buried husband, I shut my eyes and turned my attention to the cabin.

Every door on every room slammed shut and locked at my command. Behind their wooden portals stormed a menagerie of demons, corpses, soldiers with their eyes torn out stripping the skin from babies, angry mobs hanging their scapegoats with barbed wire instead of rope, mothers drowning their children in boiling water, fathers beating their daughters with baseball bats.

With an involuntary shudder, I opened my eyes. My daughter would suffer no such fate.

The pile of rubble stirred. A malevolent beast howled his thirst for vengeance. The broken beams and rafters tumbled from the pile.

Drake was still alive, but he no longer resembled the man I married. Shaking off the debris that crumbled away and thundered on the floor, he rose to his feet to face me.

Breathing laboriously, he found the clarity to speak words instead of grunts. “You,” he said. “I’ll show you.” He picked up a rafter from the floor and swung it about, destroying everything in his reach.

My dream cabin started coming down around my ears. Dropping to one knee, I crouched and covered my head. It was no good. I had to get out.

I should have forced myself to wake up. But any judgment of my actions must consider this was not merely my dream. It was ours.

Just like in the warehouse, emotion gipped me, a collaborative emotion growing out of the co-lucidity. Drake’s frustration and my fear, the suspicion I was to blame for all this, they fed off each other. They made a feedback loop, intensifying our feelings until rationality evaporated.

From my crouch, I gathered my strength and shot like a bullet through the ceiling and into the sky.

The thing Drake had become burst from the cabin a moment later in a wild frenzy. He began demolishing the dreamland, uprooting trees, throwing boulders, and pounding mountains with his huge, hairy fists.

He was so bent on destruction he forgot about me. I took a deep breath and descended to the ground beside him. “Drake, you maniac! Stop!”

My proximity did nothing to quell his anger. When I tried to place a hand on his shoulder, he hurled me away. I tumbled across a field of Venus flytraps and tombstones.

I needed to get away from him, get space to clear my mind and focus. His emotions overflowing onto mine weren’t helping anything. They only locked us tighter into the unreasoning dream.

And that was the key. I couldn’t overcome the dream. It was too powerful. I needed to accept the troubling emotions it brought me. Brute force was not the answer, but receptivity.

Receptivity, and separation. I rose to my feet and shouted, “What do you want, Drake? Do you want me to be your slave? Your prisoner? Fine!”

I did what he could not, and let go of my fear of imprisonment. I choose my jail and summoned it into existence: a sturdy stone fortress with bars on the windows and locks on the doors. It rose all around me from the ground, wall by wall, turret by turret, until it towered overhead.

Drake accepted its reality. It fit his paranoid fantasy, and his belief I was to blame for his feelings of inadequacy. After all, the guilty deserve to be punished.

I made myself a dungeon, and decorated accordingly. As my husband lost himself in a month-long rampage across the landscape, I meditated, gathered my thoughts and feelings, and put them back in order.

I needed to wake up, but not as badly as Drake. His monstrous form and boundless hate made him feel powerful, so much more than in the waking. He could lose himself in it. Maybe he already had. But he was my husband, and I couldn’t ignore the possibility he might never wake up voluntarily.

When I was ready to confront him, I called out for food. “Drake, I’m starving! You’re murdering me! Is that what you want? How can I love you if I die?”

Then we dreamed he brought me food, and I taunted him. He tore the door off, and nearly tore my head off, too.

Better for him if he had.

I called up the fire into my right hand and pressed it against his face. “Wake up, Drake!”

The stench of burning hair would have sickened me if Drake didn’t do much worse, thrashing my body back and forth about the stone cell like a child beating the walls with a doll. Then the fire grew, and it covered me.

Drake’s flesh seared. He flung me away. My skull struck the wall. My ears rang, and his bellowing did not help. Pushing off the stones, as the flames cascaded upward from my skin and snapped in the air, I had words with the father of my child. His were incoherent, bestial things. Mine were, “Wake the fuck up!”

Even a monster could burn. He backed away.

“That’s right, you sick bastard. Wake up!”

The heat blistered his shrieking face, and I pressed the advantage. I struck him again. The flames grew white hot until his hideous, primitive form disintegrated to reveal the naked man inside.


I woke with a start, already in motion, flinging off the smelly comforter and pouncing on Drake. He put his arms over his face to block my swinging fists. I pummeled him anyway. “You son of a bitch!”

He shouted my name and a string of curses. “Stop! Stop! What is wrong with you?”

“Beating me up and threatening me? Wrecking my cabin? Ripping my goddamn head off?!”

“What are you talking about?”

If he had so much as raised a hand against me, I would have bashed his brain with a desk lamp. But he didn’t fight back. I relented.

“Aimee, what the hell?” He kept his arms over his face.

Months I put up with your shit!” Exasperated, I got to my feet.

From his mattress on the floor, he asked, “What happened?”

I told him, and didn’t finish half of it before he denied it.

“This is the same thing that happened yesterday,” he interrupted. “Just like when I thought it was you at the dinner party.”

That caught me off-guard. I settled onto the floor next to his mattress and studied his eyes and lips.

“You can’t seriously believe I would do stuff like that to you.” He turned away as if I’d hurt more than his face. “Or be some kind of monster.”

“Drake.” His bare shoulder begged for my touch, but I drew my hand away. “I can’t deal with this before coffee.”

Disappointment awaited me in the kitchen. “You’re out of coffee!”

Drake groped the floor near his alarm clock to find his glasses, peeled himself off the mattress, and drifted into the kitchen like a dead animal floating on the open sea. “I’ll go get some. Store should be open.” He grabbed a grey hoodie and pulled a pack of cigarettes from its pocket. He slapped the top of the box half-heartedly against an open palm.

I’d never seen him with a waking pack of cigs before. “I’ll go with you.”

He wouldn’t meet my eyes. “No, I’ll just go,” he huffed. “I’m not useless.”

The door slammed behind him with the force of a petulant child throwing his toys.

I’m not useless. The phrase stopped me colder than the slamming door. Useless.

I peeked through the blinds on the living-room window. Off-white slats parted to reveal Drake’s car, two stories down in the parking lot, crawling past the apartments and slithering onto the main street.

Why would he choose that exact phrase? The same words I yelled at him in the dungeon? The same insult I yelled at him in a dream he said he never joined me in? I hadn’t even told him about the dungeon before he interrupted—


I set Drake’s alarm clock for five minutes later. It wasn’t much time, but once I fell asleep, I could gain weeks to do what I needed. Not just for myself, but for my baby—my daughter, now into her second trimester in the dreaming. It wasn’t safe for her there with that maniac around.

I fell to sleep and got to work.

Drake returned 27 minutes later, smelling like an ashtray.

The stink made me heave. I kissed him on the cheek. “What do you say we get drunk? I’ll buy.”

Men don’t mind running errands if there’s booze in it for them. I sent him back out with a pair of 20s from my purse. He returned with a liter of vodka and a 12-pack of beer.

We drank until he passed out.


I became lucid at 221B. “Drake! Where are you?”

He emerged from the door of an eye-glass shop at the far end of the street. He walked toward me, instead of flying. Were his powers in the dream devolving? Or just his self-image?

I pulled down the front of my Ren Fair blouse. “See anything you like?”

He tried to touch me, but I pulled away. “You’re not going to lose your temper, are you?”

“Don’t toy with me, Aimee. Come here.”

“Maybe I don’t like being ordered around.”

He replied with a growl that rumbled through the streets all the way to the anachronistic shipyard. His fingers curled into fists.

“That’s what I thought.” For the last time, I turned the brass knob at 221B and flung open the door. “Come and get me. If you’re man enough.” His roar rang in my ears, and the clatter of my shoes up the wooden steps to Holmes’ room was matched by the stomping of huge, hairy feet behind me.

He was already growing larger when he hit the doorway into the detective’s study. His massive bulk rammed the wood frame. The force cracked the plaster on the walls, but they held.

Drake squeezed through the entrance to Holmes’ room in a rage, and nothing was safe from his swinging, simian fists. He knocked over a table, shattering its kerosene lamp on the floor, scattering vials and beakers and notebooks from Holmes’ experiments. Drake ripped the bookshelves down from the wall. They crushed the books that tumbled out of them.

From the next room, I called, “I’m not impressed!” I dashed out the back door. It led up another flight of stairs.

Drake charged through the room behind me and forced his way into the stairwell. Its narrow ascent frustrated him even more. The steps went up for half a kilometer, where they angled off to some unseen destination.

“It’s getting tight in here, monkey boy. Why don’t you go back the way you came?”

His fear of the enclosure overcame his rage, and the monster twisted his head around to peer over his shoulder.

I waved my hand in a circle and drew it into a fist. The staircase behind him sealed shut.

“Aimeeeee,” he shouted, and charged.

I abandoned running and flew up the stairwell faster than he could climb. At the turning point, a door led into an even narrower tunnel with uneven, reflective sides, an octagonal tube of mirrors. My image appeared on a thousand surfaces.

Drake huffed outside the door, flexing his gorilla nostrils and breathing heavily. “You can’t trap me here,” he said. “I can just wake up.”

“Can you? Why don’t you try?”

The twisted grimace on that ape-like face would have been comical if not for the storm of fear and frustration that blew up in his eyes.

“Go ahead, big man. Wake up!”

He smashed his fist into the wall, which did not crack. “What did you do?!”

“Temper, temper.”

“Arrr!” He beat the unyielding wall again. “What did you do?!”

“Drugged the shit out of you while we were drinking. You couldn’t wake up now if the goddamn house was on fire. Get the picture?”

He screamed, “I’ll kill you!” Into the tunnel he pursued me.

The maze I led him through almost got me lost, too—even though I’d built it. It took weeks in the dreaming, during my five-minute nap. In that time, I pondered a question the philosophy majors had beaten like a dead horse for centuries: could an all-powerful being create a rock so heavy she couldn’t move it?

They would have been jealous of my having a world where I could do original research on the topic. For my proof of concept, I created a dream substance so durable I couldn’t break it.

I built Drake’s nightmare from it.

He chased me through kilometers of twisting corridors which grew smaller as they receded behind him until, at last, he was wedged in tight. Immobilized. He seethed.

Being smaller, I was ahead of him by a meter—close enough to smell the hate-filled terror in his sweat, but not close enough to touch. I pressed my back to the wall of the dead end I’d led him to. “This is where I get out.”

His unearthly throat poured out a stream of pre-linguistic curses from a species of brutes.

“It’s too bad it had to be like this, Drake. But I have my daughter to think about. Good-bye.” The wall behind me swung open like a hatch. I leapt into damp London air and slammed the hatch closed. Lifting my arms, I summoned four sheets of ruby-red crystal down from the grey sky. Each was 20 meters high and just as wide.

They dropped vertically like guillotine blades, with a resounding thunder, enclosing the property on Baker Street on all four sides. A fifth sheet of crystal dropped horizontally to cover the top. Drake, in the heat of the chase into the building, had failed to notice the entire foundation had been replaced with a similar sheet of crystal.

There it was, my proof of concept: unbreakable dream crystal. I traced lines in the air with my index finger, and all along the cube’s edges flared a radiance with the intensity of an enormous arc welder. The cube sealed at the seams. I couldn’t break the stuff, but I could bond it to itself. And I could resize it.

The cube shrank until it was small enough to hold in my hand. I can’t imagine the effect on Drake as his enclosure grew ever tighter, taking him with it. But perhaps it wasn’t complete torture. Just as time inside a dream can be longer than the time which passes in waking, objects in dreams can hold more volume inside than they appear to on the outside.

Either way, my baby and I were safe. I plucked the cube from the ground and flew back to my cabin. There, I repaired all of Drake’s destruction and architectural distortions before watching the sunset.

A whisper flowed from inside me. “Mama.”

Holding my belly, I considered attempting to dream about giving birth right then, but my daughter wasn’t some inanimate object to be manipulated. Like her lucidly dreaming parents, she was a consciousness inside the unconscious.

But I could exert control over the dream. That’s when I started speeding up time until I was too exhausted to do it anymore, and I fell awake.


Drake curled like a fetus on his inadequate mattress, drugged out of his mind. Maybe if we’d taken the time to get to know each other in the waking, outside of the Delnin study and his bachelor hovel, he would have known my purse held a travelling pharmacy.

Mom’s sleeping pills I stole so she wouldn’t accidentally overdose. Anti-depressants I bought from a girl in political science lecture. Hydrocodone I didn’t take when I got a tooth pulled. Liquid morphine I took from Gramma’s medicine cabinet when she was on hospice.

Drake looked so peaceful. I was tempted to make my own chemical cocktail for the road. Then I considered suffocating him with his pillow.

Instead, I walked out. I wanted to have my baby. I wanted to meet my daughter and hold her close. I wanted to go the hell back to sleep.

I left Drake’s door unlocked, in case the pillow idea sounded better a few hours later.

It did.



mars 2016 march logo

A Concrete Retrospective


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This post compiles a series of posts from five years ago about one of my favorite comic books: Concrete. All but one of my Concrete books got sold off several years ago, but I miss them and would like to replace them soon. While I nostalgically re-read my graphic-novel-sized collection of Concrete’s short stories, enjoy this retrospective and discover some sublime artwork.

Concrete began in the pages of the first volume of Dark Horse Presents as a series of short stories. Many of the plots involved the fact that Concrete was a writer before his strange metamorphosis. The naturalistic pages above and below come from a simple story about Concrete having to sleep in the desert while his human companions stop to sleep at a hotel.

Collector’s GuideDark Horse Presents #32 (Annual); Dark Horse, 1989.
– Reprinted in Concrete Complete Short Stories 1986-1989, TPB.

If you got stuck in a nearly invulnerable body with incredible strength, endurance, and eyesight, what would you do? Dress up in tights and play superhero? Doubtful! No, you’d want to see the world and have adventures! In the second issue of Concrete, Chadwick’s creation tackles one of many heroic feats: swimming across the Atlantic Ocean!


Collector’s Guide: The back cover of Concrete #1; Dark Horse, 1987. Full story appears in Concrete #2. Reprinted in Complete Concrete with issues #2-10
– Reprinted in Concrete TPB #1 with issues #2-5
– Reprinted in Concrete Land and Sea with #2 and expanded material

In the sixth issue of Concrete, our cement superstar takes a break from his adventures to help a struggling family on a farm. With his incredible strength and endurance, he plows fields, builds aqueducts, clears land, and more. The character interaction is especially strong in this story. Chadwick gives Concrete plenty of room to explore ideas about sustainable agriculture — a subject you don’t often see covered in comic books!

Collector’s GuideConcrete #6, Dark Horse, 1987.
Concrete #6 reprinted in Concrete TPB #2 and Complete Concrete.

One of Concrete’s more traumatizing moments comes when his strange body begins to change in ways he can’t explain. It starts with little horns growing out of his forehead. He keeps them under control with a belt sander for a while, but soon his entire body gets out of control. It’s an interesting story, and Paul Chadwick uses the strange growths as a compelling visual element.

a page from Concrete #7

back cover of Concrete #6

Collector’s GuideConcrete #6-7; Dark Horse, 1988.
– Reprinted in Concrete TPB #2 and Complete Concrete

In issues #8-9 of Concrete, the rocky hero tackles Mount Everest and undertakes a humanitarian mission to dam an alpine river for a village.  Don’t worry, it doesn’t spoil the story to know he makes it. Many exciting twists of fate await you if you climb with Concrete!


cover of #9

Collector’s GuideConcrete #7-9; Dark Horse, 1988.
– Reprinted in Complete Concrete with issues #1-10 and in Concrete TPB #2


Concrete’s triumphant moment atop Everest

The back cover of Concrete #9 shows Concrete’s last visit to his elderly mother. The point of view is from his mother in the bed, and she is reflected in the mirror over Concrete’s shoulder. Paul Chadwick made the story moving while working in lighter comedic moments about how difficult it is for Concrete to get around unnoticed. This story serves as a good example of the humanism shaping this series.

Collector’s GuideConcrete #9-10; Dark Horse, 1988.
– Reprinted in Complete Concrete with issues #1-10
– Reprinted in Concrete TPB #2

Concrete was a writer and avid reader. (And a thinker, too, despite his rugged appearance!) Paul Chadwick draws Concrete at home, in his modified chair, enjoying a good book.

Also included here is a page from one of the short stories in Dark Horse Presents. Concrete and his friend visit a man with an impressive art collection and library — including an entire room full of bagged and boarded comic books, perfectly filed. Wouldn’t you love to spend a few weeks in there? Also, the man has a secret room with cool paintings that capture Concrete’s imagination. And what guy doesn’t like the idea of having his own secret cave?

Collector’s GuideConcrete #10; Dark Horse, 1988. And Dark Horse Presents #66.
– Concrete #10 reprinted in Concrete TPB #2 and Complete Concrete
– Short story reprinted in Concrete Complete Short Stories 1986-1989, TPB.

For the first nine issues of Concrete, Paul Chadwick used the back covers for artwork giving readers a sneak peek at the next issue’s theme. For the tenth and final issue, Chadwick depicted Concrete taking a meditative moment in a lush forest. Part of the joy of reading Concrete is moments like these, where Chadwick illustrates nature.

The final issue of Concrete’s ongoing title was by no means the end. Chadwick switched to a limited series format for subsequent Concrete stories. The longer form allowed him to expand Concrete’s world and life. You can find them individually or as Volumes #3-7 of the Concrete TPB.

Collector’s GuideConcrete #10; Dark Horse, 1987.
– Reprinted in Complete Concrete with issues #1-9 and in Concrete TPB #2



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Silence is a 102-minute music set I streamed in July 2017. You can download it free of charge at:


The set list is available as a text file.

PBN Set 15: Silence
July 2017

Linton Kwesi Johnson – Two Sounds of Silence
Delerium – Silence (with Sarah McLachlan)
Valentine Six – Silencer
Flogging Molly – A Prayer for Me in Silence
Béla Fleck – Prelude to Silence
Prasanna – Culture of Silence
Charlie Haden, Liberation Music Orchestra – Silence
Prasanna – Nasika Blues
Bill Dutcher – Echoing Pathways
Charles Lloyd – Nataraj
Trio Nine – Fragments of Multiplying Images
Robert Silverman – Scherzo: Allegro energico
Linton Kwesi Johnson – Reality Poem
Avik Deirmenjian read by Silva Uzbashian – Armenian Poem 1
Philippa Fallon – Tomorrow Is a Drag (from High School Confidential, 1958)
Savages – Shut Up
Sonic Youth – Small Flowers Crack Concrete
Sonic Youth – Tremens
Trio Nine – Cezanne
Boris – Interference Demon / The Evil One Which Sobs (live)