Those clouds were really fun to draw and we might have gone way overboard on them once we got the hang of it. The lines are definitely influenced by cloud and smoke rendering techniques we have been analyzing from Michael Zulli, Alex Nino, Kieth Giffen, and others.
The color is Inktense. Derwent’s Inktense inks give you vibrant colors in a block form that you combine with water and brush. They work a lot like watercolor paints but as an ink. We have zero background in watercolor or ink brush technique, but they seemed potentially fun to play with.
For these postcards, we applied the inktense colors first, sometimes after a light pencil sketch for layout and design. Then, over the areas of color, we rendered the subjects with Sharpie markers.
Since the internet loves to hate Roy Lichtenstein for “stealing” old comic book panels, we will try to include some references here. Yes we are copying comic book panels! It’s fun, and we learn a lot about rendering technique from studying comics. When you want to be good, study the masters!
The rocket above is a study of a panel from 1953, a comic book called Atomic War, issue #4. Look, Roy, we even sourced the original panel :) By the way, Atomic War is so old that it’s now public domain. We got ours at the Digital Comic Museum. So, feel free to reprint it and make posters of it or whatever. You can even buy Atomic War comics t-shirts now.
Next up: Psycho Bear!
Psycho Bear comes from an issue of Weirdo published by Last Gasp. We sold the issue, but have a picture of the page, credited to R. Hayes:
We started our set with this hand in the eye, based on a sculpture at the Atlanta airport.
Next up, a smoldering planet.
Source? DC’s planet of Apokalips as rendered by John Byrne and Karl Kesel in the first issue of Legends in the 1980s. The earthy orange tones and sharpie fine point marker made us feel like we were inking Larry Stroman’s work on Alien Legion. That guy can sure draw a space-scape! This felt good, as our first four painted studies of Byrne’s Apokalips ended in utter failure. This one felt like a step forward in rendering technique.
Alright, Roy, here’s the original.
THOOM! So much fun we did it twice. It comes from a John Buscema panel in Mighty Thor #200. Buscema, one of our favorite artists, a kind of Jack-Kirby-meets-Frank-Frazetta, created our favorite art textbook: How to Draw Comics the Marvel Way.
OKAY ROY HERE IS THE SOURCE! Jeez.
Anyway, these are all stamped and ready to be launched into orbit from Martian Headquarters. Here are some more photos we took because we’re obsessed with the iPhone 5 camera after living without a decent camera for like 39 years. Look how nice they are in the window!